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09 June 2006 by nathaniel

Memento @ Momo

memento @ momo
One hour performance, drinks served. 52 7th Ave, Parktown North, Johannesburg South Africa

the release:

On 16 June 2006, South Africa celebrates the 30th anniversary of Youth Day. The act of remembrance is shaped by a multitude of senses ranging from sight, sound, physical touch and smell. This year Gallery MOMO invites you to join us in commemorating Youth Day through the experience of sound. On 11 June 2006 a group of artists including Nathaniel Stern, João Orecchia, Shane de Lange, Johan Thom and Dinkies Sithole will work together to create a sound sculpture to commemorate Youth Day. The artists will draw from their own, particular experience of life in contemporary South Africa to formulate a personal, aural response to the celebration of Youth Day. For example, both Shane de Lange and Nathaniel Stern are best known as artists working with digital media to create art: de Lange creates experimental sound by appropriating and sampling sounds from various sources including music, the body and even the sounds of a paper bag; Stern is known as a new media artist who uses interactive digital technology, often drawing the viewer and the artwork together in a new interactive, symbiotic whole. Other participating artists like João Orecchia, Johan Thom and Dinkies Sithole work with media such as musical instruments, video, performance and even their bodies to create experimental works that more often than not, refuse easy classification as ‘visual art’. Nonetheless, all the artists share a playful, experimental approach towards the creation and presentation of their work. In this way, each artist will prepare a series of aural responses to the commemoration of Youth Day. At 16h00, Sunday 11 June 2006, they will come together at Gallery MOMO and enter into dialogue with each other, and the audience, by creating a monument to Youth day through sound.

Posted in art, art and tech, me, music, poetry, pop culture, re-blog tidbits, south african art, stimulus, technology, uncategorical ·

Archives

26 May 2006 by nathaniel

DVblog feature » Passage to Ill

DVblog kicks it old school Stern by featuring the first ever hektor recording (1999) – hektor.net (2000) was recently archived by the Cornell Manuscripts library. Minor props for old school net.art?

Link: DVblog » Passage to Ill – Nathaniel Stern

“Passage to Ill was one of the first pieces I wrote as “hektor“, playing the cynical romantic and trying to get in bed with “Ill” (a punny nickname for a real person). After seeing me perform it at the Nuyorican poet’s café, fellow grad student Alisa Schwartz asked if I’d be keen to make a DV version (for one of our classes at ITP, 1999), and we storyboarded it out. It was thus the very first piece in a series that would later become hektor.net” – Nathaniel Stern.

Posted in art, art and tech, me, poetry, pop culture, re-blog tidbits, reviews, south african art, stimulus, technology, uncategorical ·

Archives

05 May 2006 by nathaniel

SMS Sugar Man promo

The press release (click on image for 3MB quicktime promo / feature – Aryan Kaganof’s v. v. fun work!):

“SMS Sugar Man”, the world’s first feature film shot on mobile phone cameras, launches its 1st promo.

SMS Sugar Man ladies
Still: Grace (Leigh Graves) and Selene (Deja Bernhardt) Photo copyright: SMS Movies
“… in Johannesburg… on Christmas eve… bad things happen”

The world’s first feature film to be shot exclusively on Mobile phone cameras is launching its 1st promo at midnight, 5th May (GMT+1).

It will be available exclusively www.smssugarman.com.

The film is written and directed by Aryan Kaganof (www.kaganof.com),

Producer Michelle Wheatley: “We will also be placing the promo on Google, Yahoo and MySpace.com, and trying to reach a global audience.”

The story, an original idea of Kaganof’s, takes place on Christmas Eve, and is a love triangle with a twist. A feel good story for the modern urban viewer.

The film will be distributed on a variety of media, on Mobile TV, the Internet, theatrical, television and DVD platforms, offering the public maximum access in innovative ways.

