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06 July 2006 by nathaniel

David Krut Print Workshop: New Work 2006

Preview of some prints of mine that’ll be part of a DKW box set will be up, this Saturday. Sadly, I can’t make the opening, but will be there in spirit…. From Krut site:

DKFA_05_06_06_022.jpgOpens Saturday 8 July at 12h00

This exhibition of prints produced and published at David Krut Print Workshop (DKW) in 2006 follows on from last year’s National Arts Festival show of DKW work, 25 Years of Prints and Multiples. It includes works by David Koloane, Mary Wafer, Deborah Bell, Colbert Mashile, Alastair Whitton, Bronwen Findlay, Nelson Makamo, José Ferreira, Johan Engels, Nathaniel Stern, Trasi Henen, and Sean Slemon.

David Krut Print Workshop, established in 2002, offers both established and emerging South African artists the opportunity to work with experienced printmakers. The diversity of work produced at DKW is reflected in the works and artists on the exhibition. David Koloane’s fire-and-smoke skylines can be viewed alongside Mary Wafer’s linear urban landscapes, while Colbert Mashile’s comic figurative monotypes stand in sharp contrast to the minimalist grid patterns of Alastair Whitton’s etchings. Deborah Bell’s figures, totems, and fragments of poetry are given a fresh slant with the addition of carborundum and handwork, while Nathaniel Stern’s abstract images combine digital scanning with traditional engraving.

DKW has had longstanding working relationships with established artists such as Sam Nhlengethwa, Willem Boshoff, and William Kentridge, but the workshop is also invigorated by collaborations with younger artists like Trasi Henen and Dorothee Kreutzfeldt, as well as with artists who have produced substantial bodies of work in other mediums and come to DKW to work on intaglio printing or monotypes in the collaborative environment of a print workshop. Bronwen Findlay was the first artist working at DKW to complete and show a body of work in the DKW gallery.

Jill Ross, DKW’s workshop manager and resident printer, is currently assisted by Mlunghisi Khongisa and Niall Bingham. Tim Foulds, who worked at DKW for three years as the master printer, now freelances but continues to originate and edition prints at the workshop. DKW is expanding its activities and offering regular introductory etching classes in order to encourage an appreciation of printmaking.

David Krut Print Workshop: New Work 2006 on view until 29 July

Gallery Hours 09h00-17h00, Sat 09h00-16h00

DKFA_05_06_06_026.jpg

Keywords:Alastair Whitton, Art Gallery, Arts and Culture, Bronwen Findlay, colbert mashile, David Koloane, Deborah Bell, Exhibitions, Johan Engels, José Ferreira, Mary Wafer, Nathaniel Stern, Nelson Makamo, News, Sean Slemon, Trasi Henen

Posted in art, art and tech, Compressionism, me, re-blog tidbits, south african art, uncategorical ·

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25 June 2006 by nathaniel

iCommons iSummit Artist in Residence update/review (so far)

Sorry for the delay on posting art, etc – internet was down at the hotel for ages. The conference has been amazing thus far. The generosity of spirit, the sharing, the intellectual rigor, the commitment to the arts and knowledge – even when I disagree with some of the things being said, I understand that what’s behind the argument being made is a passion for this movement, the essence of "making things, and making things happen."

I like that. Nice tagline.
iCommons: make things; then make things happen.

As far as my work goes, there’s been a fair amount of production, then re-blogging and re-production already. [odys] elicit’s re-release under a CC / GPL license has been re-blogged by turbulence / networked_performance, and a minor software adjustment has been requested by South African choreographer Jeanette Ginslov, for an upcoming dance piece she wants to use it in, entitled Writing with Stones.

My eat spoken word on CCmixter has been rated as 5 star (!) and already used for this rockin piece by teru, of the same name. Very cool! w00+!  As mentioned below, Andre SC has re-mixed some images I’ve produced at the iSummit as well. The Gilberto’s Beer beat re-mix of video is also online on Revver now – a very cool project, mentioned below – as well as on the free-beer site that inspired the original footage. Some of the festival-goers have promised its usage in the work they are planning to do in upcoming weeks (Justin Hall has already started editing).

I’ve got some fab ideas for how the AIR can grow before the next conference, turning into a longer project, involving many countries, and exploring the two areas that seem to interest artists most (around CC): revenue generation and production modes. The former has obviously always been a problem for artists (pre-dating CC for about as long as human existence), but there are already some amazingly smart people on the job (such as Jenny Toomey and Steven Starr of revver) – if you build it, we will come. The latter has always been part of the CC ethos, and there are more and more re-mix tools available, but I’d like to see working, conceptual artists who are more involved with hands-on collaboration (not just re-mixing) enter into the iCommons fold now – beyond the geeks like me. The ideas I have are geared towards production, workshops and lectures (all led by working artists) that promote and encourage some of the possibilities that CC has to offer which we may not yet be aware of. Art Work.

This morning saw some ‘dead air’ time of no internet access, but the first panel featured the likes of Glenn Otis Brown, Products Counsel, Google. Nhlanhla Mabaso, Manager, Open Source Centre, CSIR, South Africa, Jimmy Wales from Wikipedia and Cory Doctorow, Journalist, author and activist (of boingboing!). Funny, provocative, interesting. Money Quote from Jimmy with regards to the principles Wikipedia was founded on (paraphrase): "in restaurants, we serve steak; so we give out steak knives; this means people might stab each other; so we have to lock up our diners. WE REJECT THIS METHOD OF RESTAURANT DESIGN."

And, most importantly, I (arguably) learned to samba last night….

@ Rio iSummit

Posted in art, art and tech, Compressionism, creative commons, flickr, me, music, poetry, pop culture, re-blog tidbits, reviews, south african art, stimulus, technology, uncategorical ·

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24 June 2006 by nathaniel

first AIR re-mix

Already a re-mix of some of the images I produced yesterday, by Andre SC on his flickr…

iCommons Stern
@ Rio iSummit

Posted in art, art and tech, Compressionism, creative commons, flickr, me, south african art, stimulus, technology ·

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23 June 2006 by nathaniel

EAT it up

Just uploaded my first piece to CCmixter. In late 2004, Christian Nerf took the soundtrack from this video and had some fun with it in the studio (check out a post about it, and download the first re-mix/result, here). I’ve now uploaded the original soundtrack to CCmixter to see if others are into it… Hope you enjoy and please let me know if you use it! Get to it.

@ Rio iSummit

Posted in art, art and tech, Compressionism, creative commons, me, music, poetry, pop culture, re-blog tidbits, south african art, stimulus, technology, uncategorical ·

Archives

23 June 2006 by nathaniel

heather (compressionist image)

heather (compressionist image)

@ Rio iSummit

Posted in art, art and tech, Compressionism, creative commons, flickr, me, pop culture, re-blog tidbits, south african art, stimulus, technology, uncategorical ·

Archives

23 June 2006 by nathaniel

iSummit (compressionist image)

iSummit (compressionist image)
@ Rio iSummit

Posted in art, art and tech, Compressionism, creative commons, flickr, pop culture, re-blog tidbits, south african art, stimulus, technology, uncategorical ·
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nathaniel’s books

Interactive Art and Embodiment book cover
Interactive Art and Embodiment: the implicit body as performance

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Buy Interactive Art for $30 directly from the publisher

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Ecological Aesthetics: artful tactics for humans, nature, and politics

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