implicit art

art and ecology, fiction and geek stuff, culture and philosophy, parenting and life, etc

implicit art

Compressionism

Archives

09 November 2011 by nathaniel

Printing Time: Nathaniel Stern in New Zealand

concentration (2011), 24 x 42 cm, pigment on watercolor paper, edition 5

Printing Time
Kerikeri, New Zealand
Nathaniel Stern at Art at Wharepuke
190 Kerikeri Road, Kerikeri
Bay of Islands, Northland 0230 New Zealand
18th November – 8th December 2011
+64 9 407 8933 or [email protected]
–
Printing Time is a suite of 18 performative prints, each an edition of 5. It was produced for a solo exhibition of the same name at Art at Wharepuke in New Zealand, run by Mark Graver – author of Non-toxic Printmaking. In this ongoing series, I strap a desktop scanner, laptop and custom-made battery pack to my body, and perform images into existence. I might scan in straight, long lines across tables, tie the scanner around my neck and swing over flowers, do pogo-like gestures over bricks, or just follow the wind over water lilies in a pond. The dynamism of my relationship to the landscape is transformed into beautiful and quirky renderings, which are re-stretched and colored on my laptop, then produced as archival art objects. This series follows the trajectory of Impressionist painting, through Surrealism to Postmodernism, but rather than citing crises of representation, reality or simulation, my focus is on performing all three in relation to each other.
–
View the whole suite.

Posted in art, art and tech, Compressionism, exhibition, me, milwaukee art, printmaking, research ·

Archives

22 July 2011 by nathaniel

Giverny of the Midwest: Nathaniel Stern @ GALLERY AOP in Johannesburg, South Africa

Giverny of the Midwest (detail), 2011, 2 x 12 meters
Nathaniel Stern scanning lilies in South Bend, IndianaGiverny of the Midwest

Johannesburg, South Africa
Nathaniel Stern at GALLERY AOP

44 Stanley Avenue
Braamfontein Werf (Milpark), Johannesburg
Saturday 30 July – Saturday 13 August 2011
Opening talk by Jeremy Wafer, 30 July 14h00
Artist talks, 4 – 5 August, Joburg and Pretoria
Artist walkabout at AOP, 4 August 18h00

For Nathaniel Stern’s ongoing series of performative prints, he straps a desktop scanner, laptop and custom-made battery pack to his body, and performs images into existence. He might scan in straight, long lines across tables, tie the scanner around his neck and swing over flowers, do pogo-like gestures over bricks, or just follow the wind over water lilies in a pond. The dynamism between his body, technology and the landscape is transformed into beautiful and quirky renderings, which are then produced as archival art objects.

Giverny of the Midwest is a panoramic installation of nearly 100 such prints, rendering water, lilies, leaves and other organic forms into lush and rippling images. The source materials were scanned during a week-long camping trip next to a lily pond in South Bend, Indiana, and edited together over the course of nearly 2 years. The piece explicitly cites Monet’s large-scale painting and installation, Water Lilies (1914-1926), at the Museum of Modern Art in New York. It is similarly an immersive triptych of over 250 square feet (totaling 2 x 12 meters), and follows the patterns of light and color in Monet’s panorama. But Giverny of the Midwest’s three large panels move between proximity and distance, and are broken down into differently-sized and -shaped prints on watercolor paper, each evenly spaced apart. The tensions between flow and geometry, life and modularity, place it in further dialogue with other trajectories of modern and contemporary art, and simultaneously activate the possibilities of working across digital and traditional forms.

Giverny of the Midwest (detail), middle wall, 30 prints @ 2 x 4 meters

Giverny of the Midwest (detail, 2 x 4 meters; total size 2 x 12 meters)

Also part of the exhibition: The Giverny Series, 8 individual prints (edition 10, 2011) and In the fold, an artist book (forthcoming) – both produced using imagery from the aforementioned “art camping trip” in South Bend, Indiana.

