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09 February 2008 by nathaniel

Joy Garnett, New Paintings. Winkleman Gallery, Feb 15-Mar 15

A fantastic artist and friend, with a real sense of community, someone who knows her way around – and helps to drive art on – the internet as well as the studio (not to mention kitchen: Joy and I were on residence in Croatia together for iCommons last year, and she made some fantastic meals), Joy Garnett has her first solo exhibition with Ed Winkleman gallery next week. Wish I could be there, Joy – good luck, the work looks great!

Morning

FOR IMMEDIATE RELEASE
January 25, 2008

Joy Garnett
New Paintings

February 15 – March 15, 2008
Opening: Thursday, February 21, 6-8 pm
Gallery Hours: Tues – Sat, 11 6 pm

Winkleman Gallery
637 West 27th Street
New York, NY 10001

Winkleman Gallery is very pleased to present a solo exhibition of new paintings by New York artist Joy Garnett. In four large canvases Garnett continues her groundbreaking exploration of the malleability of instantly globalized images and how they have begun to replace written language as the markers of mankind’s collective memory or consciousness.

Unlike her last three New York exhibitions, which centered on specific themes of conflict or violence, this grouping is united only by the loose suggestion of images possibly taken at precisely the same moment in very different locations around the world. Garnett circles the planet to underscore perhaps the unstoppable imperative of this new lingua franca. The images Garnett paints are culled from digital mass media outlets and then archived for sometimes months at a time, permitting their context to evaporate. Returning to the image with a fuzzy at best memory of what it reportedly documented, Garnett’s process highlights the role misremembering plays in this new dubious “reality.”

The optimistic rising sun in Morning in China references the economic ascent of the Asian giant, even as its smoggy landscape hints at the potential environmental disaster such rapid expanse can bring. The explosion and chaos suggested in the bright daylight of Noon points to the inescapably volatile nature that defines the seemingly ubiquitous power grabs taking place around the globe or simply the natural consequences of so much movement all at once. The South American seascape at moonlit dusk seen in Harbor (2) belies a calm similar to the Chinese morning, even as the blood red reflections hint at something sinister. And the overwhelmingly dark and massive destruction conveyed in the rubble of the World Trade Center in Night reminds us that there remains the potential for as-yet unimaginable nightmares. The first painting Garnett has been able to paint of the aftermath of the 9/11 attacks (despite it being the single most photographed event in human history), Night is a tour-de-force of expressionistic recollection visited upon its ubiquitous source image. It is also the only incident that’s clearly identifiable among the exhibition’s paintings, but as the event that only served to speed up an already insanely speedy world it has already taken on legendary status and become the central catalyst of the enhanced and panicked race to globalize.

Joy Garnett received her MFA from The City College of New York and studied painting at L’Ecole Nationale Superieure des Beaux-Arts in Paris. Her notable exhibitions include, Strange Weather at the National Academy of Sciences, Washington, DC; Image War, organized by the Whitney Museum of American Art (2006); When Artists Say We, Artists Space (2006); Visionary Anatomies, Smithsonian Traveling Exhibition (2004-2007); and Without Fear or Reproach, De Witte Zaal, Ghent, Belgium (2003).

For more information, please contact Edward Winkleman at 212.643.3152 or info@winkleman.com

Posted in art, art and tech, creative commons, inbox, iSummit07, Links, news and politics, pop culture, re-blog tidbits, stimulus, uncategorical ·

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07 February 2008 by nathaniel

Ingrid Michaelson chat

I wrote this post on a long lost high school friend and current rock star a while back, and so it seems some Ingrid Michaelson fans (good taste ladies and gents) are winding up on my blog. If you are one of them, you should be aware of a live chat with Ingrid this weekend. (I won’t be able to make it, unfortunately.)

Chat Live with…
Ingrid Michaelson
Sat, February 9
@ 7PM EST

– Ingrid will be answering questions from her webcam
– Visit Ingrid’s myspace page and look for the embedded meebo chat room to join.

I should add that I have been regularly listening to “The Way I Am” and “Breakable” since putting them on my iPod (“Keep Breathing” too), and they seem to have more impact on me with each listen.

Ingrid on iTunes:
Ingrid Michaelson

Posted in inbox, Links, music, poetry, pop culture, re-blog tidbits, uncategorical ·

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17 January 2008 by nathaniel

DATA (Dublin Art and Technology Association) Workshop 2.0* – *E-Waste 3.0â„¢

Workshop by Benjamin Gaulon (Recyclismâ„¢), Lourens Rozema (Blue Melon), with the support of Tim Redfern (Eclectronics) for the Dublin Art and Technology Association the February 2nd-3rd at the Moxie Studio Dublin.

