implicit art

art and ecology, fiction and geek stuff, culture and philosophy, parenting and life, etc

implicit art

stimulus

Archives

20 December 2005 by nathaniel

Bush impeachment finally a real possibility?

I’m hoping y’all have been watching the latest US news (I don’t blog it as much as I used to), where Bush’s surveillance program on American citizens has not only been revealed, but he claims, outright, that he was “within his rights” as king, erm, president (not true). Below is an excerpt from a recent letter from Senator Barbara Boxer:

On Sunday, December 18, former White House Counsel John Dean and I participated in a public discussion that covered many issues, including this surveillance. Mr. Dean, who was President Nixon’s counsel at the time of Watergate, said that President Bush is “the first President to admit to an impeachable offense.” Today, Mr. Dean confirmed his statement.

This startling assertion by Mr. Dean is especially poignant because he experienced first hand the executive abuse of power and a presidential scandal arising from the surveillance of American citizens.

I should mention that Dean is a recognized expert on abuse of Presidential power. Bill O’Reilly and Fox News are already (no-)spinning this one, of course… Funny, the former covers the story as “Bush under fire for wiretap decision” – stress on his being under fire, rather than on his actions, but a whopping 77% of Bill O’Reilly’s own poll-taking web surfers say Bush has no right to surveil in this way! Fox, more generally, simply re-iterates Bush’s talking points: what else is new?

Posted in news and politics, pop culture, re-blog tidbits, stimulus, uncategorical ·

Archives

19 December 2005 by nathaniel

failed Compressionist imagery

scanning the water lilies at Emmarentia in Johannesburg; ah, Monet!
scanning the water lilies at Emmarentia in Johannesburg; ah, Monet!’ (photo by Colleen Alborough)

I did some outdoor scanning tests for my Compressionism project today, which failed pretty miserably. I considered the last tests and scans to be hugely successful, but this one was going to be a huge step – I was using a new scanner, powered through the USB port, so that I could be freed from power cords, and run through Joburg with the laptop/scanner combo as my fanfab appendage. I was thinking some barbed wire and fences for a bit of the ole’ Joburg Boogie Woogie, and maybe Lilies @ Daytime (one attempt pictured) for a bit more of an obvious reference (etc). But alas, I had no idea how lucky I was with Jackson (the original scanner I used for the first Compressionist works). The new CanoScan I was so excited about was waaaay too sensitive – even after recalibrating several times, and testing in various settings, I could never get it to "see" any images more than 1/2 a centimeter from its surface; everything came out almost completely white. This will not do for Compressionism!

Next steps? Well, Colleen Alborough (who took the above photo) recommended looking into a generator, so that I could use Jackson (the old scanner) anywhere I please. Great idea, but it also feels like a bit of a hassle to lug around (not to mention monetary constraints); it turns out, however, that Jackson only needs 1.25 Amps and 12 Volts of power – so 10 hi-amp AA’s in series should do the trick; or even some other combination of batteries in serial and parallel (whatever works out cheapest, and is, hopefully, rechargeable). *Non geeks: if we put batteries in serial, we add their voltage together for the new power we get out of them; if we put them in parallel, we can add the current (amplitude) together.* Or maybe I can find one rechargeable that’ll do the trick, even… Then, I’d just need the right adapter head to plug into Jackson, and Voila! I’m guessing that the cats over at Communica will help me out with this, even if their web site sucks and I can’t find a current phone number for them anywhere. You think they are open this time of year? Ooooh, and after I get this working, it may be time to develop a Compressionist suit, for housing the laptop and scanner more easily… Yeh, that’s hot (this was Catherine D’Ignazio’s idea – from the very cool Art Interactive gallery, in Cambridge).

PS – was having some issues with the "email to friend" function for the last few days, as I updated my blog’s linking structure. It should be working fine now.

Posted in art, art and tech, Compressionism, me, pop culture, south african art, stimulus, technology, theory ·

Archives

14 December 2005 by nathaniel

jon stewart on gay rights

Great video clip on current homo-events in the US, South Africa and England on Crooks and Liars (links directly to video clip – both Windows and QuickTime versions). Stewart: “The US is now officially less progressive than South Africa.” — well, I think this happened around ’95 or so, but nice of him to finally notice. Hooray to South Africa and England for recognizing gay marriage! America? Boooooo.

Posted in news and politics, pop culture, stimulus ·

Archives

12 December 2005 by nathaniel

wikipedia scandal is almost laughable

disclaimer: this is a rant and I’m not sure how clear it is. I’ve spent too much time on it already. enjoy!

What is the difference between Wikipedia, the New York Times and Fox News? Well, the former, which is continually ridiculed by librarians and journalists alike, is supposed to be held accountable for only printing facts, while the latter two, oft the source of many a footnote of reliability, are a bit more free.

At least, that’s how it seems to me when I read through this version as opposed to this version of this story. Ironic that the Wiki-defenders give something slightly more balanced….

