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23 August 2011 by nathaniel

Nathaniel Stern in Milwaukee, Vancouver and Pretoria

13 views of a Journey (detail), 2011, video and print installation, 6 x 8 feet

Current Tendencies II: Artists from Milwaukee
Milwaukee, Wisconsin

10 Milwaukee artists at the Haggerty Museum of Art, Marquette University
13th and Clybourn, Milwaukee, Wisconsin
August 24 – December 31, 2011
Opening reception, August 31, 6PM

Concert at Church of the Gesu with John Weissrock, September 14, 6PM
Panel Discussion with Meuninck-Ganger, Stern and others, October 6, 6PM
Lecture by Reginald Baylor and Mark Brautigam, November 9, 6PM

Current Tendencies II features 10 Milwaukee artists working in a variety of media, including photography, painting, drawing, printmaking, video and sculpture.  The exhibition presents many never-before-seen works, commissioned specifically for the Haggerty Museum.  Each artist was paired with a Marquette professor who wrote a reflection of the artist’s work based on the professor’s area of expertise, creating dialogue between artist and scholar and connecting philosophy, theology, political science, communications, etc., to the works in the exhibition.

The exhibition premieres 13 Views of a Journey (6 x 8 feet, see above detail), a new Distill Life installation by Jessica Meuninck-Ganger and Nathaniel Stern. Here the artists mount large-scale and translucent prints to plexiglass and rear project video through them, creating “moving images on paper.” The 13 animated vignettes are played in random order behind fibrous and inky paper, making a dynamic and room-sized book art project. Says Philosophy Professor Melissa Shew, “This work is not about the artists, past and present; it is not about correctness in terms of history or technique; it is not about influence and deference…. this work concerns what is possible through collaboration, through layering and uncovering, film and print.”

Jessica and Nathaniel will also be part of a panel discussion at the museum on October 6 at 6 PM, with Will Pergl, Dr. Melissa Shew and Dr. Bonnie Brennen. Other artists featured in Current Tendencies II include Reginald Baylor, Mark Brautigam, Julian Correa, Lisa Hecht, Sharon Kerry-Harlan, Luc Leplae, Will Pergl, and Jordan Waraksa. Catalogs are available at the museum, or as a PDF download.

Wikipedia Art logoNew Forms Festival: Public Domain
Vancouver, Canada

Nathaniel Stern and Scott Kildall, among others
Waldorf Hotel, Vancouver
1489 East Hastings Street
Vancouver, BC V5L 1S4, Canada
September 9-11, 2011

New Forms Festival 2011 delves into the theme of “Public Domain”, focusing on concepts of copyright art, public interactivity, media façades and relationships between public and private spaces. Utilizing the entire hotel premises, the festival will act as a creative hub, a laboratory for exploration and discovery. Throughout the festival, performances, video projects, workshops and installations will take place in the hotel rooms, various bars, spaces, hallways, outer walls and the back parking lot, including artists such as Antoine Schmitt, Negativland, Patrick Cruz, ARO, Lief Hall and Hart Snider.

Scott Kildall and Nathaniel Stern famously used Wikipedia as an artistic platform, creating a collaborative project that explores and challenges our understanding of how knowledge is formed and disseminated. For over a year they planned the initiation of Wikipedia Art, a socially generated artwork that exploits a feedback loop in Wikipedia’s citation mechanism. Here, a “word war” across blogs, interviews and the mainstream press, which involved Wikipedians, artists, journalists, lawyers and even the Wikimedia Foundation itself, continuously defined and transformed a work of art in much the same way that these categories define the discourses of the everyday. Their Wikipedia Art hotel room for the New Forms Festival plays with the kinds of parodoxical publicity needed to begin and sustain a Wikipedia page, and charts the inception, birth, life, death and resurrection of their work. It questions the authoritative role of Wikipedia, and reveals its fallibility whilst debating the control of, access to, and creation of, knowledge.

staticTranscode
Pretoria, South Africa

UNISA Gallery
University of South Africa
Kgorong Building, Ground floor
Preller & Ridge Street
Muckleneuk Ridge, Pretoria
September 7 – 30, 2011
Opening reception: September 7

Transcode: Dialogues Around Intermedia Practice, curated by Gwen Miller at the new UNISA (University of South Africa) Gallery, explores the space between digital and traditional work for contemporary, South African artist-researchers. It premieres new work by many artists, including Lawrence Lemaoana, Celia de Villiers, Frikkie Eksteen, Marcus Neustetter, Carolyn Parton, Churchill Madikida, Colleen Alborough, Minette Vári and Fabian Wargau, among others.