Summary:
Moore’s law dictates that the complexity of computer chips doubles each 18 months. This causes a rapid decrease in the value of existing electronics. Thus, the dark side of technological progress is the production of endless amounts of electronic waste: e-waste. Although the economic value of obsolete electronics approaches zero, the electronic components themselves can still be useful in other contexts.

Our workshops offer the participants to become familiar with basic hardware and software design while at the same time gaining hands-on experience making an interactive art project. The workshops are open to participants of different backgrounds and no programming or electronic skills are required. The idea is to start from scratch and create a complete project over a weekend, including concept, design, electronics/ interfacing, and functional programming with Max/Msp, Pure Data or Processing.

Duration: 2 days
Admission fee: 20€
Application: by e-mail at ewaste3.0[AT]gmail.com
Group: 14 participants

Posted in art, art and tech, inbox, Ireland Art, Links, re-blog tidbits, stimulus, technology ·

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17 January 2008 by nathaniel

ingrid michaelson

ingrid_michaelson.jpg

I rarely look up a song I’ve heard on television. Maybe on a late night show now and again (I think I found Corinne Bailey Ray thanks to a meta-late night show, Studio 60), or something in a movie, but on TV, not so much. But after the third time I had turned to my wife and said, “This is actually quite a beautiful song; and I think it may be the same artist as the last time I said this,” while watching Grey’s Anatomy, I caved and looked it up on the internet. I was shocked when I found Ingrid Michaelson’s name. Via Wikipedia:

Michaelson was born to artistic parents — composer Carl Michaelson and sculptor Elizabeth Egbert, who is the Executive Director & President of the Staten Island Museum. She took up piano at age 5. She had trained until age 7 at Manhattan’s Third Street Music School and continued for many more years at the Jewish Community Center of S.I.’s Dorothy Delson Kuhn Music Institute. There she met vocal coach Elizabeth McCullough, who worked with her through high school. She is a graduate of Staten Island Technical High School and Binghamton University, where she received a degree in theatre.

“Hey, Nathaniel,” you might ask, “didn’t you go to SI Tech?” Yes, I did, and Ingrid and I were pretty friendly for a short while. In fact, next time I’m at my folks’ place (though that may be a year or so in the making), I’ll go and dig up some photos of us (real photos? not on flickr? Yeh, we’re talking old school disposable camera photos circa 1994/1995).

This isn’t, of course, to take any ownership of Ingrid, her talents or her success. Probably more accurately, I knew the girl who would some day grow to be the woman pictured above (though she doesn’t look as if she has aged a bit. Of course, her lyrics reveal a maturity that says otherwise….). I’m sure neither one of us is the same person. But despite that recognition, I can’t help but feel a sense of – not pride, as that would indicate I played even a small role, which I did not – satisfaction.

I think this satisfaction comes from bearing witness. Ingrid has the same ‘humble beginnings to myspace find to nearly a rock star’ bio on her web site, in the NY Times, and various other places (that last link is a nice interview). But I know it not as a press release – it’s all true. I’ve been to her house on Van Duzer Street on Staten Island; I’ve met her parents; I’m pretty sure I was even in a school show with her (yes, I used to sing and play music in a past life…). Even back then (she was 14 or 15 when we met), Ingrid was generous, quirky, did her own thing, down to earth (see aforementioned interview), and had a similar style to the one she has now: I liked her immediately.

We haven’t been friends since I graduated in 1995, but I do remember running into her, must’ve been around 2001, when I was at NYU; I don’t remember much about the conversation (other than the standard, Staten Island / high school friend thing of poking a bit of fun at each other), but I recall that she was content doing a bit of acting, playing music, figuring things out. I looked her up a few years later (around the time Friendster was popular and I also was feeling minor nostalgia/homesickness living in Johannesburg, so looking up high school buddies), and found her web site and downloaded a few MP3s. Still doing her thing. I had meant to email her and say how I liked the tracks, but never got around to it, and my guess is that she’s pretty aware of the fact that lots of people like them by now :)

It’s just nice to see, you know? It’s a real story of someone who did not claw or suffer or change to get some success. She was content to do her thing before she was a rock star, and from what I can tell, she’s continuing on that track now, as she says, “taking it slow.”

Congratulations, Ingrid. I’m a different kind of fan to the one I was in our former incarnations, but you can add me as one for sure. I wish you more and more success.

Sidenote: also check out Ingrid’s “dutch pop” (ha) side project, Ingrid&Andrew

Sidenote 2: and if you like that, and speaking of talented musicians I went to high school with, also check out João Orecchia (that’s his site; here’s his myspace) – who I do still know very well; he is my daughter’s god father – and his Johannesburg-based band 5 Men 3 Missing (again, their site. myspace). Awesome stuff.

Posted in flickr, Links, me, music, poetry, pop culture, re-blog tidbits, stimulus, uncategorical ·

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08 December 2007 by nathaniel

two shows i’m in on South Africa

Just found out that Art on Paper Gallery, who I often work with in Johannesburg, has been workin it for me a bit.

