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08 November 2007 by nathaniel

Resolution Gallery

montage01.jpg

Looks like printer Ricardo Fornoni (damned if I know his surname, but a really nice guy who I used to chat to all the time at Krut) – who does fine art inkjets for many of Joburg’s digital elites – is opening South Africa’s first gallery dedicated solely to emphasizing collaboration, experimentation and digital art: Resolution Gallery. It’s a commercial gallery, located right in the center of Johannesburg’s gallery district (near Krut, Siebrits, Goodman, etc), so couple the fact that it’s viable with some of the text on their site, and it’s a pretty exciting venture:

Resolution promotes and sells digital media artifacts, from limited edition prints to interactive installations….

We curate thematic exhibitions that draw together local, international, established and up-and-coming artists to collective benefit….

We see our gallery as a stage, a meeting place and a laboratory.

A stage where the public has the chance to meet artists and experience digital art.
A meeting place where networks are formed and potential is generated around the work we exhibit.
A laboratory where we host those experiments that spark new potential in the relationships between technology and art.

Their first show, “Montage” – limited edition prints that combine digital techniques with traditional processes – opens next week and includes South African artists Roger Ballen, Dinkie Sithole, Wilma Cruise, Rob Machiri, Gavin Younge, and Spanish artist Manolo Belzunce. More info.

Good luck Ricardo – it’s a great initiative and deserves support, and I hope any Joburg locals that still read this blog will head over and check it out on 13 November, 18h30. Hat tip to Christo for letting me know about the new space.

Posted in art, art and tech, Links, re-blog tidbits, south african art, stimulus, technology, uncategorical ·

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03 November 2007 by nathaniel

New Prints, Autumn 2007

In my illness, I neglected to mention the opening of ‘New Prints’ at the International Print Center New York on Thursday. It’s too bad – I’m sure the opening, which was followed by an after-party in celebration of Art on Paper’s New Prints Review, was sure to be a blast. Still, I’m on this show with some amazing artists, definitely worth checking out. Please let me know how it looks if you go!

Autumn 2007

November 1- December 19th, 2007
OPENING RECEPTION: Thursday, November 1, 2007, 6-8 pm

International Print Center New York presents NEW PRINTS: Autumn 2007, the 25th presentation of our New Prints Program, from November 1 – December 19th . Consisting of 52 works by 41 artists, the exhibition represents a cross-section of some of the most exceptional printmaking today, continuing IPCNY’s commitment to provide an ongoing exhibition venue for contemporary prints and a major source of information about artists working in the medium. The exhibition will be on view in IPCNY’s gallery at 526 West 26th Street, Room 824, between 10th and 11th Avenues in Chelsea.

NEW PRINTS is one of a series of juried exhibitions organized by IPCNY four times each season featuring prints made within the past year by artists at all stages of their careers.

The Selections Committee for the exhibition was composed of: Christophe Cherix, Curator, Department of Prints and Illustrated Books, Museum of Modern Art; Jack Enders, collector and IPCNY Trustee; David Krut, Director, David Krut Projects; Miranda McClintic, independent curator and art advisor; Sheila Pepe, artist and Assistant Chairperson of Fine Arts, Pratt Institute; and Phil Sanders, Director, Robert Blackburn Printmaking Workshop.

A curatorial essay by Sheila Pepe will accompany the exhibition.

As always, a wide range of printmaking mediums is represented, from the most traditional to the most cutting-edge. Many of the pieces selected for the exhibition lead the fine art print in new and unexpected directions. Highlights include:  Chuck Close’s 11 x 8 ½ inch sheet of paper watermarked with his trademark self-portrait; Alex Dodge’s The Legendary Coelacanth, a computer numerical controlled engraving accompanied by an executable computer virus; a larger-than-life abstract human form printed in relief from what is described as “plant material—banyon tree aerial roots” by Michele Oka Doner;  William Kentridge’s  photogravures which must be viewed through a stereopticon viewer to see their 3D effect; and an enigmatic copper engraving after Giulio Romano by “Monogrammist ASR” (A.K.A Andrew Stein Raftery), accompanied by documentation that states it is  ‘the only known print to bear the monogram of this engraver…This is a fine, early impression with some plate tone, in excellent condition, trimmed on all sides to the platemark.”  This engraving is made in an unlimited edition.

