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08 October 2008 by nathaniel

settled

Via Art Heat via M&G:

Last week BMW and its advertising agency, Ireland Davenport, offered Marx an out-of-court settlement and apology for copyright infringement.

In 2005 Marx held a solo exhibition at the Warren Siebrits gallery in Johannesburg, in which he showcased a technique he had developed of creating line illustrations from roads on map fragments.

Ireland Davenport used the idea in a 2006 newspaper campaign advertising the BMW Z4. According to sources close to the artist he claimed R1,5-million in damages.

On September 25 some of South Africa’s top artists, including William Kentridge and Penny Siopis, donated their works to an auction to raise funds for Marx’s legal fees. The auction, held at Newtown’s Bag Factory art studios, raised about R450 000.

Legal fees were estimated to be R300 000, the balance will be used to set up a David and Goliath Fund, which will help artists in future plagiarism claims.

In a statement this week attorney Owen Dean said Marx, Ireland Davenport and BMW SA had “amicably” settled the case.

The agency said it had no intention of associating its campaign with Marx’s work, adding that it “fully supports the arts and regrets if any impression to the contrary was given”.

The apology contradicts a report in The Star earlier this week in which BMW spokesperson Benedict Maaga said the company “contests the assertion that it has infringed the rights of the artist Gerhard Marx or plagiarised his work”.

Pretoria-based Owen, who represented the family of deceased composer Solomon Linda in a royalties claim against Disney Enterprises over The Lion Sleeps Tonight, said that copyright infringement is on the increase in South Africa.

“There is a cavalier attitude, one of the problems is that it is now so easy to reproduce works — like downloading them from the internet.” Dean said.

The David and Goliath fund, he said, could play an important role because the Copyright Act is expensive to enforce.

Posted in art, creative commons, re-blog tidbits, south african art ·

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24 September 2008 by nathaniel

david&GOLIATH: artists versus corporate crime (updated)

Reember this? Gerhard Marx had his art work pretty much stolen by an ad agency for a series of BMW ads. That lawsuit is about to come to a head; many artists want to help – and also don’t want to allow this to happen again.

Here’s how the bag factory plans to help:


You are hereby invited to attend the david&GOLIATH auction to be held at The Bag Factory in Fordsburg, Johannesburg onThursday, 25 September 2008 at 19h00. Preview and auction registration will be possible from 17h00.

The relationship between the arts and commercial industry is one in which issues of creative ownership and copyright infringement is frequently contested. It is generally financially impossible for the individual artist to address these issues legally when faced with a corporate giant.

The david&GOLIATH initiative is aimed at creating a platform through which the arts can support the arts in protecting creative ownership. Prominent South African artists have generously sponsored artworks to be auctioned off at this fundraising event, which is proudly hosted by The Bag Factory. Funds raised at this event will be used to support the case of Gerhard Marx vs. Ireland Davenport and BMW due to occur in the High Court on the 9th of October 2008

Any further profits from this auction will enable the establishment of the david&GOLIATH trust, which will aim to financially support artists against copyright infringement and commercial exploitation.

Supporting Artists: Wim Botha Jo Ractliffe Penny Siopis Aiden Dom Bronwyn Lace Clive van den Berg Conrad Kemp David Andrew Diane Victor Dorothy Kreutzfeldt Ellen Rose Gerhard Marx Jeremy Wafer Jonah Sack Joni Brenner Kim Lieberman Lehlogonolo Mashaba Liam Lynch Maja Marx Marco Cianfanelli Marcus Neustetter Minette Vari Mmakgabo Helen Sebidi Nhlapo Senzo Nirupa Sing Olaf Bisschoff Penny Siopis Philip Miller Richard Forbes Richard Penn Robyn Penn Sabelo Mlangeni Santu Mofokeng Stefanus Rademeyer Stephan Erasmus Suzanne du Preez Usha Seejarim Walter Oltmann William Kentridge Wim Botha Yvonne Harvey Zander Blom and more.

25 September 2008 from 17h00 onwards. Auction commences at 19h00
The Bag Factory
10 Mahlatini Street
Fordsburg
011 834 9181

update: look at some of the works!

