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21 January 2008 by nathaniel

ten cubed

ten-cubed.jpg

I’m involved, via Haydn Shaugnessy (my Irish gallery) in a funky new project, where he’s hired a ‘Real World’ architect to build an astonishingly beautiful gallery out at sea in Second Life: Ten Cubed (pictured). Via some of Haydn’s blogging on the subject:

About a year ago I decided to set up a real life gallery. The reason was simply that I love media art but couldn’t find galleries that specialise in it. Now I have a media-art gallery and on a day-to-day basis experience the fact that the audience for this is global rather than local. Media-art is beginning to find an audience in Ireland but its real audience is urban anywhere.

I can connect to some of that audience through a website . But what I can’t do through a website is join people in appreciating the art; not when they could be anywhere from New York to Naples. Nor could many of the audience really appreciate the artwork: they’d simply be viewing a 2D image.

With Ten Cubed I can do these things. I can stand with you and admire the work and together we can analyse and crit.

What I can also do is make room to showcase art that my physical gallery could not exhibit – because of its size and because of the sheer impracticality of giving over all my space to one large work. In Ten Cubed I can show any amount of art and at any scale. I can also help promote and encourage artists working in a virtual medium.

I have to say that Ten Cubed really is a visceral space – “walking” around and viewing my work, it’s the most free and embodied I’ve ever felt in a Virtual World. And one of the more exciting aspects of the exhibition – which I’ll blog about later in the week – is a project I’m working on with Scott Kildall, where we are making unique SL print editions: virtual, limited edition art, signed and numbered individually and by hand!

More on Haydn’s SL artists.

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Posted in art, art and tech, Compressionism, Ireland Art, pop culture, re-blog tidbits, south african art, stimulus, technology ·

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18 January 2008 by nathaniel

Ralph Borland at Wits (Johannesburg)

If in Joburg, go see a great speaker and artist (and my classmate from ITP, peer in South Africa, and colleague in Dublin), Ralph Borland, next Friday.

Ralph Borland
Photographs by Pieter Hugo
Suited for Subversion, 2002
Nylon-reinforced PVC, denim, padding, speaker, pulse-reader, circuitry
Edition of 3

We are very pleased to kick off the 2008 Digital Soiree series with a
presentation by Ralph Borland entitled “Provocative Technology”.

The Soiree will take place from 13:15 – 14:00 on Friday 25 January in the
Digital Convent Seminar Room, WSOA, Wits University.

Ralph is an South African artist, technologist and DJ who is at the end of
the first year of his PhD with the Disruptive Design Team in the Electronic
and Electrical Engineering Department, Trinity College, Dublin.

He is examining an area of critical technology design practice
undertaken mainly by artists and designers, and proposing its
application to appropriate technology design.

His presentation will be around 30 minutes long, after which he will be
asking for feedback, and hoping for leads to more projects and
histories. He writes: “I’d like to know how the work I’m engaged with may
resonate with practitioners from a variety of fields. Feel free to invite
anyone who may be interested.”

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Posted in art, art and tech, Ireland Art, pop culture, re-blog tidbits, south african art, stimulus, technology, theory, uncategorical ·

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17 January 2008 by nathaniel

screening

Forgot to mention that at interval was screened at the  Enormous Room, Boston last night as part of Andrew Shea’s Fourth Wall program.
aonxia.jpg

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Posted in art, art and tech, creative commons, pop culture, re-blog tidbits, technology ·

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17 January 2008 by nathaniel

DATA (Dublin Art and Technology Association) Workshop 2.0* – *E-Waste 3.0â„¢

Workshop by Benjamin Gaulon (Recyclismâ„¢), Lourens Rozema (Blue Melon), with the support of Tim Redfern (Eclectronics) for the Dublin Art and Technology Association the February 2nd-3rd at the Moxie Studio Dublin.

Summary:
Moore’s law dictates that the complexity of computer chips doubles each 18 months. This causes a rapid decrease in the value of existing electronics. Thus, the dark side of technological progress is the production of endless amounts of electronic waste: e-waste. Although the economic value of obsolete electronics approaches zero, the electronic components themselves can still be useful in other contexts.

Our workshops offer the participants to become familiar with basic hardware and software design while at the same time gaining hands-on experience making an interactive art project. The workshops are open to participants of different backgrounds and no programming or electronic skills are required. The idea is to start from scratch and create a complete project over a weekend, including concept, design, electronics/ interfacing, and functional programming with Max/Msp, Pure Data or Processing.

Duration: 2 days
Admission fee: 20€
Application: by e-mail at ewaste3.0[AT]gmail.com
Group: 14 participants

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Posted in art, art and tech, inbox, Ireland Art, Links, re-blog tidbits, stimulus, technology ·

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17 January 2008 by nathaniel

artreview.com

A little overwhelming at first, the new artreview.com web site (currently in beta) has some really great features, the potential to pair up emerging artists with known entities (a plus), and to sustain a growing interest in the contemporary, fine and visual arts despite the upcoming American recession (whose effects people are arguing over in the art world).

