implicit art

art and ecology, fiction and geek stuff, culture and philosophy, parenting and life, etc

implicit art

Ireland Art

Archives

23 July 2008 by nathaniel

MyArtSpace.com interview

Had a great email exchange with Brian Sherwin of myartspace.com over the last few days, which culminated as an interview published on the myartspace blog. There’re bits on my work,  dissertation, inspirations, even a question on Creative Commons and a few other little tidbits not published anywhere else to date. Check it out.

snip / teaser:

Art Space Talk: Nathaniel Stern

“… Brian Sherwin [myartspace.com]: Nathaniel, I’ve read that you are inspired by the Interactive art of David Rokeby and Myron Kruger. Can you tell us about these influences? What else inspires you?

NS: I believe Kruger’s core contribution to understanding interactivity was a concentration on action rather than perception – ’seeing’ in particular. He had little concern for illusion-based and simulated VR that replicated reality, and was more interested in stimulation – with a ‘t’ – and how people moved / getting them to move. I think Rokeby is brilliant in many ways, and his work, Very Nervous System (1986-1990), was one of the first and most important pieces to accomplish an affective intervention in embodiment through this kind of inter-activity. But what inspires me most about him is his contrariness. He almost always tries ’something else,’ never really accepting the limits or taken for granted in any given medium.


The Odys Series: The Storyteller, archival print on watercolor paper, 1189 x 841, edition 3, 2004
(screenshot from video)

My other influences are fairly idiosyncratic: from Hiroshige, the Impressionists and Homer’s epic tales to Liam Gillick or Camille Utterback and Rafael Lozano-Hemmer. I often turn to contemporary fiction, theory and philosophy in my thinking and making. I should also say that my wife, Nicole Ridgway, is the most wonderful muse and crit I’ve ever met: my biggest fan and supporter precisely because she is also my harshest critic before a work is done….”

read more (2500 word interview)

Posted in art, art and tech, Compressionism, creative commons, Ireland Art, iSummit07, Links, me, re-blog tidbits, research, reviews, south african art, stimulus, technology, theory, uncategorical ·

Archives

27 June 2008 by nathaniel

DATA and the Debate in Dublin

Last night’s DATA, featuring Karl Klomp, Wolf Lieser and Jane Tynan, and part of the Darklight Festival (organized by Caroline Campbell and hosted by yours truly) was extremely rad. Ben’s photos will be up soon, and in the interim, I highly recommend doing a little googling on these three – especially interesting to me were Wolf and his gallery, curatorial projects, online digital art museum and, most of all, his lifetime digital art achievement award. Two amazing winners thus far….  Karl is a hot video circuit bender offering workshops over the weekend, and Jane spoke about some fascinating surveillance art goings-on in London. Great group, nice crowd, good questions.

Uber bonus was to have my good friend and talented South African artist Franci Cronje with me for the whole evening (and most of the week). We got to meet and chat with all three of the above, and the bonus highlight was to spend an after-evening pint of Guinness with NYU Computer Science rock star and Techy Academy Award winner, Ken Perlin. (My supervisor and department would kill me if I did not mention here that our own Anil C. Kokaram has also won one such award…)

Ken blogged about our conversation (more like a debate), and we’ve been emailing a bit about it, too. My RSS reader and blog links list has been updated to include his dailies – recommended!

I’m hoping to chat with Ken more in the near future. Nice to meet ya, and looking forward to more at Darklight over the weekend…

Posted in art, art and tech, Ireland Art, Links, me, pop culture, re-blog tidbits, south african art, stimulus ·

Archives

23 June 2008 by nathaniel

DATA 31: Karl Klomp, Wolf Lieser, Jane Tynan, Aileen Corkery

DATA @ Darklight Special Event!

Event: DATA 2.0 No. 31
Speakers: Karl Klomp, Wolf Lieser, Jane Tynan, Aileen Corkery
Date: Thursday June 26, 2008, 8-10pm
Venue: Filmbase, Curved Street Building, Temple Bar, Dublin 2
Admission: FREE!!!

The Dublin Arts and Technology Association is proud to present DATA 2.0 No. 31 in collaboration with the Darklight Festival. It will be, as usual, an informal gathering of interested parties, open to the public, where a group of invited speakers will present their art/technology practice and work-in progress.

The DATA @ Darklight Special Event sees presentations by three international curators and cultural commentators followed by a talk and vj performance by Dutch media artist Karl Klomp.

Karl Klomp (Netherlands) is a media-artist, vj and theater technician with a research focus on live audiovisual expressions and interfacing. He has a fascination for glitch-art, visual glitch, video interruption or hyperkinetic audio visuals, dealing with video circuit bending, frame grabbing, hardware interfacing and max programming. He is also doing commissioned video hardware tools together with Tom Verbruggen (Toktek); they play live av performance mnk_toktek across the country. As part of Darklight, Klomp will give one of his audio/video circuit bending workshops, which often in collaboration with Gijs Gieskes via AllesLos.. In 2005 Klomp collaborated with dePonk collective, international holding company of artists.

Wolf Lieser (Germany) is the director of the Gallery [DAM] in Berlin. Since 2003 the gallery has exhibited both early pioneers in digital art and contemporary practitioners. He is also the founder of the Digital Art Museum which aims to become “the worlds leading resource for the history and practice of digital fine art”. The online archive features artists working in the field from as far back as 1956.

Jane Tynan (UK) is a cultural studies lecturer at Central Saint Martins College of Art and Design, University of the Arts, London. She has taught and published on contemporary art and design, cultural history and art and design education. She has contributed to exhibition catalogues, Film West, Circa, The Irish Times and Time Out (London).