Wikipedia is a free, open source and huge resource for free information, which anyone can edit – proof in many cases, some might argue, that “anarchic information” is more reliable than “journalistic credentials.” Basically, the story goes that some idiot used the site to jokingly implicate a former newspaper editor in the Kennedy assassinations. But the press is crucifying Wikipedia, instead of the idiot who edited the site (who the victim actually feels sorry for!). This is complete hypocrisy, in that said victim states (link above), “I still believe in free expression…. What I want is accountability.” I’m sorry? Accountability for the person, or the platform?

OK, granted, his point is larger than this. He found the “perpetrator” because he hired a private detective and then the man eventually confessed, so there is indeed less accountability than, say, a journalist who appears on TV or signs his or her name.

However, the bigger argument coming out of this is that Wikipedia is somehow unethical or completely untrustworthy. I have two points to make here in terms of his free speech vs accountability statement.

Free speech. Now in my book, free speech usually goes along with freedom of the press: especially in this case. Wikipedia is full of informative overview documents that they deliberately call “articles.” They can be fixed at any time by anyone who wants to (tho the victim did not exercise this power, as he did not want to “condone the site”). The downside is that anyone can deliberately false edit, and misinformation occasionally appears (an actual rarity); this happened in this case, and was not fixed for four months (mostly a mishap, but those who discovered the mistake decided to go on television, rather than fixing it). The upside, however, is huge. It has to do with power. In this sample, I’m going to go with extreme: Fox.

Fox news (especially Bill O’Reilly) is renowned for op-ed, unchecked propaganda passed off as news. Another example is the NY Times’ Jayson Blair scandal that cost two editors their jobs; they allowed years of lies and made-up stories to slip. However, the Times recovered and the O’Reilly Factor’s bullshit “no spin zone” carries on – in fact, whereas the less-read Wikipedia had to change their forum after this debacle, and apologize on news networks over the nation, we never see Bill do as such….. Granted, the Times was held somewhat accountable and O’Reilly has many, many critics, but the latter, for example, is oft quoted criticizing more factual blogs and sites than his own “pundits” dictate, and he answers to no one for it. He also has a much bigger forum for his “fair and balanced” views, due to money and power; like all of today’s news, he goes after his own agenda, as a mouthpiece for his funders.

Wikipedia, which, I might add, is editable by the likes of both of these institutions, as well as anybody else interested, is a mouthpiece for no one/everyone, and yet they are held to higher standards of fact-checking than this media machine? Wikipedia, a resource literally by, of and for the people* loses all credibility because of one idiot? Well, then all Americans are like Nixon, I guess. Or Charles Manson. Or perhaps Bill O’Reilly would like to hear that he and George Soros are one and the same?

Accountability. Bill O’Reilly has gone after just about every person, web site and paper that exposes his lies, conceit, and affiliation. He uses his TV/radio show as a total bias to the right, then crucifies anyone who disagrees with him. He calls people cowards for not appearing on his show, then refuses to discuss matters with those whose opinions he does not appreciate; and the main problem is that people actually listen to his garbage. He has the most watched news show on cable television.

At wikipedia, for a change, people like Bill cannot go after anyone – either literally (there are several editors, writers, personalities – mostly untraceable) or ethically (as he has the ability to change their entries himself). He can change entries if they are wrong, and he can’t publicly attack any one person as a “liar” or “coward.” This is important (and probably why Wikipedia, as a community and site, is getting discredited as a whole). In the end, since any person can edit or fix, more objective or truthful information tends to comes out – through more contributions and debate, rather than personal attacks. In fact, when Wikipedia editors believe a page may be slightly biased, they flag it, and disclaim, at the top of the page, “this article may not conform to the neutral point of view policy.” (This happens until more participants get involved in editing and debate; for example, their page on Bill O’Reilly.) This is something that Bill doesn’t do for his viewers and listeners…. (More on the Fox news bias, presented by links and FACTS is here.)

Who, exactly, should not “be using Wikipedia as factual information,” as their critics argue? The administration, who use any information (even if it is already discredited), to support their claims to go to War? The “news,” who like Fox, mostly do the same? Fox news’ viewers, who, according to the (editable and accurate) figures at the link above, are some of the most misled people on current events in the nation? Academics, who would not even use a standard encyclopedia, much less an open source one, as factual information anyway? Where is your standard and who are you speaking to here? Or is it just a space to discredit?

I’m not saying I disagree with accountability; what I’m saying is that on Wikipedia, the playing field on “accurate information” is a bit more equal. And it’s the big wigs who don’t like it. If you are opening up a discussion on freedom and accountability, you must also introduce aspects of money and power – we live in a Capitalist society, remember. Accuracy, modern reason tells us, is subjective itself – and if you want to play a numbers game, the Wikis have it.

