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05 July 2006 by nathaniel

nathaniel on BBC

Ha, one of the video re-mixes I did at the iCommons iSummit was on BBC news yesterday (or maybe the day before). Check out the page, and then download the MP3 on the right-hand side (about 10MBs) – the whole thing is about Henrik Moltke’s (along with many others) v. cool free beer project, and, as BY licenses mandate, I get a mention when they use my coolio beat-box re-mix for promotion (starts between five and five and a half minutes in, but you should really listen to the whole segment). Sweet.

Posted in art, art and tech, creative commons, me, music, news and politics, poetry, pop culture, re-blog tidbits, south african art, stimulus, technology, uncategorical ·

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04 July 2006 by nathaniel

I Consume

Another hot re-mix of my slam poem, eat, this time entitled I Consume, and by mcjackinthebox. Check it out.

Posted in art, art and tech, creative commons, me, music, news and politics, poetry, pop culture, re-blog tidbits, south african art, stimulus, uncategorical ·

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25 June 2006 by nathaniel

more songs for the

Yes, Colin, maybe I have caught the ccMixter bug. Just uploaded another poetry slam styled vocal track, this time from a video art piece specifically produced for the Netherlands Film Festival, at Aryan Kaganof’s request. a song for the now available for re-mix. Now I wish I had my saxophone with….

Description: a video art / slam poetry piece about the complexities of listening, paternalism and being, framed in a father/son relationship.
Tags: acappella, media, non_commercial, audio, mp3, 44k, mono, CBR, father, patriarchy, singin, spoken_word, poetry_slam, male_volcals, hamlet, to_be, poetry, rap, melody, bassline, bass

Posted in art, art and tech, creative commons, me, music, poetry, pop culture, re-blog tidbits, reviews, south african art, stimulus, technology, theory, uncategorical ·

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25 June 2006 by nathaniel

iCommons iSummit Artist in Residence update/review (so far)

Sorry for the delay on posting art, etc – internet was down at the hotel for ages. The conference has been amazing thus far. The generosity of spirit, the sharing, the intellectual rigor, the commitment to the arts and knowledge – even when I disagree with some of the things being said, I understand that what’s behind the argument being made is a passion for this movement, the essence of "making things, and making things happen."

I like that. Nice tagline.
iCommons: make things; then make things happen.

As far as my work goes, there’s been a fair amount of production, then re-blogging and re-production already. [odys] elicit’s re-release under a CC / GPL license has been re-blogged by turbulence / networked_performance, and a minor software adjustment has been requested by South African choreographer Jeanette Ginslov, for an upcoming dance piece she wants to use it in, entitled Writing with Stones.

My eat spoken word on CCmixter has been rated as 5 star (!) and already used for this rockin piece by teru, of the same name. Very cool! w00+!  As mentioned below, Andre SC has re-mixed some images I’ve produced at the iSummit as well. The Gilberto’s Beer beat re-mix of video is also online on Revver now – a very cool project, mentioned below – as well as on the free-beer site that inspired the original footage. Some of the festival-goers have promised its usage in the work they are planning to do in upcoming weeks (Justin Hall has already started editing).

I’ve got some fab ideas for how the AIR can grow before the next conference, turning into a longer project, involving many countries, and exploring the two areas that seem to interest artists most (around CC): revenue generation and production modes. The former has obviously always been a problem for artists (pre-dating CC for about as long as human existence), but there are already some amazingly smart people on the job (such as Jenny Toomey and Steven Starr of revver) – if you build it, we will come. The latter has always been part of the CC ethos, and there are more and more re-mix tools available, but I’d like to see working, conceptual artists who are more involved with hands-on collaboration (not just re-mixing) enter into the iCommons fold now – beyond the geeks like me. The ideas I have are geared towards production, workshops and lectures (all led by working artists) that promote and encourage some of the possibilities that CC has to offer which we may not yet be aware of. Art Work.

This morning saw some ‘dead air’ time of no internet access, but the first panel featured the likes of Glenn Otis Brown, Products Counsel, Google. Nhlanhla Mabaso, Manager, Open Source Centre, CSIR, South Africa, Jimmy Wales from Wikipedia and Cory Doctorow, Journalist, author and activist (of boingboing!). Funny, provocative, interesting. Money Quote from Jimmy with regards to the principles Wikipedia was founded on (paraphrase): "in restaurants, we serve steak; so we give out steak knives; this means people might stab each other; so we have to lock up our diners. WE REJECT THIS METHOD OF RESTAURANT DESIGN."

And, most importantly, I (arguably) learned to samba last night….

@ Rio iSummit

Posted in art, art and tech, Compressionism, creative commons, flickr, me, music, poetry, pop culture, re-blog tidbits, reviews, south african art, stimulus, technology, uncategorical ·

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23 June 2006 by nathaniel

EAT it up

Just uploaded my first piece to CCmixter. In late 2004, Christian Nerf took the soundtrack from this video and had some fun with it in the studio (check out a post about it, and download the first re-mix/result, here). I’ve now uploaded the original soundtrack to CCmixter to see if others are into it… Hope you enjoy and please let me know if you use it! Get to it.

@ Rio iSummit

Posted in art, art and tech, Compressionism, creative commons, me, music, poetry, pop culture, re-blog tidbits, south african art, stimulus, technology, uncategorical ·

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18 June 2006 by nathaniel

hektor goes CC

hektor.net
screen shot from hektor.net

hektor.net, my old skool (2000), award-winning and recently archived net.art project (say this ten times fast: The Rose Goldsen Archive of New Media, a Division of Rare and Manuscript Collections, of the Cornell University Library) has just been (like, uploading as I hit the publish button) re-released under a Creative Commons Attribution-NonCommercial-ShareAlike 2.5 License. I say something like this on the site:

Sorry to say that since I made this site, I’ve lost all my source flash files (dude, I was like, 23, and just starting out, you know?), but you are welcome to import and re-mix with whatever technologies you see fit / are able to. Click here to download this entire site in one zipped up file (30 MBs of movs, swfs, and html – I can’t believe I ever made sites without CSS).

Why, you ask? Well, it’s in celebration of the first iCommons iSummit, of course! I’ll be heading to Rio (w00t!) as the "Creative Commons Artist in Residence" on Wednesday. Watch this space for live blogging, and a CC/GPL re-release of [odys]elicit, too (will give compiled Apple/PC versions as well as source code, but you’ll need Director and the TTC-Pro Xtra – or their demo versions – for the latter).

Posted in art, art and tech, creative commons, me, poetry, pop culture, south african art, stimulus, technology, uncategorical ·
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nathaniel’s books

Interactive Art and Embodiment book cover
Interactive Art and Embodiment: the implicit body as performance

from Amazon.com

Buy Interactive Art for $30 directly from the publisher

Ecological Aesthetics book cover
Ecological Aesthetics: artful tactics for humans, nature, and politics

from Amazon.com

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