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10 July 2006 by nathaniel

Roles / Robes @ Fried Contemporary

15 July to 5 August 2006, opens on 15 July at 18h30

From Fried site:

An exhibition of mixed-media works, paintings, collages, digital prints, etching, video projections, a short film, sculpture and installations of award-winning South African artists

The theme for the exhibition is the identity roles that South Africans have played and continue to play, and the ‘robes’ that have been and are worn at different times and places — whether real, imagined or virtual. Link.

Posted in art, me, re-blog tidbits, south african art, uncategorical ·

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08 July 2006 by nathaniel

Artthrob and a New Look

I think it’s safe to say that, over the last few months, Artthrob has taken a distinctive turn toward the critically engaged; and the site is better for it. Between relative newbies Michael Smith and Linda Stupart, their influence and writing, and the influence of the upcoming international plugs for Cape Town on the older staples ("not a Biennale" and the BBC special, for example), The Throb has started to change shape from a mostly Cape Town scene Advertisement, to a mostly Cape Town scene Arts Magazine – certainly a step in the right direction. And it is not without irony that I recognize my own blog is, as Linda puts it, "usually glowing" about Johannesburg artsters. Admittedly, I’m a little jealous of The Throb’s recently energized chutzpah, and may take a leaf.

That being said, Linda’s thinly veiled "art blogs review" in this month’s issue is little more than a defense and appraisal of Art Heat, the most recent addition to online arts engagement in SA, and at the heart of the UCT scene (of which she is a part; she did not mention her own relationship with the site, which seems to be relatively tight….).  Her "disproportionate" (see article to know why I use this term), dismissal of other sites as high-brow (Africa South Art Initiative – not sure I agree about this), nepotistic (SAarts – partially true, but this assumes we have power we do not, and ignores our open call policy), or in the case of this site having far too many pictures of my daughter (Linda: 4 out of 1133 posts have pix of Sid – you utterly misrepresent me) culminates in a kind of whiney "just misunderstood" and "please wade through the crap" for the aforementioned. I agree that Art Heat adds value to the SA art scene on several levels (stricken – this not true "disproportionate" amounts of boring, local gossip and too many posts about Ed Young notwithstanding); but I think most of this comes not from their irreverence, self-promotion, in jokes, or even the occasionally smart arts review that Linda is quick to point out. It’s, rather, from their not taking themselves too seriously. Perhaps we could all (this means you and me, too, Linda) take a leaf from this. (And I may take them up on their offer of guest blogging now and again for practice in the near future….)

Admittedly, some of Linda’s other comments about this site particularly – biting or not – ring too true for me to ignore, as alluded to by my looking for chutzpah, above. Read her words here.

Also worth noting in this issue: interesting feedback for a change, an artbio on Cecil Skotnes, a Zaayman bit on M. MacGarry, this, this and not least this (go mikey!).

Posted in art, art and tech, me, pop culture, re-blog tidbits, reviews, south african art, stimulus, theory, uncategorical ·

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06 July 2006 by nathaniel

David Krut Print Workshop: New Work 2006

Preview of some prints of mine that’ll be part of a DKW box set will be up, this Saturday. Sadly, I can’t make the opening, but will be there in spirit…. From Krut site:

DKFA_05_06_06_022.jpgOpens Saturday 8 July at 12h00

This exhibition of prints produced and published at David Krut Print Workshop (DKW) in 2006 follows on from last year’s National Arts Festival show of DKW work, 25 Years of Prints and Multiples. It includes works by David Koloane, Mary Wafer, Deborah Bell, Colbert Mashile, Alastair Whitton, Bronwen Findlay, Nelson Makamo, José Ferreira, Johan Engels, Nathaniel Stern, Trasi Henen, and Sean Slemon.

David Krut Print Workshop, established in 2002, offers both established and emerging South African artists the opportunity to work with experienced printmakers. The diversity of work produced at DKW is reflected in the works and artists on the exhibition. David Koloane’s fire-and-smoke skylines can be viewed alongside Mary Wafer’s linear urban landscapes, while Colbert Mashile’s comic figurative monotypes stand in sharp contrast to the minimalist grid patterns of Alastair Whitton’s etchings. Deborah Bell’s figures, totems, and fragments of poetry are given a fresh slant with the addition of carborundum and handwork, while Nathaniel Stern’s abstract images combine digital scanning with traditional engraving.

DKW has had longstanding working relationships with established artists such as Sam Nhlengethwa, Willem Boshoff, and William Kentridge, but the workshop is also invigorated by collaborations with younger artists like Trasi Henen and Dorothee Kreutzfeldt, as well as with artists who have produced substantial bodies of work in other mediums and come to DKW to work on intaglio printing or monotypes in the collaborative environment of a print workshop. Bronwen Findlay was the first artist working at DKW to complete and show a body of work in the DKW gallery.

