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30 April 2006 by nathaniel

CT wrap-up

OK, so The End of that workshop I gave at Stellenbosh went pretty well – I think there are more than a handful of students who will likely carry on and try to produce interactive art. The last two days were spent consulting on work individually, mostly as a crit, but sometimes on how to be cool (Ralph did most of the latter meetings).

But then I had almost two days of leisure! I think the highlight was probably an early morning trek up the mountain, with Mikhael Subotzky and his mother, Eve.

I should note at this point that she is much cooler than he is.

Really, the two are amazingly warm and generous people. And tough – my legs feel like spaghetti after all that huffin’ and puffin’;  they had to wait for me to catch up a few times. For those of you who don’t know Mikhael’s work, he’s the hot, young, new photography star of SA, recently paired with the Goodman, and I highly recommend taking a look. It’s not just about the images, but their stories.

I saw Virginia MacKenny and Carol Anne Gainer for coffee (also very cool, and am hoping to have the latter do a feature on the former for SAartsEmerging in the coming months), and did big walks through SANG, Long St and surrounds with Christian Nerf.

Had to do Royale again, hit up Wim Botha’s show, spent time in Clarke’s books, chilled in Nerf’s studio, and finally headed home to hang a small exhibition in Pretoria (still working on that). Great to be back in Jozi, but wish I had more of a break – too too too much to do!

Oh, and not related at all, check out Stephen Colbert at the White House.

Posted in art, art and tech, me, news and politics, pop culture, re-blog tidbits, south african art, stimulus, technology, uncategorical ·

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20 April 2006 by nathaniel

Live from Stellenbosch U


physical computing @ Stellenbosch

Ralph Borland and I are giving a two-week workshop in interactive art at Stellenbosch University! Shown here is Ralph working with the Basic Stamp microcontroller (BS2), building some circuits just before we go ahead and try some input/output from and to the “real world”. I’ve been showing them how to interpret that data into sound and video on their eMacs, and they’ll plug the two together on Friday.

w00+!

Aside, check out the cool post about the work me and Jill are doing over at the David Krut site.

Posted in art, art and tech, Compressionism, flickr, me, pop culture, re-blog tidbits, south african art, stimulus, technology, uncategorical ·

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13 April 2006 by nathaniel

SAartsEmerging is Artthrob website of the month

Carine Zaayman says, on A R T T H R O B _ W E B S I T E S:

 ‘Providing a free South African alternative to the gallery-driven, Cape Town-based, and mainstream media, SAartsEmerging.org is dedicated to featuring emerging South African artists, curators and arts personalities who are not generally, or have not yet been, written about – but who should be.’ (http://saartsemerging.org/about-saartsemerging/). Even though ArtThrob might be one of the media entities against which they position themselves, I believe that they are doing good work and provide an important alternative platform that many young artists could and should be making use of.

Go us. Thanks, Zaayman!

Posted in art, art and tech, bronwyn lace, me, re-blog tidbits, reviews, simon gush, south african art, stimulus, technology, uncategorical ·

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04 April 2006 by nathaniel

The Upgrade! Johannesburg proudly presents: Turbulence.org + Gavin Jantjes

Turbulence.org at Wits Digital Arts
Hosted by Wits Digital Arts, University of the Witwatersrand

Please circulate widely! This is an amazing opportunity for South Africans to learn about online contemporary art from two of its ongoing pioneers and most noteworthy supporters of commissioned work. Live and in person!

The Upgrade! Johannesburg and Wits Digital Arts proudly present: Turbulence.org + Gavin Jantjes
Friday 7 April, 3-5PM at the Digital Convent, WSOA
supported by The Trinity Session

Visiting from the US, Turbulence.org is an internationally renowned net.art commissioning organization – a continuing pioneer in funding contemporary conceptual artists working with networked media. For years, Turbulence.org has been commissioning international online art, including Johannesburg artists Nathaniel Stern and Marcus Neustetter in 2005.

Turbulence is co-directed by Helen Thorington (founder of New Radio and Performing Arts, Turbulence’s mother organization) and Jo-Anne Green (a Wits alumnus!). The two will be presenting a very biased history of web-based artwork, showing projects they have commissioned as well as some of their own, and will then be taking questions.

No knowledge of web technology necessary!
Open to all!

more information:
http://atjoburg.net/upgrade/
http://turbulence.org/
http://new-radio.org/helen
http://new-radio.org/jo

Convent Seminar Room, WSOA, University of the Witwatersrand Free parking available in front of the Convent at WSOA. For directions go to http://www.wits.ac.za/artworks/contact/map.htm

BONUS:
Gavin Jantjes will also be briefly presenting TRANS CAPE at The Upgrade! in order to court interested artists!
TRANS CAPE: South Africa’s first ever large-scale contemporary African Art Exhibition.
 