****

Artist presentations

At both artist talks, Nathaniel will talk about his trajectory of thinking and making, which centers around curiosity, generosity and dialogue. He’ll present his work as a series of questions that often lead to interdisciplinarity and collaboration, and the combination of new and traditional media. The walkabout will see an open discussion about Giverny of the Midwest more specifically – the prints, the process, and the in-betweens.

Artist talk: Thursday 4 August, 12h30
Digital Convent, University of the Witwatersrand, Braamfontein, Johannesburg
Co-hosted by Wits Digital Arts and the Division of Visual Arts
details: [email protected]

Artist walkabout: Thursday 4 August, 18h00
GALLERY AOP
44 Stanley Avenue, Braamfontein Werf (Milpark), Johannesburg
details: [email protected]

Artist talk: Friday 5 August, 9h00
Sunnyside Campus, University of South Africa (UNISA), Pretoria
Hosted by the Department of Art History, Visual Arts and Musicology
details: [email protected]

***

GALLERY AOP details

Gallery hours: Tuesday – Friday 10h00-17h00, Saturday 10h00-15h00

Posted in art, art and tech, Compressionism, exhibition, me, milwaukee art, pop culture, printmaking, research, south african art, stimulus, technology, uncategorical ·

Archives

12 July 2010 by nathaniel

compressionism site updated

compressionism.net

Just finished an overhaul of compressionism.net, and uploaded content, including works, press, documentaiton, etc. Look out for upcoming books and shows that feature the new work!

In this ongoing series of prints, I strap a desktop scanner, laptop and custom battery pack to my body, and perform images into existence. I might scan in straight, long lines across tables, tie the scanner around my neck and swing over flowers, do pogo-like gestures over bricks, or just follow the wind over water lilies in a pond.

Read more…

Posted in art, art and tech, Compressionism, exhibition, Links, me, milwaukee art, printmaking, re-blog tidbits, reviews, south african art, stimulus, technology, youtube ·

Archives

03 May 2010 by nathaniel

Nathaniel Stern Bad At Sports interview now live

Bad at Sports interview with Nathaniel SternBad at Sports Episode 244:
Nathaniel Stern

by Duncan MacKenzie

“Bad at Sports is a weekly podcast produced in Chicago that features artists talking about art and the community that makes, reviews and critiques it. Shows are usually posted each weekend and can be listened to on any computer with an internet connection and speakers or headphones.”

This audio interview (available streaming from the site, or as a download to your computer or mp3 player) begins with Nathaniel Stern rapping a bit of Beastie Boys / Q-Tip, and quickly degrades to him lovingly poking fun at his dad. It’s actually a great interview, where you can hear some off the cuff chatting with Duncan MacKenzie about hektor.net, Distill Life, Compressionism, Wikipedia Art, Given Time, Doin’ my part to lighten the load, and more. It’s good fun, with lots of tangential stories and jokes, and many mentions of good friends and colleagues. Enjoy!

listen to interview on B@S

Posted in art, art and tech, carine zaayman, Compressionism, me, milwaukee art, poetry, pop culture, printmaking, re-blog tidbits, research, reviews, south african art, stimulus, technology, theory, uncategorical ·

Archives

03 March 2010 by nathaniel

Passing Between on Rhizome

rhizome feature on wikipedia artOn Nathaniel Stern & Jessica Meuninck-Ganger’s “Passing Between” at AOP Gallery
by Christo Doherty

“This past month, Johannesburg’s AOP Gallery, a space devoted to works on paper, hosted the exhibition “Passing Between” which showcased the collaborative output between digital artist Nathaniel Stern and printmaker Jessica Meuninck-Ganger. At the outset, Stern and Meuninck-Ganger approached the collaboration as a chance to learn each other’s techniques. But they quickly chose to focus on their own strengths in a process they call [Distill Life]. For Stern, the move toward printmaking comes from a long interest in the technique. In recent work, he has engaged with an expanded form of digital print making, using a hacked portable scanner to produce densely patterned sequences of natural images, in a project called Compressionism. For “Passing Between,” Stern concentrated on using digital photo frames as a medium for displaying loops of video obtained through live filming, and sampled machinima taken from Second Life. Meuninck-Ganger responded to the framed video loops with an encyclopedic range of printmaking techniques from wood block to mono print, silkscreen, etching, and photogravure. In some cases, she printed or [drew] directly on the screens of the digital photo frames; in other cases, the prints were layered over the screens creating a delicate conjunction between the fibers of the paper medium and the illumination of the underlying video. In The Gallerist, a prominent New York art dealer is portrayed anxiously perched on a [raft] in [the] middle of a lithograph while below the surface of the paper machinima sharks circle him endlessly.”

