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19 December 2005 by nathaniel

failed Compressionist imagery

scanning the water lilies at Emmarentia in Johannesburg; ah, Monet!
scanning the water lilies at Emmarentia in Johannesburg; ah, Monet!’ (photo by Colleen Alborough)

I did some outdoor scanning tests for my Compressionism project today, which failed pretty miserably. I considered the last tests and scans to be hugely successful, but this one was going to be a huge step – I was using a new scanner, powered through the USB port, so that I could be freed from power cords, and run through Joburg with the laptop/scanner combo as my fanfab appendage. I was thinking some barbed wire and fences for a bit of the ole’ Joburg Boogie Woogie, and maybe Lilies @ Daytime (one attempt pictured) for a bit more of an obvious reference (etc). But alas, I had no idea how lucky I was with Jackson (the original scanner I used for the first Compressionist works). The new CanoScan I was so excited about was waaaay too sensitive – even after recalibrating several times, and testing in various settings, I could never get it to "see" any images more than 1/2 a centimeter from its surface; everything came out almost completely white. This will not do for Compressionism!

Next steps? Well, Colleen Alborough (who took the above photo) recommended looking into a generator, so that I could use Jackson (the old scanner) anywhere I please. Great idea, but it also feels like a bit of a hassle to lug around (not to mention monetary constraints); it turns out, however, that Jackson only needs 1.25 Amps and 12 Volts of power – so 10 hi-amp AA’s in series should do the trick; or even some other combination of batteries in serial and parallel (whatever works out cheapest, and is, hopefully, rechargeable). *Non geeks: if we put batteries in serial, we add their voltage together for the new power we get out of them; if we put them in parallel, we can add the current (amplitude) together.* Or maybe I can find one rechargeable that’ll do the trick, even… Then, I’d just need the right adapter head to plug into Jackson, and Voila! I’m guessing that the cats over at Communica will help me out with this, even if their web site sucks and I can’t find a current phone number for them anywhere. You think they are open this time of year? Ooooh, and after I get this working, it may be time to develop a Compressionist suit, for housing the laptop and scanner more easily… Yeh, that’s hot (this was Catherine D’Ignazio’s idea – from the very cool Art Interactive gallery, in Cambridge).

PS – was having some issues with the "email to friend" function for the last few days, as I updated my blog’s linking structure. It should be working fine now.

Posted in art, art and tech, Compressionism, me, pop culture, south african art, stimulus, technology, theory ·

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12 December 2005 by nathaniel

wikipedia scandal is almost laughable

disclaimer: this is a rant and I’m not sure how clear it is. I’ve spent too much time on it already. enjoy!

What is the difference between Wikipedia, the New York Times and Fox News? Well, the former, which is continually ridiculed by librarians and journalists alike, is supposed to be held accountable for only printing facts, while the latter two, oft the source of many a footnote of reliability, are a bit more free.

At least, that’s how it seems to me when I read through this version as opposed to this version of this story. Ironic that the Wiki-defenders give something slightly more balanced….

Wikipedia is a free, open source and huge resource for free information, which anyone can edit – proof in many cases, some might argue, that “anarchic information” is more reliable than “journalistic credentials.” Basically, the story goes that some idiot used the site to jokingly implicate a former newspaper editor in the Kennedy assassinations. But the press is crucifying Wikipedia, instead of the idiot who edited the site (who the victim actually feels sorry for!). This is complete hypocrisy, in that said victim states (link above), “I still believe in free expression…. What I want is accountability.” I’m sorry? Accountability for the person, or the platform?

OK, granted, his point is larger than this. He found the “perpetrator” because he hired a private detective and then the man eventually confessed, so there is indeed less accountability than, say, a journalist who appears on TV or signs his or her name.

However, the bigger argument coming out of this is that Wikipedia is somehow unethical or completely untrustworthy. I have two points to make here in terms of his free speech vs accountability statement.

Free speech. Now in my book, free speech usually goes along with freedom of the press: especially in this case. Wikipedia is full of informative overview documents that they deliberately call “articles.” They can be fixed at any time by anyone who wants to (tho the victim did not exercise this power, as he did not want to “condone the site”). The downside is that anyone can deliberately false edit, and misinformation occasionally appears (an actual rarity); this happened in this case, and was not fixed for four months (mostly a mishap, but those who discovered the mistake decided to go on television, rather than fixing it). The upside, however, is huge. It has to do with power. In this sample, I’m going to go with extreme: Fox.