The city of Cape Town is set to host TRANS CAPE, the first ever large-scale exhibition of African contemporary art to be staged in South Africa. TRANS CAPE opens on September 23 and runs for four weeks, filling the city with the work of approximately 70 contemporary artists from across Africa and the Diaspora. It is the first in a series of bi annual contemporary African art exhibitions presented by the CAPE Africa Platform.

This year’s exhibition breaks boundaries in several new ways. As counterpoint to the tribal image of Africa that exists in the imagination of the west, TRANS CAPE will show the work of a new generation of African artists.

“A new generation of artists across the continent are creating remarkable contemporary responses to the unique realities of present-day Africa, contemporary African art is on the move,” says CAPE Africa Platform CEO Susan Glanville-Zini. 

TRANS CAPE’s artistic director, South African born and internationally acclaimed curator and artist Gavin Jantjes and curators, Gabi Ngcobo from Iziko National Gallery and Khwezi Gule from the Johannesburg Art Gallery aim to capture this energy and movement.

Jantjes explains the title of the exhibition as a metaphor for this sense of movement. “Movement is signalled by the prefix TRANS – transform, translate, transgress, transmit, transfigure, trans-national, transport, transsexual, trans-national, transient are all words that connect processes of exchange and interaction to the exhibition.”

Movement will also be registered through the presentation of artworks and the manner that visitors experience the exhibition. TRANS CAPE will be choreographed across Cape Town, inviting visitors to actively engage and re-read the cities geography; as represented through artistic intervention in the urban fabric, histories and everyday life of the city.

TRANSCAPE will include specially commissioned artworks that deal directly with the urban realities of Cape Town, as well as existing works that address the shifts, alterations, disruptions and re-locations of people across Africa.

The exhibition is conceived as a journey that uses public spaces and locates new site-specific spaces along a route that links the Cape Town city centre, to Khayelithsa, Muizenberg and Stellenbosch.

Moving TRANS CAPE’s audience along this route is an essential part of the curatorial concept. Alongside the traditional public transport system (buses, trains, and taxis.), TRANS CAPE will use vehicles transformed into art projects to transport viewers between locations.

Through these journeys TRANS CAPE will create meeting points for cross cultural exchange and multidisciplinary art experiences that include music events, performances, interventions and film screenings.

For artists who are interested in receiving more information about the exhibition; Gavin Jantjes will be presenting TRANS CAPE at UPGRADE in Johannesburg on Friday 07 April at the Wits Digital Arts School from 15:00 – 17:00.
 
The curatorial team will select artists and artworks for the exhibition based on an intensive research process and not by open submissions. They are however open to receiving information about artists they do not know and artists are invited to visit the CAPE website at www.capeafrica.org or to phone +27 21 488 3064 for further information.

Posted in art, art and tech, pop culture, re-blog tidbits, south african art, stimulus, technology, theory, uncategorical ·

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28 March 2006 by nathaniel

Cory Archangel, Paddy Johnson, Fanzine

Great interview with Cory, by Paddy, on FZ:

Hacking Art: Interview with Cory Arcangel

Posted in art, art and tech, re-blog tidbits, stimulus, technology, uncategorical ·

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27 March 2006 by nathaniel

interview with Michael Szpakowski and feature on Doung Anwar Jahangeer

There’s a nice interview with Michael Szpakowski on the front page of Rhizome today, conducted by yours truly. It starts:

Michael Szpakowski has spent the last 30 years collaborating across varying theatrical, visual, sonic, and digital media. His vlog, "Scenes of Provincial Life," was recently featured on Rhizome’s Net Art News. Rhizome is our shared community that he claims literally changed his life. We had an e-conversation about his work, philosophies, and interests. read on…

While I’m kicking it to other artists, I forgot to mention the new SAartsEmerging feature on Doung Anwar Jahangeer. A very interesting cat, he’s got a show he co-curated on at the JAG right now. The piece is written by me, Simon Gush and Bronwyn Lace – altogether now ;) Begins something like:

A kind of cultural chameleon of difficult-to-place origins, Doung’s ‘art-work’ is more like a long-term social project that asks us to look again at our preconceptions, stereo-types, and interpersonal relations.  Obviously idealistic, a walk through Doung’s efforts is an invitation to believe; it may sound overly-sentimental, seem futile, or even appear condescending at points, but his optimism and faith in humanity are utterly infectious, and his project is more than a gesture towards empowerment: it works. read on…

W00+

Posted in art, art and tech, me, pop culture, re-blog tidbits, reviews, south african art, stimulus, technology, theory, uncategorical ·
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nathaniel’s books

Interactive Art and Embodiment book cover
Interactive Art and Embodiment: the implicit body as performance

from Amazon.com

Buy Interactive Art for $30 directly from the publisher

Ecological Aesthetics book cover
Ecological Aesthetics: artful tactics for humans, nature, and politics

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