* granted that in this case, “people” means people with web access. But “people” with access to speak on broadcast or cable television networks, or the ability to print in one of the largest circulated papers in the world, represent a number exponentially smaller than this.

Posted in news and politics, pop culture, re-blog tidbits, stimulus, technology ·

Archives

11 December 2005 by nathaniel

the daily show and the new artthrob

Still jet-lagged, and slightly sick now (again?), I woke up at four this morning and began reading The Daily Show with Jon Stewart Presents America (The Book): A Citizen’s Guide to Democracy Inaction, a little thank you gift from Simon Gush and Bronwyn Lace, for opening up my (parent’s) home to them, on Staten Island. The Daily Show, “the fake news that delivers the truth,” has become the most powerful and influential satire in the history of the US, and has over a million viewers each night (screened Monday through Thursday). Now, I’m that kind of annoying, loud-mouthed idiot that screams “inconsistent with the character!” or “that would never happen!” and also laughs loudly and claps in the movie theatre, but I rarely do that without an audience to offend (like, say, at home at 4 in the morning while reading a book). But I did find myself giggling often over this read (sorry to wake you, Nicky), a mock stolen textbook from a NY library….

But in more serious news (does that qualify as satire? just kidding….), the new artthrob is out, and has some great stuff. First up, good buddy, and amazingly talented teacher and artist, Ralph Borland stars in the artbio this month. We love him. Let’s see, there is also a review of Marina Abramovic at Performa05, which starts off OK, makes a really great argument, then ends up pretty wishy washy. Oh, and I wrote it (please ignore the typos and grammatical errors that mysteriously appeared between when I hit the send button, and when they published; oh, and note that self-deprecation is meant to get you to like me more, cuz they cut out all my jokes, which were meant to accomplish that feat for me, but obviously failed miserably; insert more deprecation here). Other great reviews include (all shows I did not see, as I was not here) Aggenbach, Kentridge, Siopis and Botha, among others.

The news of Nathi Gumede as KZNSA Gallery’s new curator has hit, as has Gavin Jantjes’ as Artistic Director for the Proposed Cape Biennale. The highlight, tho, is Linda Stupart’s cover of sessions eKapa, a fair and provocative piece on the non-foregrounding of the upcoming ‘non-Bienalle.’

Sue Williamson’s diary also assures us that Ed Young is doing OK after being mugged while overseas, and links us to some nice coverage of his show in ArtForum. It sounds a pretty dreadful experience, and props to Ed for his high spirits.

Posted in art, bronwyn lace, news and politics, pop culture, re-blog tidbits, simon gush, south african art, stimulus, theory ·

Archives

08 December 2005 by nathaniel

Gerhard Marx @ Warren Siebrits Gallery

skull without nomenclature (2005), by Gerhard Marx @ Warren Siebrits
skull without nomenclature (2005), by Gerhard Marx @ Warren Siebrits

I love it when generous and talented people produce brilliant work, and so forgive me if I gush a little too much about maps to get lost by, Gerhard Marx’s current solo show at Warren Siebrits.

Although the show also boasts some of his award-winning work with Lara Foot-Newton, it is mostly a continuation of the series he first exhibited at outlet (minus one show his wife curated – I believe Siebrits himself bought most of the pieces at the former). Marx is “cutting and reconstituting maps,” in order to create images, meaning, emotion. In other words, after chopping up various cartograms, he then puts back together the roads, train lines, currents, etc, in the fragmented lands and seas in order to tell us something within the new image (as above). The process itself, which is devastatingly transparent in each work, feels moving, tedious and achy. The results are astoundingly beautiful, in the most curiously empty and fragile ways. He’s asking us to ‘look again’ at things far too complex to summarize on a blog, and the complexity of his source material, his process, his context: it works magnificently.

Gerhard Marx is going to be the next big thing; I promise you. And he deserves it. If you see one show before the year ends, make sure it’s this one. Oh, and I like him a lot, too, so if there are any left, buy his art. — up til 13 Dec (um, I think – you may want to check with the gallery, tho….)

Posted in art, pop culture, south african art, stimulus ·
← Older posts
Newer posts →

Categories

Tags

aesthetics alice wilds art artist feature avant-garde books briefiew coding comics concern culture digital studio drawing ecology engineering fantasy fiction goods for me google ilona andrews jon horvath kate daniels milwaukee mo gawdat nathaniel stern paduak philosophy public property reading review sean slemon self-enjoyment Steve Martin syllabus sharing teaching technology TED TEDx trees urban fantasy web-comics webcomics whitehead world after us writing

nathaniel’s books

Interactive Art and Embodiment book cover
Interactive Art and Embodiment: the implicit body as performance

from Amazon.com

Buy Interactive Art for $30 directly from the publisher

Ecological Aesthetics book cover
Ecological Aesthetics: artful tactics for humans, nature, and politics

from Amazon.com

All content © 2026 by implicit art. Base WordPress Theme by Graph Paper Press