Contact:
Michelle Wheatley (SMS Movies)
T: +27-82-33-66-897
E: michelle [at] dv8 [dot] co [dot] za

Posted in art, art and tech, kaganof, poetry, pop culture, re-blog tidbits, south african art, stimulus, technology, uncategorical ·

Archives

01 May 2006 by nathaniel

Time and Seeing @ Outlet gallery, Pretoria

Time and Seeing
an exhibition of Compressionist prints
outlet gallery, 1 May – 12 June
closing reception on Saturday 10 June, 16:00

earth (2006), metallic lambda print, 50 x 25 cm
earth (2006), metallic lambda print, 50 x 25 cm

Time and Seeing exhibits selections from nathaniel stern’s Compressionism – a "digital performance and analog archive.” Stern traverses bodies, spaces and objects with his scanner face, while the head is in motion. After being Compressed into digital images the size of a small sheet of paper, the files are then stretched, cropped and colored by hand. Compressionism is an exploration of media and perception, a transfiguration in Time and Seeing.

*The 11 pieces on show at Outlet are a preview for a large-scale exhibition of Compressionist works – ranging from photographic to traditional prints – in negotiation for early next year @ Art on Paper gallery, Johannesburg.

outlet
24 du Toit Street, Building 10, Projector Room, Arts Faculty, Tshwane University of Technology, Pretoria, South Africa
Hours by appointment, +27 82 440 5406, outlet [at] mweb [dot] co [dot] za

more information @ http://compressionism.net and http://nathanielstern.com

Posted in art, art and tech, Compressionism, me, poetry, pop culture, south african art, stimulus, technology, theory, uncategorical ·

Archives

05 March 2006 by nathaniel

Hear and Now

Hear and Now at the Market Theatre, JohannesburgHear and Now at the Market Theatre, Johannesburg, is co-directed by that award-winning team who gave us Tshepang: Lara Foot Newton and Gerhard Marx. It’s a kind of psychological drama with a few really great jokes and monologues.

At its core, Hear and Now is worth seeing if only for Gerhard’s trademark brilliant set design, and Lionel Newton’s performance as the lead.  The latter sometimes over-acts, admittedly, but from my perspective this has more to do with the workshopped script than his own abilities.  The details of character throughout are very strong but, as alluded to, the plot is heavily overdone (given its relatively light premise), and it turns too easily towards an/the end. I have to say that I also found some of the third person narrative structure a little condescending – I think we could figure a lot of it out, guys…

In all, tho, the piece makes me miss writing, makes me slightly jealous, makes me again want to beg Gerhard to collaborate with me. Only one day left for the show!

Posted in art, bronwyn lace, poetry, reviews, south african art, uncategorical ·

Archives

27 February 2006 by nathaniel

Orpheus and other artists @ Spier


So I was at Spier last night with some really cool artists. Not all of them made it on the same night, but amongst the ten finalists selected for their hotel art project are myself, Kim Lieberman, Mustafa Maluka, Matt Hindley, Usha Seejarim, Dorothee Kreutzfeld, Jo O’Connor and Nicolas Hlobo. Had a nice dinner among new friends, great conversation, perhaps some future help and collaborations. I’ll probably propose some Compressionist images for the project – got some great scans on site before my scanner finally died (another one on the way – thank you, ebay!).

James Webb also joined up for dinner, and managed to sneak the two of us into Brett Bailey’s Orpheus, for which he sound designed. We had to drive over the bridge at right. Yes, that’s the best I could do for an image – desperate times….

Sometimes over the top and obvious where unnecessary, and a few of the scenes could have been shorter to get their points across better, but Orpheus was undoubtedly a brilliant piece. The lead narrator, portrayed by Sibongile Khumalo, was an amazing presence with heart-wrenching physical character, and Orpheus (I cannot find the actor’s name) had the haunting singing voice of a dying angel (he did not once speak out of song). The set, the silence, the sound, the politics, even most of the parts that may have been OTT (over-the-top) worked seamlessly. A devastatingly beautiful rendition by all of the artists involved — see it if you can.

Posted in art, art and tech, Compressionism, flickr, poetry, pop culture, reviews, south african art, technology ·
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nathaniel’s books

Interactive Art and Embodiment book cover
Interactive Art and Embodiment: the implicit body as performance

from Amazon.com

Buy Interactive Art for $30 directly from the publisher

Ecological Aesthetics book cover
Ecological Aesthetics: artful tactics for humans, nature, and politics

from Amazon.com

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