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04 December 2017 by nathaniel
Details for “The World After Us: Speculative Media Sculpture Project” roundtable, Wed, Dec 6th 2:00
Please join us this Wednesday afternoon in the Digital Humanities Lab (2nd floor, UWM Golda Meir library) for the latest installment of our Research Round Tables – refreshments provided! Discussion and feedback encouraged! Co-sponsored by the Office of Research. Wed, Dec 6th | 2:00 p.m. The World After Us: Speculative Media Sculpture Project (A “Working […]Archives
02 December 2017 by nathaniel
Artist feature: Jessica Fenlon
Over six feet tall, with pinkish-purple hair and a keen interest in teaching, digital culture, and what they can mean, together, Jessica Fenlon has energy and drive that are palpable. She can easily wax lyrical about technical needs and skills (codecs and codes, arduinos and Pis, Processing and Jitter), but is far more interested in what these […]Archives
18 November 2017 by nathaniel
Syllabus sharing! Interactive and Generative Art – a Max, MSP, and Jitter class at UWM
Welcome back to another episode of syllabus sharing here at Implicit Art! This class focuses on interactive technologies and aesthetics in contemporary art. Students will learn basic software development and real-time computational methods. They simultaneously learn and make projects with MIDI sounds or drawings, digital audio, human interface devices (USB game controllers, Bluetooth phones and […]Archives
10 November 2017 by nathaniel
Review: The Shape of Things to Come, Karin Haas, Harvey Opgenorth, and Keith Nelson at Galerie Kenilworth
Nine Sages of Images, Harvey Opgenorth Though I missed the inaugural show at Galerie Kenilworth, I was quite pleased to make it to their second exhibition, The Shape of Things to Come. The gallery itself is a cool story. Amy Brengel owns the building, lives in the flat above, and had Village Bazaar – selling interesting multicultural […]Archives
04 November 2017 by nathaniel