Posted in art, creative commons, inbox, news and politics, pop culture, re-blog tidbits, south african art ·

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10 September 2008 by nathaniel

Doin my part

There’s a brief review of the Jozi and the (M)other City net.art site on Artthrob, by Chad Rossouw. Snip on me:

Nathaniel Stern, a natural on the web, produced the most engaging work. He challenged the above-mentioned Sean O’Toole to live without electricity for a day. The documentation of their correspondence is a good insight into the process of negotiation, slightly more interesting than the concept of negotiating urban life without power.

Read more.

I’m glad Rossouw took some time to read said negotiations. As I say in the piece itself, the texts surrounding the “event” – both before and after – were undoubtedly the “work”of the work, and most effectively got to the heart of the social relationships I was trying to accent. (There are some neat photos and a video, too, of course…)

The physical exhibition opened yesterday in Cape Town – I have no idea how the installation version looked, or about much of anyone else’s work (although online, it all looks very interesting; I especially like Marcus  Nuestetter’s piece). Will post reviews and/or pics as I have them.

PS I moved to Wisconsin about 4 weeks ago. More on that when the dust settles….

Posted in art, art and tech, carine zaayman, me, music, re-blog tidbits, reviews, south african art, stimulus ·

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13 August 2008 by nathaniel

Jozi and the (M)other City

A few weeks advance notice, but this is the show Doin’ my part to lighten the load was commissioned for. The JAMC site is also now live, and worth checking out – some great projects by my fellow South Africans!

Jozi and the (M)other City Cape Town exhibition invitation

Jozi and the (M)other City Cape Town exhibition invitation

Jozi and the (M)other City
8 September  – 26 September
Michaelis Gallery, 32 Orange Street, Cape Town South Africa
opens 18h30 8 September

Posted in art, art and tech, carine zaayman, creative commons, inbox, me, south african art, stimulus, theory, uncategorical ·

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03 August 2008 by nathaniel

Joburg visit (updated)

Radio silence. It is mine. But not today.

In the last few weeks, I’ve turned in a draft of my dissertation, moved out of Dublin, been to Zurich, and now I’m seeing friends and family in Johannebsurg before our big move back to the states (for me and Nicole – Sidonie has never lived there!). It’s been quite a ride, all too short, but also wonderful. I hadn’t realize how homesick I am for South Africa, and I’m a little sad about the reality that it may not be my physical home again for some time to come (despite my excitement about the new life and job in Milwaukee). It’s very important for me to maintain ties here….

Anyhow, I’m having a mostly lazy Sunday (went to the Zoo and now a picnic) in the sun (is it just me, or are Winters in Joburg so much warmer and lovelier than Summers – any time of year, really – in Dublin?… Don’t get me wrong; Dublin is great — just not for its weather!). So lazy, in fact, that I don’t imagine I’ll spend much time on this blog. Perhaps it’ll really pick up again when I am slightly settled into the Midwest, as I entertain an interest in the local scene; but for now, expect intermittent posts on random tidbits, as has been the case for the last couple of years, since initially leaving South Africa….

I will mention, however, a few shows I saw on the gallery strip over the last while.

The Fetish, 2008, Mixed Media
The Fetish, 2008, Mixed Media

Most notable for me was probably Michael MacGarry’s solo at Art Extra. The show took some real risks, with some brilliant results – mostly through juxtapositions of politicized and contextual materials. He doesn’t always succeed as well as I think he does with the work above (which I love and Ellen hates – we both agreed that our talking about it for such a long while is a good sign for him), but his intentions are usually quite clear and admirable, and the large majority of his objects bewildered me in wonderful ways. For those not in the know, MacGarry is also one of the Avant Car Guard trio. I’m told that a catalogue for this show, with writings by the artist himself, is also forthcoming.

Wilma Cruise’s new exhibition is, as always, worth checking out. At the David Krut Gallery down the road, she has some beautiful new prints and sculptures that follow on from her continuing collaborations with Jillian Ross. Not open yet, Santu Mofokeng’s photographic African Landscapes at Warren Siebrits looks to also be a beautiful show – we got a little preview because Sid’s godfather, João Orrechia, is a bit of a rock star.

