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06 October 2006 by nathaniel

This Afternoon / Evening’s Events Reminder

15:00
Panel Discussion: Collecting Digits
VENUE: WSOA Digital Arts, Wits University
www.atjoburg.net/upgrade for map and details

This panel and discussion on the possibilities and problems with collecting new media art will include presentations by:

  • Warren Siebrits – founder of one of Johannesburg’s most prestigious contemporary and modern commercial art galleries
  • Franci Cronje – curator of several collections & competitions, including Sasol New Signatures
  • Nathaniel Stern – digital and interactive artist, in several public & private collections
  • Clive Kellner – Director of the Johannesburg Art Museum


18:00 for 18:30
SAartsEmerging 2006 Official opening
VENUE: The Bag Factory
10 Mahlatini Stree, Fordburg, Johannesburg
Take Jeppe past Museum Africa and it becomes Mahlatini
Opening by Nathaniel Stern

The Bag Factory presents SAartsEmerging 2006, an exhibition and series of events based on the website saartsemerging.org, Since January 2006 the website has featured a new artist every third Friday of each month. In celebration of our first year we will be holding an exhibition and a series of related events revolving around the state of emerging arts in South Africa.

The exhibition and events will be featuring the following South African artists, curators and arts personalities. These individuals include Lester Adams, Colleen Alborough, Doung Anwar Jahangeer, Christo Doherty, Shane de Lange, Stephan Erasmus, Ismail Farouk, Simon Gush, Dean Henning and Rike Sitas, Bronwyn Lace, Hannes Olivier, Abrie Fourie, Gordon Froud, Vaughn Sadie, Nathaniel Stern, Johan Thom, Rat Western, Storm Janse van Rensburg and Asha Zero.

Posted in art, art and tech, me, pop culture, re-blog tidbits, south african art, stimulus, technology, theory, uncategorical ·

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03 October 2006 by nathaniel

SAarts Exhibition and Events

The Bag Factory presents SAartsEmerging 2006, an exhibition and series of events based on the website www.saartsemerging.org, Since January 2006 the website has featured a new artist every third Friday of each month. In celebration of our first year we will be holding an exhibition and a series of related events revolving around the state of emerging arts in South Africa.

The exhibition and events will be featuring the following South African artists, curators and arts personalities, including Lester Adams, Colleen Alborough, Doung Anwar Jahangeer, Christo Doherty, Shane de Lange, Stephan Erasmus, Ismail Farouk, Simon Gush, Dean Henning and Rike Sitas, Bronwyn Lace, Hannes Olivier, Abrie Fourie, Gordon Froud, Vaughn Sadie, Nathaniel Stern, Johan Thom, Rat Western, Storm Janse van Rensburg and Asha Zero.

Venue: The Bag Factory Artists’ Studio, 10 Mahlatini Street, Fordsburg, Johannesburg

Schedule:

Friday 6th October:
Panel Discussion: Collecting Digits
15:00
VENUE: WSOA Digital Arts, Wits University
www.atjoburg.net for map and details

SAartsEmerging 2006 Official opening
6 October, 18:00 for 18:30
VENUE: The Bag Factory
Opening by Nathaniel Stern
Saturday 7th October:
‘Meet the artists’ walkabout
10:00 – 11:00
Snacks
11:00 – 11:30
Panel discussion on the state of emerging art in SA
11:30 – 13:00

Sunday 8th: ‘City Walk’ with Ismail Farouk
11:00 onwards

Friday 13th: The Body Electric – Interactive Video Lecture by Nathaniel Stern
17:30 – 22:30

Saturday 14th:
Artists walkabout
10:00 – 11:00

Saturday 21st:
Artists walkabout
10:00 – 11:00

SAartsEmerging was founded, and is maintained, by Nathaniel Stern, Bronwyn Lace, Simon Gush and Rat Western.

