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21 August 2007 by nathaniel

Scenic Route, 2007

Got some pix up on a flickr set of some new friends and their work from the “Organic Motion: Kinetic and Interactive Sculpture” 2-week workshop at the Anderson Ranch out by the Rockies, Colorado. A fun time, and I hope to make it back. Also, click below for a li’l YouTube video of my first kinetic sculpture (I welded! I forged! I chopped and sanded and shaped and worked with motors, gears, drives, shafts, etc!!! Woot!), titled per this blog post…. I probably won’t shoot to push it into a gallery, but many of the ideas brooding, and skills I’ve gathered, certainly will….

Posted in art, art and tech, flickr, Ireland Art, me, pop culture, south african art, stimulus, technology, youtube ·

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05 August 2007 by nathaniel

performative digital prints

I went and updated the Compressionism documentation video a bit, and put it up on YouTube. These are performative prints made by strapping on a scanner, computer and battery pack, then traversing the landscape – sometimes printing digitally, other times transforming the images with hand-made / traditional techniques. The video shows some work, and how it was made, from my Call and Response solo show earlier this year; new digital work is now showing at Haydn Shaughnessy, and here are some new prints (both digital and traditional) I just finished producing for Art on Paper Gallery (Johannesburg).

Posted in art, art and tech, Compressionism, flickr, Ireland Art, me, south african art, youtube ·

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19 July 2007 by nathaniel

more Compressionist tales


in, and around
lambda print on metallic paper, 380 x 1080 mm (with small white border)

Just finishing up at the Frans Masereel, having completed 5 new digital and 6 new hand-made Compressionist prints (the latter inspired by the former, made by performances with scanners) for Art on Paper Gallery in Johannesburg (their site is finally up, content forthcoming). Check out the prints and some process pics here.

Posted in art, art and tech, Compressionism, flickr, south african art ·

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12 July 2007 by nathaniel

Frans Masereel Centre residency

stone litho
litho stone in progress, piece will be 1080 x 380 mm

Am on residence at the Frans Masereel Centre in Belgium at the moment, working on a new series that is being printed by printmaker and artist Zhane Warren, and published by Art on Paper Gallery (Johannesburg). It’s an extension of my Compressionist works, and my last solo show at AOP, Call and Response.

Compressionism is a “digital performance and analog archive.” I traverse bodies, spaces and objects with my scanner face, while its head is in motion. After being Compressed into digital images the size of a small sheet of paper, the files are then stretched, cropped and colored by hand, then printed as editioned, archival works. Later pieces in the series further transform details of these prints into hand-made art objects: etchings, engravings, aquatints, planographs, carborundum, monotype and more.

Compressionism is an exploration of media and perception, a transfiguration in time and seeing.

I’ve done some new performative scans since my show with Haydn Shaughnessy (these will be printed on metallic paper through photographic processes), and am amidst working in stone litho, silk screen, wood cut and dry point. We’re playing up the bands of light and color that Brenton Maart remarked on in Art South Africa, a relic of the digital scanning performances, by creating manufactured spaces on our stones and screens. Will post links to images of the finished works in a little over a week!

LINK: the flickr set in progress :)

Posted in art, art and tech, Compressionism, flickr, me, south african art, stimulus, technology, uncategorical ·

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22 June 2007 by nathaniel

Art Fag City Redesigns

afc.jpg

Possibly this blog’s favorite art blog, Art Fag City gets a total overhaul today. From Paddy (via email):

In an effort to curtail redesigning Art Fag City every two months, I asked House of Pretty to work with me on a new site design. The result is a blog you can actually read. Hurray for good looking fonts, manageable column widths, and separation of feeds and links both visually and rss-ally. I will also now feature the work of an emerging artist every two weeks in AFC masthead space. Artists who wish to make a submission for consideration, should send an image no smaller than 680 pixels wide to tips [ at ] artfagcity [ dot ] com along with a 100 word bio.

In other news, don’t miss ROFL!, the Internet competition I’ve been working on with John Seroff of Tofu Hut at Joe’s Pub tomorrow night at 11:30. Briefly, the event is basically an internet gong show pitting the finds of cewebrity contestants such as Andrew Baron of Rocketboom, and Josh Fruhlinger of Wonkette.

I’m thrilled to be the first featured artist on her new site – click the banner for a mini bio and the full Compressionist image.

Posted in flickr ·

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20 June 2007 by nathaniel

more on the CC artist panel (update)

I’m not sure Paddy’s post on the panel represents my position very well, and moreover seems to fall in line with the (de-contextualized – David is actually saying something else) claim that my attention to try and make a little money for my art is exploitative (see the comments here). I think Tom Chance does a better job explaining what the vast majority of my presentation was about; and in light of MTAA’s response, I thought there’d be nothing wrong with my doing some clarification as well.

Most of my presentation was about the artist in residence program. I explained why it began (to bring more fine artists into the fold), ventured into the diversity of artists we invited (what they do, how they are – directly or indirectly – involved with CC, and what the two can offer to each other), explained what the residency was encouraging artists to look at (1. Differing modes of production that move beyond re-mixing; and 2. How we as artists can sustain ourselves — this was at the request of the iCommons), showed some of my own work and where my interests lie, and finally, I gave one potential example of each of these (production and money-making). Only one of these, the final bit, one slide, gave a bit on how to use CC to make money. Most of my presentation was just contextualizing for the rest of the artists.

I think, when talking about my own interpreatation, the far more interesting point was the one about context and site-specificity, and how CC might allow for or encourage international collaboration (something that may create a minor tension with Tim’s point about CC having little to do with the value of a work, but the argument could go either way). Read Tom Chance’s post or take a look at the CC description for Sentimental Construction #1 for more on what I was trying to say here.

update: paddy makes the point that she did not say there was anything wrong with my marketing my work (in my comments), and she’s right: she didn’t say that. So, I wanted to add that I only felt misrepresented because “marketing” was the only part of my talk that warranted a mention in her post, not that she “got it wrong” on any level, but that I wanted to give mention to some of the other things I talked about. That, coupled with David’s crit (which does kind of allude to “bad-ness”), above, inspired this post.

Posted in art, art and tech, creative commons, flickr, iSummit07, me, pop culture, re-blog tidbits, stimulus ·
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nathaniel’s books

Interactive Art and Embodiment book cover
Interactive Art and Embodiment: the implicit body as performance

from Amazon.com

Buy Interactive Art for $30 directly from the publisher

Ecological Aesthetics book cover
Ecological Aesthetics: artful tactics for humans, nature, and politics

from Amazon.com

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