south african art

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23 June 2007 by nathaniel

07-07-07 Hello, my name is

HELLO, my name is, is the title of Juliana I. Smith’s installation for her final exhibition with MAPS, Master of Art in Public Sphere. The installation includes two video works, objects, and drawings mainly from performances she has done in public places. Juliana works with themes of chosen home (Wahlheimat), mobility, tourism and voluntary migration. Through MAPS, she had the opportunity to spend five months at Wits School of Arts in Johannesburg, South Africa. There she co-founded “Kazoo- it’s a live art thing” with Anthea Moys. They held their launch event last December at The Premises Gallery in
Johannesburg, and were the co-curators of Armed Response II at the Goethe-Insitut this past April. She recently had a video installation at the “6th International Symposium on the Aspects of Tourism”, at the
University of Brighton. Juliana’s theoretical work focuses on the “resident” artist versus the “insider” artist in Johannesburg, and makes comparisons to Berlin and New York. How does a place and site affect artwork? In a global and cosmopolitan city like Johannesburg, loaded with a violent history, turbulent politics is one able to make artwork without reflecting the environment?

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20 June 2007 by nathaniel

Thank you, Tom Moody

Tom Moody defends Sentimental Construction #1 after Paddy Johnson’s initial slate. Although I tend to take criticism well, and Paddy and I are “still friends” (we met through professional channels, and now I like to think of us as such), I was very pleased to see my name on Tom’s channel in my RSS reader, and I’m a little less mopey about the initial bad review – what with Tom’s taking her to task. (Intellectual Property Spokesperson Tom Chance also had good things to say on the iCommons site, but it means more to me coming from an artist, and on an arts blog I read / like.) Above are better pics of the installation view than Tom (Moody) managed to find (he was just looking in the wrong place – it was on my camera, rather than online anywhere…), and there are direct links to the video and images on the lower right, here.

(Here are another set of parentheses, just to drive home the point that I think in little node-like bubbles.)

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17 June 2007 by nathaniel

a few iCommons re-blogs (updated) (again)

Of money, meaning and artists in residence is a lovely response to our artist talk and work by Tom Chance, while Paddy’s insightful review is slightly more critical (especially of my own work). It inspired a great conversation, actually, and I’m excited about where I might go with the next Wireframe, as I think through what happened, and what didn’t (with or without Paddy’s approval :).

And more from Joy. And, oh well, go here. That’s what technorati is for – I’m off to a planning meeting for next year’s Summit!

updated links (and again):

http://www.robmyers.org/weblog/2007/06/14/the-art-happens-here/#comment-39071
http://www.parthsuthar.com/derive/2007/06/15/the-art-happens-here/
http://www.secondlifeherald.com/slh/2007/06/by_prokofy_neva.html#more
Why don’t artists use open source software?
Second Summit
http://www.ugotrade.com/2007/06/18/second-life-a-global-creative-context-of-the-future/
http://www.turbulence.org/blog/archives/004417.html
http://newsgrist.typepad.com/underbelly/2007/06/icommons_keynot.html

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14 June 2007 by nathaniel

The Wireframe Series: Sentimental Construction # 1

More from Croatia soon, but we performed the first “Sentimental Construction” here before guests started arriving, and I’m not sure it could have gone any better. Watch the video!

Sentimental Construction #1, part of The Wireframe Series
site-specific, publicly performed “spaces,” made of rope (2007), support by iCommons

These are ephemeral arrangements that, nonetheless, carve out space and frame their various contexts; they are “sentimental” in the tensions they create between sadness and playfulness, nostalgia and possibility, construction and emergence, the pre-formed and the per-formed.

sentimental construction #1 (beach)

More flickr photos here. Thanks to Joy Garnett for her video space, as well as all the performers / documentarians / collaborators: JC Bukenya, Tomislav Domis, Joy Garnett, Ana Husman, Kathryn Smith, Tim Whidden (MTAA) and Jaka Zeleznikar.

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07 June 2007 by nathaniel

on Art Fag City

art fag city

For those if you still unfamiliar with Paddy Johnson and her fabulous blog, artfagcity – “As relevant as Eric Fischl. New York art news, reviews and gossip” – WAKE UP. She’s clever, plugged in, and a great, honest critic with a sometimes snarky and sometimes generous attitude: as a writer should be.

And today, as part of her “Art Intercom” series for iCommons, a 2-part interview I did with Paddy features through her blog to (well, it’s all a little confusing, this whole my re-blogging a cross-blog/re-blog thing, so here’s what she says…):

I was travelling for most of yesterday so I didn’t have a chance to mention that my two part interview with new media artist Nathaniel Stern went up on the icommons blog yesterday. You can read the full discussion here and here, but I’ve included teasers from both interviews below since each part deals with different subject matter. In the first post Stern and I talk about his art work, and in the second, we touch upon how the concerns of the Creative Commons effect artists. Stern speaks with great eloquence on the subject, so our conversation is not to be missed!

Thanks Paddy! See the teasers on Paddy’s blog here (and put her site in your reader), or get the full length interview between here and here (and go ahead and grab the iCommons feed, too).

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