implicit art

art and ecology, fiction and geek stuff, culture and philosophy, parenting and life, etc

implicit art

theory

Archives

16 September 2006 by nathaniel

jonah bc

nice interview & write-up of my buddy, jonah brucker-cohen’s, work on ‘we make money not art.’ I did a feature on his stuff at a digi-soiree about 2 years ago – was a hoot. check it.

Posted in art, pop culture, re-blog tidbits, reviews, stimulus, technology, theory, uncategorical ·

Archives

07 September 2006 by sean slemon

Dropping Knowledge

In 2 days, www.droppingknowledge.org will launch a global dialogue platform at the table of free voices, Berlin. On September 9th, 2006, 112 of the world’s great minds will come together around the world’s largest table in Berlin’s historic Babelplatz Square.

Recorded by 112 digital cameras, they will simultaneously answer 100 questions chosen out of thousands donated by the global public. The resulting 600+ hours of audiovisual content will launch an unprecedented online resource: a knowledge portal and dialog forum created to host a global conversation covering the most pressing questions of our time.

Among 112 participants, a number of them are artists, musicians, filmmakers and authors. A complete list of participants can be viewed on the site.

Please visit www.droppingknowledge.org for more information.

Posted in news and politics, pop culture, sean slemon, stimulus, technology, theory ·

Archives

07 September 2006 by nathaniel

interactive arts lectureship post, johannesburg

I worked in this department (at the top University in Africa) as the part-time core lecturer for over 3 years, but it seems timing has worked against me – now that they have a full-time position, I’m about to pursue my own advanced degree in Ireland. I HIGHLY recommend considering this job – even if, rather than looking to settle here, it’s just an adventure in Africa for a couple of years (or if you want some tenure-track, full-time experience).  It’s a very small department – three full-time posts – and the interactive MA degree would be yours to control, with about only 10 grad students per year (the undergrad courses are new, so I’m not sure how those would run). Christo, head of the division, is game for all types of experimentation in practice and curricula, and a master at cutting through red tape, alternative methods of presentation, and finding funding and equipment – especially considering this is third world.

I’ve put a pdf of the post ad at http://atjoburg.net/wits-post.pdf – and note that if you know any 3D-ers, there is also a post for them (separate MA degree, in same department) ;)

Contact Christo, email address below, with any q’s (and unofficial ones can come to me, should you want a scoop).

PS note that application deadline is a bit tight – 29 September

WITS UNIVERSITY, JOHANNESBURG, SOUTH AFRICA
FACULTY OF HUMANITIES
DIGITAL  ARTS (FULL-TIME LECTURESHIP)

LECTURESHIP IN INTERACTIVE MEDIA DESIGN

The successful candidate will be a producing artist working in the area of interactive/digital arts.

Qualifications: MA, MFA, MPS, MSc or equivalent qualification. Experienced with at least one interactive development environment and qualified to teach creative web design and at least two of the following: multimedia performance, video art, sound art or net.art.

Duties: Teach both production and theory to postgraduate and undergraduate classes. Supervise postgraduate research projects, collaborative exhibitions and assist with course administration.

For further information contact Professor Christo Doherty, Head of Digital Arts, christo.doherty@wits.ac.za or visit www.wits.ac.za/artworks

Renumeration: This is a tenure track position or can be a short-term (two year) contract. A competitive package with excellent benefits will be offered, dependent on qualifications and experience. Appointment: Incumbents will be required to assume duty in January 2007, or as soon as possible.

To apply: Submit a covering letter and detailed CV with names addresses and e-mail addresses of 3 referees, as well as certified copies of degrees and identity document to:
Molly Orr, Human Resources Manager
Faculty of Humanities, University of the
Witwatersrand, Private Bag 3, WITS, 2050, South Africa.
Tel: +27 11 717 1411
Email: orrmg@hse.wits.ac.za
Closing Date: 29 September 2006

Posted in art, art and tech, re-blog tidbits, south african art, stimulus, technology, theory, uncategorical ·

Archives

05 September 2006 by nathaniel

NETWORKED_PERFORMANCE at The Premises Gallery

via atjoburg and Christo Doherty:

I’m wary of rushing to proclaim South African firsts, but the networked art event at Premises on Saturday 2 September certainly felt like an authentically new thing.  Digital Artists from South Africa and different parts of Britain were collaborating in real-time to create a networked video art event.