Fox news (especially Bill O’Reilly) is renowned for op-ed, unchecked propaganda passed off as news. Another example is the NY Times’ Jayson Blair scandal that cost two editors their jobs; they allowed years of lies and made-up stories to slip. However, the Times recovered and the O’Reilly Factor’s bullshit “no spin zone” carries on – in fact, whereas the less-read Wikipedia had to change their forum after this debacle, and apologize on news networks over the nation, we never see Bill do as such….. Granted, the Times was held somewhat accountable and O’Reilly has many, many critics, but the latter, for example, is oft quoted criticizing more factual blogs and sites than his own “pundits” dictate, and he answers to no one for it. He also has a much bigger forum for his “fair and balanced” views, due to money and power; like all of today’s news, he goes after his own agenda, as a mouthpiece for his funders.

Wikipedia, which, I might add, is editable by the likes of both of these institutions, as well as anybody else interested, is a mouthpiece for no one/everyone, and yet they are held to higher standards of fact-checking than this media machine? Wikipedia, a resource literally by, of and for the people* loses all credibility because of one idiot? Well, then all Americans are like Nixon, I guess. Or Charles Manson. Or perhaps Bill O’Reilly would like to hear that he and George Soros are one and the same?

Accountability. Bill O’Reilly has gone after just about every person, web site and paper that exposes his lies, conceit, and affiliation. He uses his TV/radio show as a total bias to the right, then crucifies anyone who disagrees with him. He calls people cowards for not appearing on his show, then refuses to discuss matters with those whose opinions he does not appreciate; and the main problem is that people actually listen to his garbage. He has the most watched news show on cable television.

At wikipedia, for a change, people like Bill cannot go after anyone – either literally (there are several editors, writers, personalities – mostly untraceable) or ethically (as he has the ability to change their entries himself). He can change entries if they are wrong, and he can’t publicly attack any one person as a “liar” or “coward.” This is important (and probably why Wikipedia, as a community and site, is getting discredited as a whole). In the end, since any person can edit or fix, more objective or truthful information tends to comes out – through more contributions and debate, rather than personal attacks. In fact, when Wikipedia editors believe a page may be slightly biased, they flag it, and disclaim, at the top of the page, “this article may not conform to the neutral point of view policy.” (This happens until more participants get involved in editing and debate; for example, their page on Bill O’Reilly.) This is something that Bill doesn’t do for his viewers and listeners…. (More on the Fox news bias, presented by links and FACTS is here.)

Who, exactly, should not “be using Wikipedia as factual information,” as their critics argue? The administration, who use any information (even if it is already discredited), to support their claims to go to War? The “news,” who like Fox, mostly do the same? Fox news’ viewers, who, according to the (editable and accurate) figures at the link above, are some of the most misled people on current events in the nation? Academics, who would not even use a standard encyclopedia, much less an open source one, as factual information anyway? Where is your standard and who are you speaking to here? Or is it just a space to discredit?

I’m not saying I disagree with accountability; what I’m saying is that on Wikipedia, the playing field on “accurate information” is a bit more equal. And it’s the big wigs who don’t like it. If you are opening up a discussion on freedom and accountability, you must also introduce aspects of money and power – we live in a Capitalist society, remember. Accuracy, modern reason tells us, is subjective itself – and if you want to play a numbers game, the Wikis have it.

* granted that in this case, “people” means people with web access. But “people” with access to speak on broadcast or cable television networks, or the ability to print in one of the largest circulated papers in the world, represent a number exponentially smaller than this.

Posted in news and politics, pop culture, re-blog tidbits, stimulus, technology ·

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05 December 2005 by sean slemon

http://swarmsketch.com/

A great new site recently featured in the New York Times: The website allows anyone to collectively draw a single picture-each person can draw one line about an inch long. After that you can vote on the opacity of other lines that already exist in the drawings. A new drawing is posted on a weekly basis and some pretty surprising images emerge considering the amount of people that create the work and the length of the line. Collective consciousness. Its a lot of fun.
Other than that I’m working on a new project now that my show is done: The noble planting of street trees in Manhattan. More on this later maybe.

Posted in art and tech, sean slemon, stimulus, technology ·

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03 December 2005 by nathaniel

the whitney biennial

Did you guys know that the next Whitney Biennial will show more than just American artists? Granted, they’ve always been liberal about what “American” means (non-Americans living in America, people who are American but live overseas now – like me – people who had a studio there once, etc….), but now that is even out the window. Kinda cool, even tho it lessens my chances of ever getting on ;)…. The full list of artists is here.