Nathaniel Stern’s new piece, static, is an enclosed installation of six looped films, where each is edited down through “thresholding” the audio: any time the volume goes above a set and very low amplitude, that section is completely removed, and the film jump cuts to the next (nearly) silent sequence. These are in a tight corridor with three body-sized and wall-to-wall projections on either side, spatially putting viewers “in quotes” as they inadvertently cast shadows into the stories around them. High-volume loudspeakers accompany each projection, creating a hum out of the minor background noise left behind in all six Best Picture-winning films: Apocalypse Now, Casablanca, Silence of the Lambs, On The Waterfront, The Godfather II and Midnight Cowboy. What we see or experience is reliant not only on the work’s rich-but-noiseless stasis and over-determined visual action, but also our familiarity with each film or filmic genre. The clips’ varied lengths, styles and narratives, all seen together, accent our collective, social relationships to archetypal stories and characters at large.

Also on exhibition is Stern’s well known interactive piece, stuttering, and several works from his Compressionism and Distill Life series (the latter with collaborator Jessica Meuninck-Ganger).

Out of the Suitcase
At Sea (detail)Milwaukee, Wisconsin

Nathaniel Stern and Jessica Meuninck-Ganger are also part of Out of the Suitcase: Works by Recent Recipients of the Mary L. Nohl Suitcase Awards, with their collaborative and solo print work. The exhibition is curated by Mark Lawson and Bruce Knackert in the Frederick Layton Gallery at the Milwaukee Institute of Art and Design, on view now through October 8, and with an opening reception Thursday, September 8, at 6PM.

Other participating artists include: Nicole Brown, Matt Cipov, Michael Davidson, Chris Davis Benavides, Santiago Cucullu, Nicholas Grider, Karen Gunderman, Nicolas Lampert, Angela Laughingheart, Faythe Levine, Shana McCaw and Brent Budsberg, Kimberly Miller, Will Pergl, John Ruebartsch, Val Schleicher, Sonja Thomsen, Christopher Willey and James Zwadlo.

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22 July 2011 by nathaniel

Giverny of the Midwest: Nathaniel Stern @ GALLERY AOP in Johannesburg, South Africa

Giverny of the Midwest (detail), 2011, 2 x 12 meters
Nathaniel Stern scanning lilies in South Bend, IndianaGiverny of the Midwest

Johannesburg, South Africa
Nathaniel Stern at GALLERY AOP

44 Stanley Avenue
Braamfontein Werf (Milpark), Johannesburg
Saturday 30 July – Saturday 13 August 2011
Opening talk by Jeremy Wafer, 30 July 14h00
Artist talks, 4 – 5 August, Joburg and Pretoria
Artist walkabout at AOP, 4 August 18h00

For Nathaniel Stern’s ongoing series of performative prints, he straps a desktop scanner, laptop and custom-made battery pack to his body, and performs images into existence. He might scan in straight, long lines across tables, tie the scanner around his neck and swing over flowers, do pogo-like gestures over bricks, or just follow the wind over water lilies in a pond. The dynamism between his body, technology and the landscape is transformed into beautiful and quirky renderings, which are then produced as archival art objects.

Giverny of the Midwest is a panoramic installation of nearly 100 such prints, rendering water, lilies, leaves and other organic forms into lush and rippling images. The source materials were scanned during a week-long camping trip next to a lily pond in South Bend, Indiana, and edited together over the course of nearly 2 years. The piece explicitly cites Monet’s large-scale painting and installation, Water Lilies (1914-1926), at the Museum of Modern Art in New York. It is similarly an immersive triptych of over 250 square feet (totaling 2 x 12 meters), and follows the patterns of light and color in Monet’s panorama. But Giverny of the Midwest’s three large panels move between proximity and distance, and are broken down into differently-sized and -shaped prints on watercolor paper, each evenly spaced apart. The tensions between flow and geometry, life and modularity, place it in further dialogue with other trajectories of modern and contemporary art, and simultaneously activate the possibilities of working across digital and traditional forms.