The complete artists’ list is: Eric Avery, Tom Baker, Curtis Bartone, Louisiana Bendolph, Marieke Bolhuis, Maria de la Providencia Casanovas, Chuck Close, Michele Oka Doner, Trenton Doyle Hancock, Alex Dodge, Jessica Dunne, Richard Dupont, Eduardo Fausti, Barnaby Furnas, Joscelyn Gardner, Rie Hasegawa, Art Hazelwood, Yuji Hiratsuka, Laurie Hogin, Jenny Holzer, Tom Huck, William Kentridge, Joey Kötting, Beauvais Lyons, Steve McClure, Mark Mulroney, Abe Murley, Lynn Newcomb, Sarah Nicholls, Lothar Osterburg, Liliana Porter, Andrew Stein Raftery, Ana João Romana, Roser Sales, Dasha Shishkin, Jaune Quick-to-See-Smith, Tom Spleth, Nathaniel Stern, Craig Taylor, Mary Temple, and Nicola Tyson.

Posted in art, art and tech, Compressionism, Links, me, pop culture, re-blog tidbits, south african art, stimulus, uncategorical ·

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24 October 2007 by nathaniel

performance 2 (passage)

untitled 11A continuation from The Wireframe Series: Sentimental Construction #1, performance 2 (passage) is a similarly site-specific, publicly performed architectural structure made of rope. The piece, erected in Joubert Park, Johannesburg South Africa (2007), twists the idea of ‘public space’ by its double activation: first, through the volunteers who stretch its form outward and around them; and second, through the communal play of the park’s inhabitants, which gives the structure a performative turn.

Although the design is, itself, a passage – several doorframe shapes in series, swinging freely from atop four wooden poles – it can only move between hard and soft, virtual and actual, public and private, through its contact with people. This is juxtaposed with the inconsistencies of South Africa’s major inner-city: crumbling art deco buildings surrounded by crowded streets and busy taxi ranks, all making way for the quiet of the Johannesburg Art Gallery’s neo-classical architecture, and the leisurely games, picnics and ice cream stands in the inexplicably carved-out Joubert Park. The surrounding areas of the park have historically been a bundle of contradictions – before, during and after Apartheid – sustained as civic spaces because of how they’re used by the public. performance 2 playfully mirrors the contradictions of this space and its utility, and further underpins the tensions between work and play, nostalgia and possibility, construction and emergence.

video documentation

[youtube:http://www.youtube.com/watch?v=MaYitxrlMm8 500 395]
download as quicktime or ogg / theora

Performers / Documentarians: Brendan Copestake, Ismail Farouk, Anthea Moys, João Orecchia, Rat Western. Click for photos and sketches.

Creative Commons License
The video, images, concept and design of this work are licensed
under a Creative Commons Attribution 3.0 Unported License

Posted in art, creative commons, flickr, me, south african art, stimulus, youtube ·

Archives

05 October 2007 by nathaniel

odys, Nathaniel, hektor, X

Video installation, projected on sculptures in the shape of the original furniture (as distorted by the wide angle lens), which is bolted to the wall. Has been exhibited in various South African venues.

“video art exploring multiplicity – three characters played by the same artist. installed by projecting onto a table and three chairs of this shape, bolted to the wall….” more

[youtube:http://www.youtube.com/watch?v=LH8dFNp23Gw]
Posted in art, me, re-blog tidbits, south african art, stimulus, uncategorical, youtube ·

Archives

05 October 2007 by nathaniel

the odys series

Now available is a newly exported and less buggy podcast of odys for your ipod, or watch all 6 videos on youtube (these are in reverse chronological order – you can feel free to jump around, or start at the bottom and work your way up):

[youtube:http://www.youtube.com/watch?v=cgoX5_szo14] [youtube:http://www.youtube.com/watch?v=G_9RmHGknbU] [youtube:http://www.youtube.com/watch?v=437qR8f-vrE] [youtube:http://www.youtube.com/watch?v=yq1nT9y3ek8] [youtube:http://www.youtube.com/watch?v=ZZShed3hGtQ] [youtube:http://www.youtube.com/watch?v=NPPbU-CeMmk]
Posted in art, me, pop culture, re-blog tidbits, south african art, stimulus, uncategorical, youtube ·

Archives

05 October 2007 by nathaniel

elicit – interactive installation + dance piece

“elicit is a full body interactive installation that produces projected text in front of wherever the participant moves. Shown here is South African dancer Jeanette Ginslove using the piece”  — more

This work is under a Creative Commons GPL license, and has been used in several multimedia performances since late 2001.  See link above to download the ware.

[youtube:http://www.youtube.com/watch?v=lAQ95fzLqrk]
Posted in art, art and tech, creative commons, me, poetry, re-blog tidbits, south african art, stimulus, technology, youtube ·
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Interactive Art and Embodiment book cover
Interactive Art and Embodiment: the implicit body as performance

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Buy Interactive Art for $30 directly from the publisher

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Ecological Aesthetics: artful tactics for humans, nature, and politics

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