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03 May 2010 by nathaniel

Nathaniel Stern Bad At Sports interview now live

Bad at Sports interview with Nathaniel SternBad at Sports Episode 244:
Nathaniel Stern

by Duncan MacKenzie

“Bad at Sports is a weekly podcast produced in Chicago that features artists talking about art and the community that makes, reviews and critiques it. Shows are usually posted each weekend and can be listened to on any computer with an internet connection and speakers or headphones.”

This audio interview (available streaming from the site, or as a download to your computer or mp3 player) begins with Nathaniel Stern rapping a bit of Beastie Boys / Q-Tip, and quickly degrades to him lovingly poking fun at his dad. It’s actually a great interview, where you can hear some off the cuff chatting with Duncan MacKenzie about hektor.net, Distill Life, Compressionism, Wikipedia Art, Given Time, Doin’ my part to lighten the load, and more. It’s good fun, with lots of tangential stories and jokes, and many mentions of good friends and colleagues. Enjoy!

listen to interview on B@S

Posted in art, art and tech, carine zaayman, Compressionism, me, milwaukee art, poetry, pop culture, printmaking, re-blog tidbits, research, reviews, south african art, stimulus, technology, theory, uncategorical ·

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01 March 2010 by nathaniel

Zach Lieberman: Making the invisible visible @ UWM THIS WEDNESDAY, 7PM

Organized by yours truly (Nathaniel, Upgrade! Milwaukee), and sponsored by UWM Visual Art Department

Artists Now!
Department of Visual Art
Guest Lecture Series

Wednesday, March 3, 2010 at 7:00pm
Arts Center Lecture Hall (ACL 120) on the UWM campus
2400 E. Kenwood Blvd.
Free and Open to the Public

In this talk Lieberman will present his interactive works and collaborations, focusing on the artistic process as research.  He will show works such as Manual Input Sessions, in which an old school overhead projector is transformed into a magical audio visual performance device, and Lights On, a performance of sound and light commissioned for the 2009 opening of the new Ars Electronica center in Linz.  He will also talk about openFrameworks, a C++ toolkit for creative coding which is being used by developers worldwide to make compelling interactive installations and performances.

Zach Lieberman flier

Zach Lieberman flier

Posted in art, art and tech, creative commons, milwaukee art, research, stimulus, technology ·

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14 February 2010 by nathaniel

UPDATED – Arrested Time: Nathaniel Stern with Jessica Meuninck-Ganger at Greylock Arts, Adams MA

Greylock Arts
Ross and Felix, pigment on watercolor paper, 14 x 24 inches, 2010

Arrested Time
moved a day later due to snow


An exhibition of works combining contemporary technologies with
traditional drawing and printmaking methods


Nathaniel Stern with Jessica Meuninck-Ganger
Greylock Arts, 93 Summer St, Adams MA
Curated by Jo-Anne Green
27 February 2010 – 3 April 2010

Opening reception Saturday, February 27th 2010, 5:30 – 8:30 pm

About the Works

Nathaniel Stern’s Given Time simultaneously activates and performs two permanently logged-in Second Life avatars, each forever and only seen by and through the other. They hover in mid-air, almost completely still, gazing into one another’s interface. Viewers encounter this networked partnership as a diptych of large-scale (8 feet tall) and facing video projections in a real world gallery, both exhibiting a live view of one avatar, as perceived by the other. To create a visceral aesthetic, these custom-designed and life-sized “bodies” are hand-drawn in subtly animated graphite and charcoal. The audience is invited to physically walk between them; they’re able to hear and see them breathing, witness their hair blowing in the wind, pick up faint sounds such as rushing water or birds crying out from the surrounding simulated environment. Here, an intimate exchange between dual, virtual bodies is transformed into a public meditation on human relationships, bodily mortality, and time’s inevitable flow.

In Distill Life, Stern and Meuninck-Ganger approach both old and new media as form. They permanently mount translucent prints and drawings directly on top of video screens, creating moving images on paper. They incorporate technologies and aesthetics from traditional printmaking – including woodblock, silk screen, etching, lithography, photogravure etc – with the technologies and aesthetics of contemporary digital, video and networked art, to explore images as multidimensional. Their juxtaposition of anachronistic and disparate methods, materials and content – print and video, paper and electronics, real and virtual – enables novel approaches to understanding each. The artists work with subject matter ranging from historical portraiture to current events, from artificial landscapes to socially awkward moments.