Giverny of the Midwest (detail), middle wall, 30 prints @ 2 x 4 meters

Giverny of the Midwest (detail, 2 x 4 meters; total size 2 x 12 meters)

Also part of the exhibition: The Giverny Series, 8 individual prints (edition 10, 2011) and In the fold, an artist book (forthcoming) – both produced using imagery from the aforementioned “art camping trip” in South Bend, Indiana.

****

Artist presentations

At both artist talks, Nathaniel will talk about his trajectory of thinking and making, which centers around curiosity, generosity and dialogue. He’ll present his work as a series of questions that often lead to interdisciplinarity and collaboration, and the combination of new and traditional media. The walkabout will see an open discussion about Giverny of the Midwest more specifically – the prints, the process, and the in-betweens.

Artist talk: Thursday 4 August, 12h30
Digital Convent, University of the Witwatersrand, Braamfontein, Johannesburg
Co-hosted by Wits Digital Arts and the Division of Visual Arts
details: tegan.bristow@wits.ac.za

Artist walkabout: Thursday 4 August, 18h00
GALLERY AOP
44 Stanley Avenue, Braamfontein Werf (Milpark), Johannesburg
details: info@artonpaper.co.za

Artist talk: Friday 5 August, 9h00
Sunnyside Campus, University of South Africa (UNISA), Pretoria
Hosted by the Department of Art History, Visual Arts and Musicology
details: colleen.alborough@gmail.com

***

GALLERY AOP details

Gallery hours: Tuesday – Friday 10h00-17h00, Saturday 10h00-15h00

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Posted in art, art and tech, Compressionism, exhibition, me, milwaukee art, pop culture, printmaking, research, south african art, stimulus, technology, uncategorical ·

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28 June 2011 by nathaniel

Jessica Meuninck-Ganger @ Gallery AOP, Johannesburg

GALLERY AOP
www.galleryaop.com


Jessica Meuninck-Ganger
Position / Opposition (detail)  2011 Artist book installation: drypoint, letterpress, etching & aquatint,
lithography and drawing on Thai mulberry paper & muslin  2,3m high X 1,2m X 10m (open)

Jessica Meuninck-Ganger
Position / Opposition
2 – 23 July 2011
Opening Saturday 2 July at 14:00

Opening address by Max Yela
(Head, Special Collections, UWM Libraries; Adjunct Associate Lecturer, UWM Department of Art & Information;
Adjunct Instructor, UWM School of Information Studies, University of Wisconsin-Milwaukee, USA)

Preview by appointment
Exhibition catalogue available (on-line version via www.galleryaop.com)

Walkabout
Jessica Meuninck-Ganger and Max Yela will conduct a public walkabout before the opening, at 11:00 on Saturday 2 June. All welcome!

Artist-printmakers
A special walkabout/information session will be held on Sunday 3 July at 14:00 for artist-printmakers

“Position/Opposition is an installation of over one hundred etchings and drawings assembled in a variety of presentation formats, including: a suite of six hanging print assemblages (45 x 66 cm), a large book (1.2 x 2.3 x 6 m – open); and one work from an edition of five artist’s books (maquette versions of the large book). Each work is a compound composition of expressive faces and hands that embody an emotive collaboration between two subjects. All of the prints on paper are participatory in nature and utilize the same subject imagery, but due to the ranging formats and scale, each depicts a unique conversation.” (Jessica  Meuninck-Ganger, 2011)

Jessica Meuninck-Ganger is a ‘context-provider’ (rather than a ‘content-provider’, in the words of British artist Peter Dunn) in this installation of prints, folios, and books that combine traditional processes of etching and lithography with new technologies, and incorporate the structural techniques of sculpture and book arts. She says: “I compose autobiographical memoirs that unfold like journal pages made for public view. An enthusiast of fine papers, prints and books a subjects, I am interested in people’s interactions with them as physical forms and conceptual spaces.”

Meuninck-Ganger’s work involves the creative orchestration of collaborative encounters and conversations well beyond the institution of the gallery. Her artist’s books are catalysts or surprisingly powerful transformations in the consciousness of their ‘readers’. The conversations they generate become an integral part of the work itself, which is collaboratively achieved.

Short biography
Jessica Meuninck-Ganger’s prints, artist’s books and large-scale mixed media works have been exhibited in museums and both experimental and commercial galleries regionally – near her home in Milwaukee, Wisconsin – nationally in the US and internationally. Her works on paper and her artist’s books are included in several private and public collections, including the Weisman Museum of Art and the Target Corporation, and in contemporary publications, such as Richard Noyce’s recent book, ‘Printmaking Beyond the Edge’ (collaboration with Nathaniel Stern). She has received residencies and fellowships all over the world, and has instructed printmaking courses and workshops throughout various states in America. Jessica received her MFA in Studio Arts from the Minneapolis College of Art and Design in 2004 and is currently Head of Printmaking at the University of Wisconsin, Milwaukee, USA.

