Future Mythologies: Persephone
The World After Us: Imaging techno-aesthetic futures
Still Moving
THE WORD AFTER US: An AI Poetry Unreading
Future Mythologies
Body Language
Ecological Aesthetics: artful tactics for humans, nature, and politics
Traversing the landscape
Sunflower Eco Tech
ABLE: the Autism Brilliance Lab for Entrepreneurship
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The World After Us: Imaging techno-aesthetic futures
New Book
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“technological, thought-provoking and unexpected” – Bonnie North, NPR

"powerful... weird, intriguing, and sometimes beautiful" – Leslie Katz, Forbes

our "future is confronted [with] power and ingenuity" – Arielle Pardes, WIRED

a “daring poet [and] artist” – Elisabeth Sweet, theVERSEverse

“tremendous fun… fascinating… investigating the possibilities of human interaction and art” – Caleb A. Scharf, Scientific American


Press, books, articles, catalogs, and media that feature art and writing by Nathaniel Stern

current and upcoming exhibitions and talks

    Mint Gold Dust x Superchief, Superchief Gallery, 19 Oct 2023, New York City
    SYM | BIO | ART, including a public talk, July - Sept 2023, University of Johannesburg
    STILL MOVING, live performance w/ Sasha Stiles and Holladay Saltz at Art Blocks festival in Marfa, TX
    Recursive Reflections, w/ Sasha Stiles curated by SUBJECTIVE/Lume Studios at Frieze, May 2023, NYC
    STILL MOVING, full gallery installation w/ Sasha Stiles, curated by Art Blocks Sept 2023, Eth Chicago

latest NFT Drops

“a natural polymath and interdisciplinary artist, [Stern’s] passion… enlivens the conversation, steering it down tangential alleyways that enlighten his process with glorious context, while also bringing a cascade of new and interesting insights.” – Ola Kalejaye, Culture3

He “invites us to imagine the world in which technologies and biotic life appear and express to one another in the afterlife of us… a new network of relations” – Amanda Boetzkes, Professor of Contemporary Art History & Theory

“Stern’s artistic explorations work with materials and through bodies, [enabling] spectators to experience the unthinkable: to inhabit a post-human worldview firsthand.” – Kate Mondloch, Prof. of Contemporary Art & Theory

Stern “breaks apart language but also gets closer to the strength and the meaning of language… representing poetry to people in a new way [while] also using poetry as a tool to calm the rhetoric around something that could be quite controversial.” – Johnny Dean Mann, The Tickle Magazine