Trinity hosted a live collaborative performance by Nathaniel Stern (on site in Johannesburg), Marc Garrett from Q Arts (in Derby, UK) and Ruth Catlow from HTTP, London.  They engaged in thirty minutes of live audio-video performance by uploading, manipulating and collaging images, video clips and sound via the VisitorsStudio database.

According to VisitorsStudio, the idea behind their service is  "to encourage audiences new to media arts to get actively involved in the creative process by providing an easy-to-use, experimental production space live online, which was also a playful social space."  This definitely happened on Saturday.  The small but enthusiastic audience watched the three headline artists interact and then sat down behind the provided laptops to experiment with the network themselves.

Fueled by the sponsored Red Bulls (look closely at the debris on the tables)  even participants new to the process quickly got the hang of the VisitorsStudio interface, which is written in Flash 8.  The system allows a form of participatory doodling which, at times when real interaction occurs, bursts into moments of visual delight. I hope this is just the first of such networked performancens and intercontinental collaborations through the WWW.

Posted in art, art and tech, me, pop culture, re-blog tidbits, reviews, south african art, stimulus, technology, theory, uncategorical ·

Archives

11 August 2006 by nathaniel

the rhizome ten year anniversary

Via Rhiz:

This year, Rhizome marks our tenth year of leadership in the new media arts community by celebrating the growth, diversity, and strength of the field. Rhizome was initiated in 1996 as an online platform for the global new media art community. Then, our focus was primarily upon Internet art and, ten years later, we retain this focus and have also grown to support new media art more broadly. Our anniversary festival provides a touchstone moment to celebrate new media art and look forward to further advancements in the field.

the rhizome ten year anniversary

See more…

Posted in art, art and tech, music, pop culture, re-blog tidbits, stimulus, technology, theory, uncategorical ·

Archives

09 August 2006 by nathaniel

retro-Compressionist update

compressionismThere’s some newly updated Compressionist documentation on Compressionism.net. Latest additions to the video reflect, both, some of the performative aspects of the series, and the current hand-made editions; the latter are being created with the help of printmaker Jillian Ross at  David Krut Workshop in Johannesburg.  For those who have not been to the site in a while, the text has also been updated site-wide, and I am continually uploading new images.

Latest Sound Byte:

Compressionism is a "digital performance and analog archive.” I traverse bodies, spaces and objects with my scanner face, while its head is in motion. After being Compressed into digital images the size of a small sheet of paper, the files are then stretched, cropped and colored by hand, then printed as editioned, archival works. The latest pieces in the series further transform details of these prints into hand-made art objects: etchings, engravings, aquatints, lithographs, spit bites and more.

 Compressionism is an exploration of media and perception, a transfiguration in time and seeing.

Thanks also to Niall and Lungi @ Krut for their tireless efforts on this project.

Please watch callandresponse.co.za for updates on my January  ’07 exhibition @ Art on Paper, Joburg.

Posted in art, art and tech, Compressionism, flickr, me, re-blog tidbits, south african art, stimulus, technology, theory, uncategorical ·
← Older posts
Newer posts →

Categories

Tags

aesthetics alice wilds art artist feature avant-garde books briefiew coding comics concern culture digital studio drawing ecology engineering fantasy fiction goods for me google ilona andrews jon horvath kate daniels milwaukee mo gawdat nathaniel stern paduak philosophy public property reading review sean slemon self-enjoyment Steve Martin syllabus sharing teaching technology TED TEDx trees urban fantasy web-comics webcomics whitehead world after us writing

nathaniel’s books

Interactive Art and Embodiment book cover
Interactive Art and Embodiment: the implicit body as performance

from Amazon.com

Buy Interactive Art for $30 directly from the publisher

Ecological Aesthetics book cover
Ecological Aesthetics: artful tactics for humans, nature, and politics

from Amazon.com

All content © 2026 by implicit art. Base WordPress Theme by Graph Paper Press