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16 May 2011 by nathaniel

Nathaniel Stern in London, Milwaukee, Stellenbosch and Montreal

Given Time, networked installation and continuous performance
Wikipedia Art logoMade Real
London

Made Real: Nathaniel Stern and Scott Kildall
Furtherfield Gallery (formerly HTTP)
Unit A2, Arena Design Centre
71 Ashfield Rd, London N4 1NY
Friday 27 May – Saturday 25 June 2011
Private View: Thursday 26 May 2011, 6.30-9pm

Networks – social, political, physical and digital – are a defining feature of contemporary life, yet their forms and operations often go unseen and unnoticed. For this exhibition Scott Kildall and Nathaniel Stern, artists and co-founders of Wikipedia Art, take these networks as their artistic materials and play-spaces to create artworks about love, power-play and a new social reality. Three works are shown for the first time in the UK: Wikipedia Art, a collaborative work “made” of dialogue and social activity; Given Time, an Internet artwork that creates a feedback loop across virtual and actual space; and Playing Duchamp, a one-on-one meeting and game between an absent artist and viewer/participant. Read more…

Strange Vegetation

Strange Vegetation
Milwaukee

Strange Vegetation: Yevgeniya Kaganovich in
collaboration with Nathaniel Stern
Villa Terrace Decorative Arts Museum
2220 North Terrace Avenue
Milwaukee, WI 53202
8 June – 25 July 2011
Opening Reception: Wednesday 8 June 2011, 5:30-8:30pm

Strange Vegetation grows an ecological system out of the Villa Terrace Decorative Arts Museum’s unique decor. It germinates and mutates the wallpaper’s images into a mesh of living things: physically interconnected and identical plant-like forms projecting, like bulbous roots, from the floor. Over a dozen of these latex volumes slowly breathe in and out, an inflation and deflation cycle that gradually distorts each form. The installation and its surroundings transform the site from museal space to biological habitat, producing a fantastical organism of an imagined future. Strange Vegetation suggests that all built environments are (a) vibrant matter with the capacity for their own movement, change and agency over time. Read more…

The Great OakLens: fractions of contemporary photography and video in South Africa
Stellenbosch

Stellenbosch University Art Museum
Ryneveldstraat 52 Ryneveld Street
Stellenbosch, South Africa
11 May to 23 July 2011

Lens: fractions of contemporary photography and video in South Africa combines a collection of old and new work produced by South African artists who performatively use the lens in their practice. It includes several collaborations from Nathaniel Stern and Jessica Meuninck-Ganger’s Distill Life series, and pieces by Bridget Baker, Dineo Bopape, Husain and Hasan Essop, Jo Ractliffe, Kathryn Smith, Pieter Hugo, Stephen Hobbs, Steven Cohen, Zanele Muholi and many others.

Generating the ImpossibleGenerating the Impossible
Montreal

Finally, my family (Nicole Ridgway and Sidonie Ridgway Stern) and I are also participating in the SenseLab’s residency / conference / performance / exhibition, Generating the Impossible, in Montreal this July. The event, subtitled “A Potlatch For Research-Creation,” will be held in a forest outside of Montreal from 3-7 July 2011 and in the city itself from 8-10 July 2011. Erin Manning, Brian Massumi and all of the event’s participants are working together to re-conceptualize and collaboratively produce a new form of Sentimental Construction as part of the program.
*****

Hope to see some of you around the globe!

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12 May 2011 by BradyDale

Why make it elusive?

He's our guy... entity... talking-thing... to do the job

A while back I listened to the audio version of Steve Martin’s biography of his time as a standup comic, Born Standing Up. In it, he talks about getting a whole new kind of reaction from the audience by passing on the stand-up’s standby: the punchline.

So I started kicking this idea around. Could Steve Martin’s idea of humor… that is, basically, of never letting the air out of the balloon, be adapted into comics? Maybe.