MEDIA QUERIES: Bronwyn Lace(011) 8349181 / bronwyn@bagfactoryart.org.za
With special thanks to:
National Lottery Distribution Fund
Royal Netherlands Embassy
WK Kellogg Foundation
Ford Foundation

Posted in art, art and tech, colleen alborough, me, pop culture, south african art, technology, uncategorical ·

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25 September 2006 by sean slemon

Zaha at the Guggenheim

If you want to be humbled, motivated and inspired then go to the Guggenheim, and use the building as it was designed by taking the elevator to the top floor, and walking down the ramps.
If you walk up like everyone else, you’ll be too tired to fully appreciate the work by the time you reach the top.
The only reason they design shows starting at the bottom is to accommodate the thousands that visit the museum each day. There aren’t enough elevators and the building was designed to have 500 or so people passing through each day.
Zaha Hadid is an architect based in London, born in Baghdad, and now in her 50’s she is easily one of the most prolific architects living. She has thankfully not developed the one liner attitude to building that someone like Frank Gehry has- build big glass box, make skew, fill with art and people, leave. (see the criticism on Wikipedia).

Her buildings are elegant forms, each work designed for and of the space it uses, both on a practical and physical level, as well as a conceptual level. Her design is practical-something many architects have garnered much criticism for not being. In the last few years she has begun to build and receive commissions across the world- with projects on the go everywhere. And in between all of this she still finds time to paint, draw and keep abreast of the latest technology in building and production: admittedly she has a small army working for her, probably living in fear of being fired at the drop of a hat (something for which she has become notorious for). As one blog stated-great show-now take a chill pill!

Posted in art, news and politics, pop culture, sean slemon ·

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22 September 2006 by nathaniel

don’t believe the hype / believe the hype

So I went to the Ed Young / Christian Nerf ‘no problem in Africa’ DIVA talk at Wits yesterday and I have a secret to tell you: the bad boys of Cape Town aren’t that bad. In fact, they are charming, engaged, and extremely laid back. Now, truth be told, I already knew that about Christian – having briefly shared a studio with him downtown, we’d often have long chats about various, crit each other’s work and shoot the sh!t around ideas. He’s a fantastic guy, a great artist, and a generous thinker – I can’t say enough good things about him. But Christian, despite his work being funny and provocative and out of the norm, doesn’t really play into, out of, or care about, the public eye. He just ‘does’.

See, then there’s Ed.

Well, yeh. The guy has pissed off lots of people, said and done some stuff that gets people upset – and I do see why.

But to watch these two guys, I gotta say, you really have to like them… and by ‘them’ I mean their project. In isolation, some of the work may seem silly, and more than one commenter to me stated that they wished they could "get paid to party and tour Africa and drink beer" (me too). But hearing and seeing their discourse in near-entirety, internalizing their work methods and their continual questioning / disappointment, smiling through their lax attitudes vs the Spectacular art, it really starts to gel. Their performance is a kind of an inverted Wayne Barker – on so many levels – and if I have to explain this to you, I don’t think you’d get it (you’d have to spend some time with the guy). It’s a sociopolitical m9ndf@kc, where Ed probably says more about the egos of the art world than we are comfortable with, and Christian brings it up to the American-driven capitalist project – and the complicity or enactments of SA during and Post-Apartheid – on a macro scale.

I don’t make art like these guys, and I’ve never wanted to. But there is great value to what they are doing, and it is definitely going somewhere. We may not know where that is, and they don’t  seem to know where that is either, but since when – especially in the contemporary art world –  does ‘no product’ mean ‘unproductive’?

I realize I haven’t said much about the work itself, but we all know there’s more than enough info and press out there on these characters, and even more forthcoming with their current funded projects, so there’s not need for more. I’m just saying it’s worth paying attention.

PS And  yes, as per my above comment, I told them they should put together a catalogue or large show to contextualize in just such a way as I had the pleasure to experience… Ed says he’s working on a catalogue, and Nerf is working with Kathryn Smith on other texts for upcoming exhibitions. I recommend checking these out when they are on offer.

Posted in art, pop culture, reviews, south african art, stimulus, theory, uncategorical ·

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20 September 2006 by nathaniel

arrrrrrgh!

I can’t BELIEVE I totally FORGOT International Talk Like a Pirate Day yesterday – first time I’ve missed it (thank you Brendan Copestake for reminding me).