Like most community sites, it’s a bit overhwleming at first. Kind of a myspace meets art zine meets saatchi gallery – which could be good or bad, I gather. Admittedly, I have a hard enough time maintaining my own web site, so I’ve never used the aforementioned for much in terms of “career” (and have mostly joined things like them and facebook when enough people have harassed me to do so, meening saatchi doesn’t even know my name) but that doesn’t mean it can’t work for you (hell, the Irish Gallery I work with found me on flickr – even tho I mostly use that site for photos of my daughter! And look at my last post on musician Ingrid Michaelson).

The things I like best about the new site are that there are feeds for EVERYTHING, and the blogs, reviews and videos seem to mix up commissions with everyday folks (I believe Paddy Johnson will be doing some NYC writing for them, and looks like Régine Debatty of wemakemoneynotart already has). And the front page had some great content, so I didn’t have to go looking for it when, after sizing it up, I wanted to read something.
I haven’t quite been convinced to sign up yet, but I am not ruling it out either…. Def worth keeping an eye on.

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Posted in art, re-blog tidbits, reviews, stimulus ·

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17 January 2008 by nathaniel

ingrid michaelson

ingrid_michaelson.jpg

I rarely look up a song I’ve heard on television. Maybe on a late night show now and again (I think I found Corinne Bailey Ray thanks to a meta-late night show, Studio 60), or something in a movie, but on TV, not so much. But after the third time I had turned to my wife and said, “This is actually quite a beautiful song; and I think it may be the same artist as the last time I said this,” while watching Grey’s Anatomy, I caved and looked it up on the internet. I was shocked when I found Ingrid Michaelson’s name. Via Wikipedia:

Michaelson was born to artistic parents — composer Carl Michaelson and sculptor Elizabeth Egbert, who is the Executive Director & President of the Staten Island Museum. She took up piano at age 5. She had trained until age 7 at Manhattan’s Third Street Music School and continued for many more years at the Jewish Community Center of S.I.’s Dorothy Delson Kuhn Music Institute. There she met vocal coach Elizabeth McCullough, who worked with her through high school. She is a graduate of Staten Island Technical High School and Binghamton University, where she received a degree in theatre.

“Hey, Nathaniel,” you might ask, “didn’t you go to SI Tech?” Yes, I did, and Ingrid and I were pretty friendly for a short while. In fact, next time I’m at my folks’ place (though that may be a year or so in the making), I’ll go and dig up some photos of us (real photos? not on flickr? Yeh, we’re talking old school disposable camera photos circa 1994/1995).

This isn’t, of course, to take any ownership of Ingrid, her talents or her success. Probably more accurately, I knew the girl who would some day grow to be the woman pictured above (though she doesn’t look as if she has aged a bit. Of course, her lyrics reveal a maturity that says otherwise….). I’m sure neither one of us is the same person. But despite that recognition, I can’t help but feel a sense of – not pride, as that would indicate I played even a small role, which I did not – satisfaction.

I think this satisfaction comes from bearing witness. Ingrid has the same ‘humble beginnings to myspace find to nearly a rock star’ bio on her web site, in the NY Times, and various other places (that last link is a nice interview). But I know it not as a press release – it’s all true. I’ve been to her house on Van Duzer Street on Staten Island; I’ve met her parents; I’m pretty sure I was even in a school show with her (yes, I used to sing and play music in a past life…). Even back then (she was 14 or 15 when we met), Ingrid was generous, quirky, did her own thing, down to earth (see aforementioned interview), and had a similar style to the one she has now: I liked her immediately.

We haven’t been friends since I graduated in 1995, but I do remember running into her, must’ve been around 2001, when I was at NYU; I don’t remember much about the conversation (other than the standard, Staten Island / high school friend thing of poking a bit of fun at each other), but I recall that she was content doing a bit of acting, playing music, figuring things out. I looked her up a few years later (around the time Friendster was popular and I also was feeling minor nostalgia/homesickness living in Johannesburg, so looking up high school buddies), and found her web site and downloaded a few MP3s. Still doing her thing. I had meant to email her and say how I liked the tracks, but never got around to it, and my guess is that she’s pretty aware of the fact that lots of people like them by now :)

It’s just nice to see, you know? It’s a real story of someone who did not claw or suffer or change to get some success. She was content to do her thing before she was a rock star, and from what I can tell, she’s continuing on that track now, as she says, “taking it slow.”

Congratulations, Ingrid. I’m a different kind of fan to the one I was in our former incarnations, but you can add me as one for sure. I wish you more and more success.

Sidenote: also check out Ingrid’s “dutch pop” (ha) side project, Ingrid&Andrew

Sidenote 2: and if you like that, and speaking of talented musicians I went to high school with, also check out João Orecchia (that’s his site; here’s his myspace) – who I do still know very well; he is my daughter’s god father – and his Johannesburg-based band 5 Men 3 Missing (again, their site. myspace). Awesome stuff.

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Posted in flickr, Links, me, music, poetry, pop culture, re-blog tidbits, stimulus, uncategorical ·
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nathaniel’s books

Interactive Art and Embodiment book cover
Interactive Art and Embodiment: the implicit body as performance

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Buy Interactive Art for $30 directly from the publisher

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Ecological Aesthetics: artful tactics for humans, nature, and politics

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