I decided to try it. So, allow me to introduce my comic: Eat the Babies. It’s about a walking talking TV. There is no continuity to it, other than the fact that the TV does have friends. The two most frequently recurring friends are Woody Guthrie and John Maynard Keynes. It veers into social and philosophical issues a lot, but mainly its concerned with using the TV’s confusion about humans to create a humor that is elusive.

It means to be elusive.

The idea is you’ll get to wanting to look for it and find it in your own places.

I don’t know if I’m quite getting there, but if the comics don’t make sense yet it is because that is what I am looking to do. To explain my thinking behind strips would be to defeat the purpose, but let me point you to a few favorites so far.

TV gets mugged.

TV talks to Woody Guthrie about songs.

Woody explains adulthood.

TV is a talking head on tv (my personal favorite so far).

If you’ve seen the Charles Schulz tribute site, 3eanuts, that’s the best example I can give of what I want to do so far, though it’s not quite there. Well, it is there. It is awesome at what it is. It’s just not quite what I want Eat the Babies to be. But it’s close!

For the hardcore arts crowd, there are genuinely avant-garde webcomics out there. You should check them out. I don’t think I’ll be going to any conferences with those guys, as much as I might like to. So, if you’re interested in seeing someone try something, that’s the trick I’m trying. Feel free to click any of those links above and, you know… come see.

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Posted in brady dale · Tagged art, avant-garde, comics, drawing, Steve Martin, web-comics, webcomics ·

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12 May 2011 by nathaniel

MADE REAL: An exhibition by Scott Kildall and Nathaniel Stern, London

MADE REAL

Scott Kildall & Nathaniel Stern @ Furtherfield

Date: Friday 27 May – Saturday 25 June 2011
Venue: Furtherfield Gallery (formerly HTTP)
Links: http://www.wikipediaart.org

MADE REAL
an exhibition by Scott Kildall and Nathaniel Stern, the founders of Wikipedia Art.

Private View: Thursday 26 May 2011, 6.30-9pm
Unit A2, Arena Design Centre, 71 Ashfield Rd, London N4 1NY

Networks – social, political, physical and digital – are a defining feature of contemporary life, yet their forms and operations often go unseen and unnoticed. For this exhibition Scott Kildall and Nathaniel Stern, artists and co-founders of Wikipedia Art take these networks as their artistic materials and play-spaces to create artworks about love, power-play and a new social reality.

Three works are shown for the first time in the UK: Wikipedia Art, a collaborative work “made” of dialogue and social activity; Given Time, an Internet artwork that creates a feedback loop across virtual and actual space; and Playing Duchamp, a one-on-one meeting and game between an absent artist and viewer/participant.

Contact Alessandra Scapin ale[at]furtherfield[dot]org +44 (0) 2088022827
Free admission to exhibition and events

Wikipedia Art by Scott Kildall and Nathaniel Stern

‘if you claim something to be true and enough people agree with you, it becomes true.’ Steve Colbert on Wikiality

‘I now pronounce Wikipedia Art … It’s alive! Alive!’ Kildall and Stern

Scott Kildall and Nathaniel Stern famously used Wikipedia as an artistic platform, creating a collaborative project that explores and challenges our understanding of how knowledge is formed and disseminated. For over a year they planned the initiation of Wikipedia Art, a socially generated artwork that exploits a feedback loop in Wikipedia’s citation mechanism. Here, a “word war” across blogs, interviews and the mainstream press, which involved Wikipedians, artists, journalists, lawyers and even the Wikimedia Foundation itself, continuously defined and transformed a work of art in much the same way that these categories define the discourses of the everyday.


This is not Wikipedia, oil on canvas?, 2010, – Wikipedia Art Remix by Patrick Lichty

‘We ask our potential collaborators – online communities of bloggers, artists and instigators – to exploit the shortcomings of the Wiki through performance.’ Kildall and Stern

(Often unwitting) collaborators ‘performed’ the work through a debate about its aesthetic, conceptual and legal legitimacy in over 300 texts in over 15 languages on the Internet via blogs and forums such as Rhizome and Slashdot, and in the press including the Wall Street Journal and the Guardian UK.

This exhibition charts the inception, birth, life, death and resurrection of Wikipedia Art, which questions the authoritative role of Wikipedia, and reveals its fallibility whilst debating the control of access to and creation of knowledge.

Wikipedia Art featured in the Internet Pavilion of the Venice Biennale 2009. In 2011 it was an awarded finalist at the Transmediale festival in Berlin.