PS I am on free wireless in the Budapest airport, finally on my way back to Joburg. How is it that there are no data caps, no fees and free connections everywhere else in the world, when our telecommunications company in SA is by far the bigger, and has a (MUCH) larger profit margin? Crooks, I tell you; the telkom monopoly is made up of a bunch of crooks, with even more crooks from government under their thumbs!

Posted in art, technology ·

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02 December 2005 by nathaniel

William Kentridge on Net Art News: A Mechanical Masterpiece

Cool to see William Kentridge on Rhizome – I can’t wait to see this piece in action!

Link to William Kentridge on Rhizome.org’s Net Art News: A Mechanical Masterpiece:


William Kentridge, one of South Africa’s most acclaimed contemporary visual artists, gained international stardom at Documenta X (1997), where he exhibited part of his animated film series about living through the apartheid and post-apartheid eras in Johannesburg. The hand-drawn films were produced using charcoal and pastel drawings in stop-motion, which left beautiful traces of erasure and redrawing. While working on a design for ‘The Magic Flute,’ his recent operatic adventure, Kentridge built a small-scale stage model to test his projections. This petite provocation became the basis for his current Deutsche Guggenheim commission. Visitors to the Berlin site can take-in Kentridge’s new short ‘play,’ staged within a miniature mechanical theatre and starring animatronic coffee pots who gesture in Italian, menacing kitchen appliances, and other lively characters, all rendered in his very recognizable, witty style. ‘Black Box/Chambre Noire’ will run through January 15. Chances are, you’ve never heard a coffee pot sing quite like this before. – nathaniel stern

http://www.deutsche-bank-kunst.com/guggenheim/e/ausstellungen-kentridge01.php

Posted in art, art and tech, re-blog tidbits, south african art, stimulus, technology ·

Archives

25 November 2005 by nathaniel

the net.artists

Howdy all. Sorry for the silence on my part – things have been so hektik, and it seems that Thando and Kags have been holding down the site (tho I’m still hoping to even out text and images soon!!!!). I’ve seen some wonderful old friends (tho not wonderfully old), done another day of art-hopping in Chelsea, spent some time in Brooklyn, and chilled with my college roomy, Tony (an astrophysicist now!).

Mark Dion’s The Curiosity Shop was an interesting installation – a log cabin room filled with Siopis-like nostalgia-ites. Michael S Riedel’s Neo was probably my favorite of the day, where he took snaps of Zwirner Gallery as the show before his was being de-installed, and hung huge, to-scale, images of the space back on itself, but sometimes slightly displaced. Edgar Arceneaux, at the Kitchen, also did a much smaller scale architectural remix.

I think it was probably the Tim Noble and Sue Webster show, the glory hole, that all four of us gallery-goers agreed on: beautiful welded sculptures of found objects that project a curious formal intrigue, but whose shadows cast concrete images of faces, bodies and other recognizable shapes in their negative and positive spaces.

from left : marek walczak, t whid (of MTAA), doron golan (mica scalin below) yohana wife of marek, liza and mark napier
from left : marek walczak, t whid (of MTAA), doron golan (mica scalin below) yohana wife of marek, liza and mark napier

Admittedly, the highlight of the week for me was when t. whid, from mtaa, invited me to a dinner among friends of his. It was like walking into the NYC net.art scene (and then some) concretized in a lot of ways: Lauren Cornell and Francis Hwang from rhizome, doron golan of computer fine arts (who owns the restaurant), several cats from the thing, Magdalena Sawon and Tamas Banovich from postmasters gallery, mark napier (who should need no introduction, in my not so humble opinion, but who currently has a solo show at bitforms gallery), and the list goes on. They were all warm, excited to hear about the South African art scene, generous with their questions and answers, and humble about their own work. The following day, I checked out a beautiful Mary Kelly exhibition at Postmasters, as well as the aforementioned Mark Napier show – stunning, painterly software art.

Today, I am making a turkey, as my parents decided to have thanksgiving one day late this year — family schedules just worked out that way. It’s Simon and Bronwyn’s first Thanksgiving! (well, sort of. I explained that thanksgiving in SA can be any time, and usually involves slaughtering a cow – different thing….)

Posted in art, art and tech, pop culture, stimulus, technology, theory ·
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Interactive Art and Embodiment: the implicit body as performance

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Ecological Aesthetics: artful tactics for humans, nature, and politics

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