Opened 18 November, Prints / Books / Lights at the KZNSA Gallery in Durban – I think this may actually be the first time I’ve shown there. I’ve got work from Call and Response. Culled from a few sources:

In keeping with the spirit of things, the KZNSA encourages festive shoppers to its premises with the promise of gifts that escalate in value. Adorning its walls and floors and outlandishly crafted shelving systems is an exhibition of truly gorgeous editioned artist prints, complemented by a careful selection of art books, all illuminated with highly dramatic lights by designer darling Adriaan Hugo.

Editioned artists’ prints by Bruce Backhouse, Chris Diedericks, Claudette Schreuders, Colbert Mashile, Conrad Botes, Ditiro Makwena, Dorothee Kreutzveld, Dumisani Mabaso, Erika Hibbert, Espoir Kennedy, Fiona Pole, Joachim Schonfeldt, John Moore, Judith Mason, Kathryn Smith, Kim Berman, Kim Lieberman, Luan Nel, Mary Wafer, Nathaniel Stern, Pat Mautloa, Penny Siopis, Peter Machen, Robert Hodgins, Sam Nhlenegthwa, Thami Jali, Theresa-Anne Mackintosh, Trasi Henen, William Kentridge and Zak Benjamin will be for sale, along with contemporary reading lights for the home, puzzles by Kim Lieberman, books on art, architecture and design, along with archival notebooks and diaries.

Til 6 January. Also (opened today!) is Art on Paper’s (Johannesburg) annual holiday exhibition, where I’m showing new work (from my residency in Belgium) with Zak Benjamin, Robert Hodgins, Kim Lieberman, Dumisani Mubaso, Paul Molete, Luan Nel and Fiona Pole, through the new year:

december invite for Art on Paper Gallery, Johannesburg

Posted in art, art and tech, Compressionism, Links, me, south african art ·

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26 November 2007 by nathaniel

support turbulence

turbulence.org

Turbulence.org is one of the most important supporters of new media art and artists of the last decade, and longer. And they need your support (via my inbox, below).

Dear Friends,

We need your support. If you:

— are one of the thousands of people who regularly visit Turbulence.org, Networked_Performance, Networked_Music_Review and/or New American Radio

and/or

— are one of the hundreds of teachers who use Turbulence works in your new media/digital art courses

and/or

— are an artist who has received a Turbulence.org, Networked_Performance, and/or New American Radio commission

and/or

— have presented at or attended Upgrade! Boston (Art Interactive or Massachusetts College of Art and Design), Floating Points (Emerson College), or Programmable Media (Pace Digital Gallery)

now is the time to give something back.

We cannot continue without your help. We MUST raise $25,000 by December 31, 2007.

WHAT WE’VE ACCOMPLISHED IN 2007

In addition to an exceptional year of supporting artists through commissions, public events, and our world-renowned resource, Networked_Performance, we started a second blog called
Networked_Music_Review (NMR). On it you will find in-depth interviews with sonic artists and musicians; world-wide events highlighted in real time; a “Weekly” post spotlighting interesting works, artists and conversations; a monthly newsletter which summarizes each month’s activities; and much more.

WHAT YOU CAN EXPECT IN 2008

On November 15, NMR began launching fifteen commissioned works, several of which will premiere live at “Programmable Media II: Networked_Music,” a 2-day symposium at Pace University, New York City in April 2008.

In addition to launching 20 new commissioned works, other upcoming highlights include “Mixed Realities,” an exhibition and symposium at Emerson College, winter 2008; and “Re(Connecting) the Adamses,” a major exhibition co-presented with Greylock Arts (Adams, Massachusetts) and MCLA Gallery 51 (North Adams, Massachusetts), summer 2008.

Please make a cash tax-deductible (for US residents) contribution. No amount is too small! Pay via the PayPal button on the Turbulence homepage: http://turbulence.org. Or send a check to New Radio and Performing Arts, Inc., 124 Bourne Street, MA 02131.

Thanks.

Kind Regards,

Jo-Anne Green and Helen Thorington
Co-Directors

New Radio and Performing Arts, Inc.: http://new-radio.org
New York: 917.548.7780 . Boston: 617.522.3856
Turbulence: http://turbulence.org
Networked_Performance Blog: http://turbulence.org/blog
Networked_Music_Review: http://turbulence.org/networked_music_review
Upgrade! Boston: http://turbulence.org/upgrade
New American Radio: http://somewhere.org

I know, I know; I’m totally broke, too. But if I can throw them a few bucks, so can you.

Posted in art, art and tech, creative commons, inbox, Links, me, music, poetry, pop culture, re-blog tidbits, stimulus, technology, theory, uncategorical ·
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