• Generation to Generation: conversing with kindred technologies, collaborative museum exhibition with Sasha Stiles. Premieres at the Krasl Art Center in St Joseph Michigan, April - August 2025 and travels thereafter. Interested venues contact tami@krasl.org.
• Get Well-thy (working title), free NFT drop and "anti-activation" performance, ArtBlocks @Marfa TX, November 14-17, 2024
• theVERSEverse features, Non Fungible Conference Lisbon, May 2024
• Trans-actions and Co-operations, Token Art workshop, NFT NYC, April 2024
• AI driven creativity, panel at Northwestern Mutual Data Science Institute annual conference, UWM, April 2024
• Design For Well-Being: Tools and Practices for Co-creating Communities of Well-being, VentureWell OPEN Conference, San Diego, March 2024
latest NFT Drops
• Get Well-thy (working title), Art Blocks Studio project, free NFT drop and "anti-activation" performance, Marfa TX, November, 2024
• Imperfect Lovers, smart contract-based project, continuous networked performance, inaugurated February 23, 2024
• forevery, a 24-hour Blockchain-based performance, April 18-20, 2024 on Prohibition.Art, final edition 379 (closed)
• STILL MOVING, Art Blocks curated drop w/ Sasha Stiles, final edition 240 (closed)
• The World After Us, originally available via the now defunct Quantum.Art, where 6 were sold (view these on OpenSea). Other 1/1s minted on request
• Future Mythologies, w/ Anne Spalter; Persephone owned by FlamingoDAO, Medusa owned by Mad Arts Museum, several still available: Odys and Penny on SuperRare, Achilles with Proof of People, Icarus and Ariadne with Expanded.Art, Artemis, Cy, Hektor, Pandora, and Arachne are on openSea. Future Mythologies, a chapbook (PDF) of all 12 poems, is available on objkt
• Tezos artworks on OBJKT - secondary market only
• Early Eth artworks on Foundation, several available
• Tezos generative work on fx(hash) - secondary market only
• Eth and Polygon artworks on OpenSea
“a natural polymath and interdisciplinary artist, [Stern’s] passion… enlivens the conversation, steering it down tangential alleyways that enlighten his process with glorious context, while also bringing a cascade of new and interesting insights.” – Ola Kalejaye, Culture3
He “invites us to imagine the world in which technologies and biotic life appear and express to one another in the afterlife of us… a new network of relations” – Amanda Boetzkes, Professor of Contemporary Art History & Theory
“Stern’s artistic explorations work with materials and through bodies, [enabling] spectators to experience the unthinkable: to inhabit a post-human worldview firsthand.” – Kate Mondloch, Prof. of Contemporary Art & Theory
Stern “breaks apart language but also gets closer to the strength and the meaning of language… representing poetry to people in a new way [while] also using poetry as a tool to calm the rhetoric around something that could be quite controversial.” – Johnny Dean Mann, The Tickle Magazine