With Arrested Time, Green curates an exhibition of Stern’s solo and collaborative work that explores the juxtaposition of old and new media, and illuminates the possibilities and limitations of both. The works hover between stasis and motion, texture and light, line and pixel, past and present, paper and screen, surface and depth, one artist and another.

http://nathanielstern.com
http://jessicameuninck.com
http://greylockarts.net

Greylock Arts, 93 Summer St, Adams MA 01220
Admission is free and open to the public
Saturdays, 12:00 – 4:00 p.m
Otherwise by appointment

Posted in art, art and tech, me, research, stimulus, technology, uncategorical ·

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22 January 2010 by nathaniel

Passing Between: Nathaniel Stern and Jessica Meuninck-Ganger at Gallery AOP, Johannesburg

Kinnickinnic, 2009, lithograph + LCD with video, 255 x 355 x 50mm

Kinnickinnic, 2009, lithograph + LCD with video, 255 x 355 x 50mm

GALLERY AOP (Art on Paper) presents

Passing Between
A collaboration incorporating traditional printmaking and contemporary digital, video and networked art
by Nathaniel Stern and Jessica Meuninck-Ganger

30 January – 27 February 2010
Opening Saturday 30 January from 12:00 to 16:00
Opening address by Prof. Christo Doherty, Wits Digital Arts, at 12:30
The artists will be in attendance at the opening

Walkabout on Saturday 6 February at 12:00
The exhibition is accompanied by a catalogue and DVD

Nathaniel Stern and Jessica Meuninck-Ganger approach both old and new media as form. They permanently mount translucent prints and drawings directly on top of video screens, creating moving images on paper. They incorporate technologies and aesthetics from traditional printmaking – including woodblock, silk screen, etching, lithography, photogravure, etc – with the technologies and aesthetics of contemporary digital, video and networked art, to explore images as multidimensional. Their juxtaposition of anachronistic and disparate methods, materials and content – print and video, paper and electronics, real and virtual – enables novel approaches to understanding each. The artists work with subject matter ranging from historical portraiture to current events, from artificial landscapes to socially awkward moments.

Jessica Meuninck-Ganger is a Milwaukee-based artist. Her prints, artist’s books and large-scale mixed media works have been exhibited in the USA and in the rest of the world. She received her MFA in Studio Arts from the Minneapolis College of Art and Design in 2004 and is currently Head of Printmaking at the University of Wisconsin-Milwaukee, USA.

Nathaniel Stern is an installation and video artist, net.artist, printmaker and writer. He has had solo exhibitions at various museums, academic institutions, and commercial and experimental galleries worldwide. He obtained his PhD in Art & Technology from Trinity College, Dublin in 2009 and is currently Assistant Professor in the Department of Visual Art, University of Wisconsin-Milwaukee, USA.

Jessica and Nathaniel met at their first University of Wisconsin – Milwaukee Visual Art Faculty Meeting in August 2008, became fast friends, and decided to begin collaborating whilst on a trip to the Milwaukee Zoo with their kids a few months later.

44 Stanley Avenue  Braamfontein Werf   Johannesburg
Tuesday – Friday 10:00 – 17:00  Saturday 10:00 – 15:00

Posted in art, art and tech, me, milwaukee art, pop culture, printmaking, south african art, stimulus, technology, uncategorical, youtube ·

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12 January 2010 by nathaniel

WikiWars

I’m in Bangalore, India with my good friend and collaborator, Scott Kildall (among many others – including my friend Heather Ford!), participating and presenting at the Centre for Internet and Society’s CPOV (Critical Point of View): WikiWars. So far, so interesting. Our paper is tomorrow, entitled Wikipedia Art: Citation as Performative Act. There will be a great and free book resulting from the conference and the research, writing and discussions that come out of it.

Posted in art, art and tech, creative commons, me, milwaukee art, pop culture, research, stimulus ·

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17 October 2009 by nathaniel

Nathaniel Stern, PhD

Had my VIVA yesterday, for my dissertation. It was awesome – amazing feedback, a great discussion, some provocative comments. My examiners really engaged with the text in ways that any doctoral student would be thrilled by. I’ll write about it some time, but am too busy celebrating right now. Anyhow, no revisions: I’m a doctor.

Woot.

Posted in art, art and tech, creative commons, me, milwaukee art, reviews, stimulus, technology, theory, uncategorical ·
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nathaniel’s books

Interactive Art and Embodiment book cover
Interactive Art and Embodiment: the implicit body as performance

from Amazon.com

Buy Interactive Art for $30 directly from the publisher

Ecological Aesthetics book cover
Ecological Aesthetics: artful tactics for humans, nature, and politics

from Amazon.com

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