Also showing in this exhibition

Given Time by Nathaniel Stern
Furtherfield presents Stern’s polar projections of Second Life lovers. Second life is a 3D simulated and virtual world, inhabited daily by thousands of people around the globe. To access Second Life, you must embody an avatar (a virtual human representation of yourself), seeing what they see through a computer screen. Stern places us, and his lovers, in a feedback loop between virtual and actual space.

In Given Time, two life-sized and hand-drawn avatars simultaneously stare longingly across their virtual pond, and the real world gallery floor. They hover in mid-air, almost completely still, supported by the gentle sounds of their breath, the wind blowing, and birds in the far off distance. The viewer is both the observer and participant of this reciprocal relationship. Through the bodies and eyes of another, we see, look and are seen. Stern says: “Here, an intimate exchange between dual, virtual bodies is transformed into a public meditation on human relationships, bodily mortality, and time’s inevitable flow.”

Playing Duchamp by Scott Kildall


The American artist Scott Kildall, exhibiting for the first time in the UK, has fused the two worlds of art and chess in an homage to Marcel Duchamp, chess master and artist recognised for shifting the paradigm of conceptual art. Using the recorded matches of Duchamp’s 72 tournament games, Kildall has modified an open source chess engine to play chess as if it were Marcel Duchamp. By sitting down to this game of computer chess, visitors interact with the ghost of Marcel Duchamp, whose love for chess rivaled his attraction to art.

Furtherfield invites you to come and play because as Duchamp said: “The creative act is not performed by the artists alone”.

Events

Going the distance for fine dining with global friends
To accompany this exhibition, in June, Furtherfield will be hosting two telematic dinner parties with the aim to create a co-presence dining experience with our remote friends mediated by digital technologies (network connections, projections, laptops and sonified objects). As food is the greatest mediator, we aspire to a satisfying remote connection through the frame of the dining experience.
Contact ale[at]furtherfield[dot]org for details on how to become a dinner guest.

About the Artists

Scott Kildall
Scott Kildall is cross-disciplinary artist working with video, installation, prints, sculpture and performance. He gathers material from the public realm to perform interventions into various concepts of space.

Scott has a Bachelor of Arts in Political Philosophy from Brown University and a Master of Fine Arts from the School of the Art Institute of Chicago through the Art & Technology Studies Department. He has exhibited his work internationally in galleries and museums and received fellowships, awards and residencies from organisations including the Kala Art Institute, The Banff Centre for the Arts, Turbulence.org and Eyebeam Art + Technology Center.

Scott is a founding member of Second Front — the first performance art group in Second Life. He is an artist-in-residence at Recology San Francisco. He currently resides in San Francisco.

More information: www.kildall.com

Nathaniel Stern
Nathaniel Stern (USA / South Africa) is an experimental installation and video artist, net.artist, printmaker and writer. He has produced and collaborated on projects ranging from interactive and immersive environments, mixed reality art and multimedia physical theatre performances, to digital and traditional printmaking, concrete sculpture and slam poetry.

Nathaniel has held solo exhibitions at the Johannesburg Art Gallery, Johnson Museum of Art, Museum of Wisconsin Art, University of the Witwatersrand, University of Wisconsin-Milwaukee, and several commercial and experimental galleries throughout the US, South Africa and Europe. His work has been shown at festivals, galleries and museums internationally, including the Venice Biennale, Sydney Museum of Contemporary Art, International Symposium for Electronic Art, Transmediale, South African National Gallery, International Print Center New York, Milwaukee Art Museum and more. He is an Assistant Professor in the Department of Art and Design at the University of Wisconsin – Milwaukee.

More information: http://nathanielstern.com

Download Wikipedia Art: Citation as Performative Act (Creative Commons licensed)
by Scott Kildall and Nathaniel Stern, to be included as a chapter in ’ Wikipedia: Critical Point of View. Eds. Geert Lovink and Nathaniel Tkacz. Amsterdam: Institute of Network Cultures (University of Amsterdam), 2011. Forthcoming. Print.

Furtherfield, Unit A2, Arena Design Centre, 71 Ashfield Rd, London N4 1NY, +44 (0) 2088022827
Free admission to exhibition and events -contact Alessandra Scapin ale[at]furtherfield[dot]org

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Interactive Art and Embodiment book cover
Interactive Art and Embodiment: the implicit body as performance

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Buy Interactive Art for $30 directly from the publisher

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Ecological Aesthetics: artful tactics for humans, nature, and politics

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