The BEST thing I could find for pirate jokes this year, is P I R A T E   R I D D L E S  F O R   S O P H I S T I C A T E S.

Here it is, in full:

P I R A T E   R I D D L E S
F O R   S O P H I S T I C A T E S .

BY KEVIN SHAY

– – – –

Q: What’s a pirate’s favorite aspect of computational linguistics?
A: PARRRsing sentences.

Q: Of which concept shared by Jungian psychology and Northrop Frye’s literary theory are pirates especially fond?
A: ARRRchetype.

Q: Who’s a pirate’s favorite member of the creative team behind "32 Short Films About Glenn Gould"?
A: Don McKellARRR.

Q: Of all of Richard Harris’s many achievements in the performing arts, which is a pirate’s favorite?
A: "MacARRRthur PARRRk."

Q: What’s a pirate’s favorite alliance-creating diplomatic agreement from the Second World War?
A: The TripARRRtite Pact.

Q: Which ancient Greek lyric poet do pirates like the best?
A: PindARRR.

Q: If a pirate were to recite one of the Olympian odes by the aforementioned poet, which one would it be?
A: The XIth Nemean Ode, "To ARRRistagoras, the Prytanis of Tenedos, son of ARRRchesilaus."

Q: If that same pirate were then to recite a 20th-century poem about the nature of poetry, what would it be?
A: "ARRRs Poetica" by ARRRchibald MacLeish.

Q: What if he went on to recite a poem by Sir Walter Scott?
A: "LochinvARRR."

Q: Why does that pirate keep reciting poetry, anyway? Is he some sort of Nancy-boy?
A: Aye, ’tis a Nancy-boy he be. Arrr.

Q: Of the ghosts that appear to Ebenezer Scrooge in "A Christmas Carol," which do pirates prefer?
A: Jacob MARRRley.

Q: Can we replace that last one with something about Bob Marley, so we can have an additional gag about RastafARRRianism?
A: No.

Q: Whom did the pirate vote for in the Haitian election?
A: ARRRistide.

Q: Wait. Why did they let a pirate vote in the Haitian election?
A: Remember, the nation was taking its first halting steps toward democracy, and balloting procedures were rather chaotic. The pirate just slipped in somehow. Arrr.

Q: I don’t buy it. Pirates care nothing for participating in the electoral process.
A: Look, can we finish this up soon? I’m having those phantom pains in my wooden leg.

Q: A phenomenon first described in the 17th century by which important contributor to the field of amputation surgery?
A: Oh, this is getting ridiculous.

Q: Just say it.
A: Ambroise PARRRé.

Q: You can go now.
A: Arrr. Nancy-boy.

Of course, one more for good measure and as an apology for lateness (via  http://www.evilkid.com/licensing/pyratequeen/jokes.html):

A pyrate and his parrot, were adrift in a lifeboat following a dramatic escape from a valiant battle.  While rummaging through the boat’s provisions, the pyrate stumbled across an old lamp. Secretly hoping that a Genie would appear, he rubbed the lamp vigorously. To the amazement of the castaways, a Genie came forth.  This particular Genie, however, stated that he could only deliver one wish, not the standard three.  Without giving any thought to the matter the pyrate blurted out, "Make the entire ocean into rum!"   The Genie clapped his hands with a deafening crash, and immediately the entire sea turned into the finest rum ever sampled by mortals.  Simultaneously, the Genie vanished. Only the gentle lapping of rum on the hull broke the stillness as the two considered their circumstances. The parrot looked disgustedly at the pyrate and after a tension-filled moment spoke: "Now yee’ve done it!!  Now we’re goon to have to pee in the boat!"

Arrrrrgh.

Posted in pop culture, re-blog tidbits, stimulus, uncategorical ·

Archives

18 September 2006 by nathaniel

Young Nerf at Wits

Posted in art, pop culture, re-blog tidbits, south african art, stimulus, uncategorical ·
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Interactive Art and Embodiment: the implicit body as performance

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Ecological Aesthetics: artful tactics for humans, nature, and politics

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