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16 May 2007 by nathaniel

Haydn Shaughnessy Gallery

Haydn Shaughnessy Gallery for Innovative Contemporary Artists

Haydn Shaughnessy Gallery (aka galleryICA – for Innovative Contemporary Artists) launches its website this week, and its first show (featuring me and Paul La Rocque) on 31 May:

We open at 6.30 pm but the party goes on for as long as you wish, downstairs in the Pink Elephant. The women of the chorus of Opera Cork will be there to sing and you can network among some of Cork’s business and art loving community.

More on that show when I have it, but you can get the gallery info and images via the links above. They specialize in artists engaging with technology, and are starting with editioned prints as a focus for this and the next show. Also affiliated with this new space, and showing in the early Fall (Dublin time) is Scott Kildall, aka the Great Escape (from Second Front, the SL performance group). If you don’t know his work, highly recommended (and many thanks to Sasha Harris-Cronin for the e-introduction!).

Posted in art, art and tech, Ireland Art, Links, me, re-blog tidbits, south african art, stimulus, technology ·

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09 May 2007 by nathaniel

catch-up, links, tidbits, etc

Hey All:

Been in Wales at this conference over the last 5 days or so, and lots has happened in the world since then, so this’ll be a kind of ranty catch-up of random and, depending on who you are and what you like, potentially unimportant things. Nicole and my presentations went pretty well, thanks for thinking of us – I’ll be posting a draft of the paper on implicitbody.net in the coming weeks; most important to me, got some great feedback on where to go from here with the dissertation. And I think Nicole is feeling good about the new directions in her own research. In no particular order:

New South African Art blogs: art matters and midnight kitchen. The former is anonymous and the latter is Rat Western – both are based in Joburg and both seem to be pretty good so far. I am ambiguous about anonymity, given I’m not sure what they are protecting themselves from and, at least with Robert Sloon, it feels like a faux humbleness (everyone knows who he is in “real life” – even tho no one knew who he was before the blog – and he’s more than willing to appear at exhibitions all over the world – mostly to exhibit himself…). What are the reasons, the real reasons, for anonymity in this case? All that said, glad to have more writing on SA art online, especially in joburg – go for it, “Jane” and Rat. Opposed to the former (or at least what she implied on her first post), I think we do need more “irreverent bloggers.” (Tho I question her judgment of “Art Heat’s … frank reportage sans pretension”; I appreciate Art Heat as much as the next guy  – and featured them on my site, and in Contempo, very early on – but until recently you had to wade through so much crap just to get any content at all; it was mostly/only about the Michaelis Clique and its inner-workings….) While I’m at it, SAartsEmerging features MTkidu this month.

Also new online: the networked music review blog, a new one by turbulence; nice piece on Red Burns and my alma mater, ITP, also known as the Harvard of Interactive (in the NY Times; the latter is an older piece from Newsweek)… New MTAA Commons Art Diagram for their iCommons Residence and also a 2-part interview on AFC (1 and 2). New Artthrob up – my fave articles include: thoughtful piece by Tavish McIntosh about Afterlife at Michael Stevenson; Sue Williamson on Gimberg/Nerf/Sacks/Young; Zachary Yorke reviews the companion book to this show, which sounds great and I hope to see it soon – I wonder if mine is the only artwork (as opposed to essay) in the book, or just the only one he mentioned; Michael Smith interviews Anthea Moys and Juliana Smith; finally, Ed Young reviews the Afterlife book, and as usual makes it more about himself than the “book,” but I think this may be the must read of this issue.

I like that most of this post was dedicated to SA Art. I may have something to say about some of the papers in Wales later. Day off today. More soon.

Posted in art, art and tech, creative commons, Links, me, pop culture, re-blog tidbits, research, reviews, south african art, stimulus, theory, uncategorical ·

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28 April 2007 by nathaniel

armed response II

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Nice group show at the Goethe in Joburg; my buddy Christo Doherty (head of digital arts at Wits) in participating. Recommended if you are in the area!

Posted in art, art and tech, re-blog tidbits, south african art, stimulus ·

Archives

27 April 2007 by nathaniel

art south africa now online

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Not sure when I missed this, but it seems that South Africa’s premiere (and apparently accredited) contemporary art mag (um, only printed contemporary art mag, really, tho there are more and more “lifestyle” mags that do some art and design) now has most of its issues and articles online – including the ability to comment! – plus a blog-ish feed of announcements, a few articles and exhibition openings. The RSS seems a bit publish-happy, and I’ve only just added it to my reader (so am not sure if all the new articles from the actual mag go there as they’re finished, or if they are just announced all at once), but it’s a pretty great resource, and you can bet I’ll be starting to read and link online beginning with the next ish. It’s GREAT that there is another serious, mostly online publication for contemporary SA art (the other being artthrob), and it’s very smart of them do to this; my guess is it’ll increase international interest from advertisers, as well as readership, and more and more artists will be linking to their articles, helping sales, ads, the rest of it (not to mention the fact that their galleries represent many of the hot names in the mag’s pages, just in case you didn’t know). And although I don’t know the peops over there very well, I’d be willing to guess they had a bit of wanting to help prop up SA art in general as part of the plan. Rock on you guys.

Check it out: Art South Africa (rss feed on the right of the menu).

Posted in art, art and tech, Links, re-blog tidbits, south african art, theory ·

Archives

26 April 2007 by nathaniel

Sean Slemon @ Pratt, Brooklyn

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My favorite South African displaced in New York, and an inspired/inspirational sculptor and artist, Sean Slemon, is having his Masters Solo Show at the Pratt Studios in Brooklyn, 30 April – 4 May. If you’re around, do yourself a favor and attend (and tell him I said hi – he’s very nice). More on Sean (scroll down a bit for some text I wrote about his last solo in Joburg).

Posted in art, art and tech, sean slemon, south african art ·

Archives

23 April 2007 by nathaniel

Compressionism in Cork and on DVblog

This past weekend, Haydn Shaughnessy (blogger and regular columnist for the Irish Times) invited me out to the beautiful countryside of West Cork to make some of my site-specific Compressionist prints; we hit the local pubs, beaches, foliage and his garden in order to produce new images. This new series, which also includes some scans from Dublin excursions, will be exhibited at his new Cork-based gallery, opening at the end of next month (along with a few images from my last show in Johannesburg), as part of a duo show with Cork-based, Canadian printmaker Paul LaRocque — my first exhibition in Ireland. Plans are that it’ll travel to Dublin, Amsterdam, maybe elsewhere, too, so I’ll post more images and info as the details pan out over the next while.


sirens’ dillisk, 2007, 610 x 1200 mm lambda print on metallic paper, edition 5

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scanning the cliffs and beaches at garrettstown strand, west cork
photo by Haydn Shaughnessy

Oh, and how serendipitous, my little documentary on Compressionist prints was featured on DVblog yesterday! Rock.

Compressionism is a “digital performance and analog archive,” where I traverse bodies, spaces and objects with my scanner face, while its head is in motion. After being Compressed into digital images the size of a small sheet of paper, the files are stretched, cropped and colored by hand, then printed as editioned, archival works. Compressionism is an exploration of media and perception, a transfiguration in time and seeing.

Posted in art, art and tech, Compressionism, Ireland Art, re-blog tidbits, south african art, stimulus, uncategorical ·
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