Bryanston, 2008, nils fichberg, edition of 1, 1000mm x 1000mm
Bryanston, 2008, Nils Fichberg, edition of 1, 1000mm x 1000mm

The new Resolution Gallery of Digital Art holds a group show with works by Nils Eichberg (above) Olivier Schildt and friend of implicit art, Daniel Hirschmann. The former seems to make his beautiful prints from stretching out abstract shapes using corner pixels from images of people paying at tills in various parts of Joburg. The small image here does no justice to his full-size prints, and I want and hope to hear and learn more about him.  Schildt’s pieces seem to be pixilated and generative reproductions of images of town, while Daniel also continues on his generative work that borders on the figural. Worth checking out and chatting with Ricardo (the gallerist) at this new spot.

I also hit Hentie van der Merve’s show at the Goodman.  The somewhat political and humorous prints (in the left corridor when you walk in) were his strongest works (see images via Goodman link), then his similarly styled sculptures; the fabric art, folded papers and camouflage pieces in the right half of the gallery, I could honestly do without. It was great to see him take risks with media foreign to him, but they mostly played it a little too safe, and seemed to be reiterating things often said by other artists. In all, however, the show is very worth a visit. He’s smart and talented, no doubt, and I should probably say again how good the prints (on the left) and sculptures were.

All I got for now. These blog things can be time-consuming and this is supposed to be both a holiday and a lazy Sunday, after all….

Update: I almost forgot! Documentation of my new interventionist piece, commissioned for exhibition in Cape Town, is now live on the main part of this site: Doin’ my part to lighten the load.

Posted in art, art and tech, carine zaayman, me, reviews, south african art, technology ·

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23 July 2008 by nathaniel

MyArtSpace.com interview

Had a great email exchange with Brian Sherwin of myartspace.com over the last few days, which culminated as an interview published on the myartspace blog. There’re bits on my work,  dissertation, inspirations, even a question on Creative Commons and a few other little tidbits not published anywhere else to date. Check it out.

snip / teaser:

Art Space Talk: Nathaniel Stern

“… Brian Sherwin [myartspace.com]: Nathaniel, I’ve read that you are inspired by the Interactive art of David Rokeby and Myron Kruger. Can you tell us about these influences? What else inspires you?

NS: I believe Kruger’s core contribution to understanding interactivity was a concentration on action rather than perception – ’seeing’ in particular. He had little concern for illusion-based and simulated VR that replicated reality, and was more interested in stimulation – with a ‘t’ – and how people moved / getting them to move. I think Rokeby is brilliant in many ways, and his work, Very Nervous System (1986-1990), was one of the first and most important pieces to accomplish an affective intervention in embodiment through this kind of inter-activity. But what inspires me most about him is his contrariness. He almost always tries ’something else,’ never really accepting the limits or taken for granted in any given medium.


The Odys Series: The Storyteller, archival print on watercolor paper, 1189 x 841, edition 3, 2004
(screenshot from video)

My other influences are fairly idiosyncratic: from Hiroshige, the Impressionists and Homer’s epic tales to Liam Gillick or Camille Utterback and Rafael Lozano-Hemmer. I often turn to contemporary fiction, theory and philosophy in my thinking and making. I should also say that my wife, Nicole Ridgway, is the most wonderful muse and crit I’ve ever met: my biggest fan and supporter precisely because she is also my harshest critic before a work is done….”

read more (2500 word interview)

Posted in art, art and tech, Compressionism, creative commons, Ireland Art, iSummit07, Links, me, re-blog tidbits, research, reviews, south african art, stimulus, technology, theory, uncategorical ·
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nathaniel’s books

Interactive Art and Embodiment book cover
Interactive Art and Embodiment: the implicit body as performance

from Amazon.com

Buy Interactive Art for $30 directly from the publisher

Ecological Aesthetics book cover
Ecological Aesthetics: artful tactics for humans, nature, and politics

from Amazon.com

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