Aileen Corkery (UK / Ireland) is a curator, commissioner/producer and arts consultant currently based in London. She has worked extensively with artists including Matthew Barney, Richard Billingham, Paul McCarthy, Jason Rhoades, TJ Wilcox, Roni Horn, McDermott & McGough, Phil Collins and Gerard Byrne.  She has worked in both the private and public art worlds for Hauser & Wirth Zurich London and Artangel.

http://data.ie/
http://www.darklight.ie

Posted in art, art and tech, inbox, Ireland Art, pop culture, stimulus, technology, uncategorical ·

Archives

10 June 2008 by nathaniel

dream not of today (UPDATED)

Nice 2-part feature on Haydn Shaugnessy and Fragments on Dream Not of Today coming out, with the first installment now live. A snippet and link:

South of Cork near the very southern tip of Ireland rests the physical storefront of the Haydn Shaughnessy Gallery. The corporeal manifestation of this collection of contemporary art would be deceivingly small even were it the size of a Wal-Mart, as the gallery’s reach extends far beyond IRL. Helmed by a collector whose technological savvy is unparalleled in the modern world of art collection, Haydn Shaughnessy also maintains a critically acclaimed space in Second Life called Ten Cubed, an active blog, and the requisite Facebook page rendering a digital footprint nearly without rival in this space.

In this 21st century, art collection remains an offline game for the wealthy; a status quo Haydn Shaughnessy aims to upheave. While the gallery offers works by artists internationally known for their work in bending technology into new forms of expression, the various online manifestations of the effort aim to make that work break through the fish tank of the art collection world to reach the masses. Both online and offline, the Shaughnessy Gallery features contemporary names such as the well-known Second Life limit-pusher Scott Kildall, interactive artist Nathaniel Stern, and Oakland’s own HTML painter Chris Ashley…

Read more.

UPDATE: and now read part 2!

Posted in art, art and tech, Compressionism, Ireland Art, me, re-blog tidbits, south african art, stimulus, technology ·

Archives

30 May 2008 by nathaniel

holiday! (and more)

Had a fairly productive week working on my dissertation, and am now off to Belfast for a self-proclaimed long weekend – to celebrate Sid‘s 2nd birthday, Nicole and my 6-year wedding anniversary, and my own birthday (all of these in the span of 2 weeks)! We’ve never been up to Northern Ireland, and I have no idea what my better 2/3rds has planned, but it should be just grand. Will try to post some photos of that, and my folks’ recent visit to Dublin for Sid’s b-day (on her blog), when we’re back.

In the meanwhile… a proposal I’ve written with California-based artist and friend Scott Kildall (if you don’t know his work, you should definitely check it out; he’s an innovative and generous voice in the digi-arts community, and much of his work is not only smart but also beautiful) has been voted into the final round for a rhizome commission: Wikipedia Art. If you’re a member of rhizome, please take the time to rank the top 25 – and by all means, if you like ours (I’m biased, but I think you will), we’d really appreciate your rating it tops! Vote here (you need to log in first).

Posted in art, art and tech, creative commons, Ireland Art, Links, me, research, south african art, stimulus, technology, theory, uncategorical ·

Archives

19 May 2008 by nathaniel

Fragments: GREAT ART for €40

window, 8×10 inches, lambda print on metallic paper, edition 100 Fragments: GREAT ART for €40

Fragments provides a fabulous opportunity to own and collect great, new, contemporary art. All works in the series have been created by established artists specifically for this project by the Haydn Shaughnessy Gallery.

Each Fragments artist revisits his or her existing work, and takes a fragment or detail or still from a print, photo, painting or video that they feel is indicative of their art or practice. The result is a series of ongoing images – Fragments – that capture the essence of their work; every piece has been especially crafted to give a wide public access to astonishing and collectible art at an affordable price.

Each archival Fragments print is available for €40 (about $62) plus shipping and handling from http://fragments.galleryica.com. These signed and numbered works are usually 8 x 10 inches and in editions of 100.

Fragments is part of the This Is Not A Brand art label by the Haydn Shaughnessy Gallery for Innovative Contemporary Artists.

Participating artists for the launch: LoVid, Chris Ashley, E J Carr, Jon Coffelt, Susan Kaprov, Nathaniel Stern. A new print by one of these or other/new artists is added to the site every week! Give the gift of art to yourself, friends or family :)

Image: window, 8×10 inches, lambda print on metallic paper, edition 100

Posted in art, art and tech, Compressionism, Ireland Art, me, re-blog tidbits, south african art, stimulus, technology, uncategorical ·
← Older posts
Newer posts →

Categories

Tags

aesthetics alice wilds art artist feature avant-garde books briefiew coding comics concern culture digital studio drawing ecology engineering fantasy fiction goods for me google ilona andrews jon horvath kate daniels milwaukee mo gawdat nathaniel stern paduak philosophy public property reading review sean slemon self-enjoyment Steve Martin syllabus sharing teaching technology TED TEDx trees urban fantasy web-comics webcomics whitehead world after us writing

nathaniel’s books

Interactive Art and Embodiment book cover
Interactive Art and Embodiment: the implicit body as performance

from Amazon.com

Buy Interactive Art for $30 directly from the publisher

Ecological Aesthetics book cover
Ecological Aesthetics: artful tactics for humans, nature, and politics

from Amazon.com

All content © 2026 by implicit art. Base WordPress Theme by Graph Paper Press