“The effect is both magical and subtle. Jessica’s images often capture a static moment from the subject matter of the video in etching or ink. The pleasure offered by the composite images comes from the interplay between the stasis of the printed image and the temporal flow of the video, producing witty and sometimes fascinating results. In the diptych [Twin City] the 2009 tornado is represented with an animated twister from Second Life. Jessica’s lithograph shows a flying pig coming to rest momentarily in alignment with its outline before whirling back to the beginning of the looped tornado. In general, the artist’s subject matter is deliberately low-key and it presents samples from their lives as artists and young parents in Milwaukee and Johannesburg exploring moments of fun, awkwardness and good humor. However, the rich range of techniques and visual allusions layered over the works also references an entire history of contemporary art and print making, ranging from Hokusai to Velazquez.”

see the original article

Posted in art, art and tech, Compressionism, exhibition, me, milwaukee art, printmaking, re-blog tidbits, reviews, south african art, technology ·

Archives

09 October 2009 by nathaniel

That’s my art!

Although not mentioned by name, that’s a Compressionist print of mine framed in the doorway, in this article in the art newspaper:

Gallery dedicated to book art opens in Brooklyn

Commercial venture shows growing popularity of the medium

By Andrew Goldstein | Web only
Published online 5 Oct 09 (Art Market)

Central Booking's opening party

Central Booking’s opening party

New york. In tune with a growing interest in print and book art, a new pop-up gallery has opened in Brooklyn’s DUMBO (Down Under the Manhattan Bridge Overpass) neighbourhood dedicated to the art form. Called Central Booking, the space is the brainchild of Maddy Rosenberg, a book artist and independent curator who has worked in the field for more than two decades, and hopes to further expose the versatility of the medium to the art world at large.

“My definition of the book is very expansive and inclusive,” says Rosenberg. “When an artist says they’re making a book, that’s my parameter.”

Read on.

Posted in art, art and tech, Compressionism, exhibition, inbox, Links, me, printmaking, re-blog tidbits, reviews, stimulus ·
← Older posts
RSS feed
Email list
Amazon
Facebook
Facebook
Twitter
Visit Us
LinkedIn
Google+
Google+
Academia.edu
YouTube
YouTube
Instagram
Flickr
Wikipedia

about the author

nathaniel stern is an awkward artist, writer, and teacher, who likes awkward art, writing, and students.

blog feed | email me

nathaniel’s books

Facebook

Facebook
My Tweets

categories

archives

Tags

aesthetics alice wilds art artist feature avant-garde books briefiew coding comics concern culture digital studio drawing ecology engineering fantasy fiction goods for me google ilona andrews jon horvath kate daniels milwaukee mo gawdat nathaniel stern paduak philosophy public property reading review sean slemon self-enjoyment Steve Martin syllabus sharing teaching technology TED TEDx trees urban fantasy web-comics webcomics whitehead world after us writing
nathanielstern.com is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com. Amazon and the Amazon logo are trademarks of Amazon.com, Inc, or its affiliates. Additionally, third party vendors, including Google (the adsense bits), use cookies to serve ads based on a user's prior visits to this website. Google's use of advertising cookies enables it and its partners to serve ads to you based on your visit to this sites and/or other sites on the Internet. You may opt out of personalized advertising by visiting Ads Settings and/or www.aboutads.info.

All content © 2025 by implicit art. Base WordPress Theme by Graph Paper Press