Jill Ross, DKW’s workshop manager and resident printer, is currently assisted by Mlunghisi Khongisa and Niall Bingham. Tim Foulds, who worked at DKW for three years as the master printer, now freelances but continues to originate and edition prints at the workshop. DKW is expanding its activities and offering regular introductory etching classes in order to encourage an appreciation of printmaking.

David Krut Print Workshop: New Work 2006 on view until 29 July

Gallery Hours 09h00-17h00, Sat 09h00-16h00

DKFA_05_06_06_026.jpg

Keywords:Alastair Whitton, Art Gallery, Arts and Culture, Bronwen Findlay, colbert mashile, David Koloane, Deborah Bell, Exhibitions, Johan Engels, José Ferreira, Mary Wafer, Nathaniel Stern, Nelson Makamo, News, Sean Slemon, Trasi Henen

Posted in art, art and tech, Compressionism, me, re-blog tidbits, south african art, uncategorical ·

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05 July 2006 by nathaniel

nathaniel on BBC

Ha, one of the video re-mixes I did at the iCommons iSummit was on BBC news yesterday (or maybe the day before). Check out the page, and then download the MP3 on the right-hand side (about 10MBs) – the whole thing is about Henrik Moltke’s (along with many others) v. cool free beer project, and, as BY licenses mandate, I get a mention when they use my coolio beat-box re-mix for promotion (starts between five and five and a half minutes in, but you should really listen to the whole segment). Sweet.

Posted in art, art and tech, creative commons, me, music, news and politics, poetry, pop culture, re-blog tidbits, south african art, stimulus, technology, uncategorical ·

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05 July 2006 by nathaniel

Angus Taylor @ U of J Gallery, Joburg

The Press Release:

Angus Taylor, well known South African sculptor, will exhibit a body of new work in various media, entitled “DEDUCT” at the UJ Art Gallery from 5 to 26 July 2006.
 
Taylor works from the premise that deduction gathers a valid conclusion from a more general premise to a more specific.   The process of induction involves drawing general conclusions based on a limited and specific inference. Thus, in a technocratic culture that favours simulation and speed over real-time relationships, people and things are reduced to quick-time taxonomies.
 
Deduction implies the opposite. To deduce involves reasoning from the general to the particular, underscoring the need to engage with culture in terms of its flexible morphology. In this body of work, Taylor attempts to peel away the surface of his art to explore its innards, forcing the viewer to engage with the process of art making.
 
He says in this regard:  “Information overload causes the domination of inductive reasoning. I am presenting the sculpture or an idea in aspects, perspectives or in different mediums. By showing a sculpture in repetition but a variant with different defined parts or perspectives I am forcing the viewer to assemble the whole from different aspects. One gains access to the part in considering the whole. The collective defines the individual. For, in the words of Meyer Vaisman, ‘…there is nothing more meaningful than taking meaning apart’”.
 
In this way, the induction / deduction binary is conflated in Taylor’s work which, as a collection is both scopic and expansive. Together, his use of a traditional medium like bronze with the plastic form of LED lights pokes fun at old and new canons. This exhibition, in other words, plays with the cultural and art-historical tropes of meaning making in contemporary Africa.
Angus van Zyl Taylor was born in Hillbrow to a journalist father and mother trained in painting in 1970 and grew up in Johannesburg and the Vaal Triangle – Gauteng, South Africa.
He completed his BA in Fine Arts with honours at the University of Pretoria in 1996.  After tutoring in drawing and sculpture at the UP, he ran the Ashanti art foundry from 1996 – 1997
Taylor started his own business and foundry, Dionysus Sculpture Works in 1998, and he still teaches part time at the University of Pretoria and the Open Window Art Academy
He acts as advisor to the Tshwane University of Technology and is predominantly involved in government, local government as well as private sector large scale commissions to fund and support the infrastructure of his own fine art sculpture
His work is included in collections of the Rand Merchant Bank, Sasol, the Universities of the Free State and Pretoria, Saronsberg and Spier wine estates as well as many other national and international private collections.
 
LECTURE/WALKABOUT: Saturday 15 July 2006:  10 00 – 12 00
You are invited to interact with the artist at this lecture and walkabout.

Posted in art, re-blog tidbits, south african art, stimulus, uncategorical ·

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04 July 2006 by nathaniel

I Consume

Another hot re-mix of my slam poem, eat, this time entitled I Consume, and by mcjackinthebox. Check it out.

Posted in art, art and tech, creative commons, me, music, news and politics, poetry, pop culture, re-blog tidbits, south african art, stimulus, uncategorical ·
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