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14 October 2008 by nathaniel

Peck School of the Arts, UWM Open House this Saturday. Kenilworth Sqare East, Milwaukee Wisconsin

Come check out grad student and faculty art works at the Kenilworth Square East Open House this Saturday, part of Gallery Night and Day in Milwaukee, Wisconsin! I’ll be installing a guerrilla version of my award-winning interactive installation, stuttering, to help promote the new Interdisciplinary Arts & Technology program (currently known as DIVAS), and more specifically, my Interactive Installation and Performance class next semester. All 14 of my grad students will also be exhibiting work throughout the building, not to mention my amazing colleagues. Should be AWESOME.

openhouse.jpg

Posted in art, art and tech, me, milwaukee art, research, stimulus, technology, uncategorical ·

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05 October 2008 by nathaniel

Tina Fey is my hero

(Not working in IE? Use this.)

Posted in news and politics, re-blog tidbits, stimulus, youtube ·

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19 September 2008 by nathaniel

Lumens

The fantabulous Marianne Petit and Matthew Belanger (Greylock Arts), along with the – also great – turbulence.org, launch a new project worth checking out….

An interactive light installation (re)connecting personal artifacts, histories, & communities.

Online at: turbulence.org/works/newadams/lumens

Greylock Arts, MCLA Gallery51, and Turbulence are pleased to announce Lumens, an interactive light installation by artists Ven Voisey, Sean Riley, and Matthew Belanger.

A project of Networked Realities: (Re)Connecting the Adamses, Lumens is an installation of lamps networked across three spaces: Greylock Arts, MCLA Gallery 51, and Turbulence.org. Scores of personal lamps that usually inhabit and illuminate the interiors of homes and shops have been borrowed from the residents of Adams and North Adams, Massachusetts, filling two gallery spaces: Greylock Arts in Adams and MCLA Gallery 51 Annex in North Adams. In addition, their images and stories are represented on turbulence.org, which also serves to connect the two locations telematically.

Clusters of lamps have been outfitted with proximity sensors and arduino microcontrollers. Lamps illuminate in response to a visitor’s presence and simultaneously illuminate lamps in the counterpart spaces. Thus, an individual in Adams can communicate his/her presence to an individual in North Adams, and vice versa. Additionally, as visitors investigate the history of a particular lamp online it will also illuminate in the physical gallery space.

Lumens (re)connects North Adams and Adams — originally a single community — through an exploration of location, influence, history, and the present.

Networked Realities: (Re)Connecting the Adamses is a collaboration of Greylock Arts, MCLA Gallery51, and Turbulence. Lumens has been made possible through the generous support of New Radio and Performing Arts, Inc. with funding from the Andy Warhol Foundation for the Visual Arts, the LEF Foundation, and the Massachusetts Cultural Council.

http://greylockarts.net/lumens.

Posted in art, art and tech, inbox, Links, re-blog tidbits, stimulus ·

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10 September 2008 by nathaniel

Doin my part

There’s a brief review of the Jozi and the (M)other City net.art site on Artthrob, by Chad Rossouw. Snip on me:

Nathaniel Stern, a natural on the web, produced the most engaging work. He challenged the above-mentioned Sean O’Toole to live without electricity for a day. The documentation of their correspondence is a good insight into the process of negotiation, slightly more interesting than the concept of negotiating urban life without power.

Read more.

I’m glad Rossouw took some time to read said negotiations. As I say in the piece itself, the texts surrounding the “event” – both before and after – were undoubtedly the “work”of the work, and most effectively got to the heart of the social relationships I was trying to accent. (There are some neat photos and a video, too, of course…)

The physical exhibition opened yesterday in Cape Town – I have no idea how the installation version looked, or about much of anyone else’s work (although online, it all looks very interesting; I especially like Marcus  Nuestetter’s piece). Will post reviews and/or pics as I have them.

PS I moved to Wisconsin about 4 weeks ago. More on that when the dust settles….

Posted in art, art and tech, carine zaayman, me, music, re-blog tidbits, reviews, south african art, stimulus ·

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13 August 2008 by nathaniel

Jozi and the (M)other City

A few weeks advance notice, but this is the show Doin’ my part to lighten the load was commissioned for. The JAMC site is also now live, and worth checking out – some great projects by my fellow South Africans!

Jozi and the (M)other City Cape Town exhibition invitation

Jozi and the (M)other City Cape Town exhibition invitation

Jozi and the (M)other City
8 September  – 26 September
Michaelis Gallery, 32 Orange Street, Cape Town South Africa
opens 18h30 8 September

Posted in art, art and tech, carine zaayman, creative commons, inbox, me, south african art, stimulus, theory, uncategorical ·

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23 July 2008 by nathaniel

MyArtSpace.com interview

Had a great email exchange with Brian Sherwin of myartspace.com over the last few days, which culminated as an interview published on the myartspace blog. There’re bits on my work,  dissertation, inspirations, even a question on Creative Commons and a few other little tidbits not published anywhere else to date. Check it out.

snip / teaser:

Art Space Talk: Nathaniel Stern

“… Brian Sherwin [myartspace.com]: Nathaniel, I’ve read that you are inspired by the Interactive art of David Rokeby and Myron Kruger. Can you tell us about these influences? What else inspires you?

NS: I believe Kruger’s core contribution to understanding interactivity was a concentration on action rather than perception – ’seeing’ in particular. He had little concern for illusion-based and simulated VR that replicated reality, and was more interested in stimulation – with a ‘t’ – and how people moved / getting them to move. I think Rokeby is brilliant in many ways, and his work, Very Nervous System (1986-1990), was one of the first and most important pieces to accomplish an affective intervention in embodiment through this kind of inter-activity. But what inspires me most about him is his contrariness. He almost always tries ’something else,’ never really accepting the limits or taken for granted in any given medium.


The Odys Series: The Storyteller, archival print on watercolor paper, 1189 x 841, edition 3, 2004
(screenshot from video)

My other influences are fairly idiosyncratic: from Hiroshige, the Impressionists and Homer’s epic tales to Liam Gillick or Camille Utterback and Rafael Lozano-Hemmer. I often turn to contemporary fiction, theory and philosophy in my thinking and making. I should also say that my wife, Nicole Ridgway, is the most wonderful muse and crit I’ve ever met: my biggest fan and supporter precisely because she is also my harshest critic before a work is done….”

read more (2500 word interview)

Posted in art, art and tech, Compressionism, creative commons, Ireland Art, iSummit07, Links, me, re-blog tidbits, research, reviews, south african art, stimulus, technology, theory, uncategorical ·
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nathaniel’s books

Interactive Art and Embodiment book cover
Interactive Art and Embodiment: the implicit body as performance

from Amazon.com

Buy Interactive Art for $30 directly from the publisher

Ecological Aesthetics book cover
Ecological Aesthetics: artful tactics for humans, nature, and politics

from Amazon.com

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