implicit art

art and ecology, fiction and geek stuff, culture and philosophy, parenting and life, etc

implicit art

Compressionism

Archives

07 September 2009 by nathaniel

Central Booking Gallery launch in Brooklyn, NY!

Central Booking is a new gallery in DUMBO dedicated to the art of the book:

We exhibit the breadth of the various approaches to the form, since the artist book can be anything from a pamphlet done inexpensively on a copy machine to a letterpress codex bound book integrating words and images to a sculptural piece that is an object itself. Brooklyn has taken its position as a major art center in the world and it now has a space where artist’s books from established artists to emerging ones can be seen all in one place and on a continual basis.

A very promising space, in a great area, with a clear focus and a dedication to more experimental understandings of the form. I’ve spoken to one of the curators, and he is keen to foster an undertsanding of the book through print, space, interaction, video and, of course, more traditional books.

Yours truly has a couple of prints on the inaugural exhibition, which has an impressive list. THURSDAY, SEPTEMBER 17, 6-9PM, 111 Front Street in DUMBO Brooklyn, Gallery 214.

Central Booking inaugural exhibition invite

Central Booking inaugural exhibition invite (click for larger image)

Posted in art, Compressionism, inbox, Links, me, printmaking, re-blog tidbits, stimulus ·

Archives

24 July 2009 by nathaniel

More Compressionism, plus bonus life and art details (in short review)

Wow. I almost forgot I had a blog. It’s been a while, hasn’t it?

I’ve been working on a whole lot of art. Video-print-object things like this, scanner stuff like that, interactive installations like these (actually, mostly been updating a few of these pieces to new versions with openFrameworks, while brainstorming a new piece), and this new mixed reality installation. All will be premiering in various parts of the world, hopefully (some are booked, some are not), within the next year. I’m off to NYC for a few weeks (drop a line if you wanna meet up), but in the meanwhile, enjoy this new documentation image for Compressionism (photo and design by Jesse Egan).

Giverny of the Midwest (scanning lilies in Indiana, photo by Jesse Egan)

Giverny of the Midwest (scanning lilies in Indiana, photo by Jesse Egan)

Compressionism is a digital performance and analog archive, where I strap a custom-made scanner appendage and battery pack to my body, and perform images into existence. I might scan in straight, long lines across tables, tie the scanner around my neck and swing over flowers, do pogo-like gestures over bricks, or just follow the wind over water lilies in a pond. The dynamism of my relationship to the landscape is transformed into beautiful and quirky renderings, which are re-stretched and colored on my laptop, then produced as archival art objects using photographic processes. The above image was taken in South Bend, Indiana, as part of an art camping trip: two days in tents, with lots of tech, working towards a large-scale and gridded work reminiscent of Monet’s MOMA-owned masterpiece. The final piece will be 12 meters wide by 2 meters tall, and completed some time in 2010.

Posted in art, art and tech, Compressionism, me, milwaukee art, printmaking, stimulus, technology ·

Archives

12 June 2009 by nathaniel

makin art

Spending lots of time in the studio these days. Working on many pieces that continue my still very very new Distill Life series (using mostly machinima video from Second Life and combining that with prints and drawings), some Compressionist prints, and a kind of mixed reality minimalist video installation called Given Time that I am very excited about (doing avatar design with my assistant now). Have also been playing with openFrameworks a lot lately (updating my interactive pieces built in Director in the early 2000s – so they run on new machines – while learning its idiosyncrasies). Can I just say “awesome”? Am about done with stuttering “2.0,” which hasn’t worked on any machine I have owned since 2003; it feels so good to see the piece again! Coming up: elicit, enter:hektor, and then a new work; all four will be released as “Body Language,” a suite of interactive installations, some time in the next year. Much of the more object- and print-based stuff will feature in upcoming shows in South Africa and on the East Coast in early 2010.

Hooray for stuff and things! Yay art!

Posted in art, art and tech, Compressionism, exhibition, me, milwaukee art, printmaking, uncategorical ·

Archives

09 April 2009 by nathaniel

SUBMIT!

I have quite a bit of blog catching up to do – lots going on over here that I’d love to share – but have been a bit snowed under. Here’s one reason why:

I JUST SUBMIT MY 286-page PHD DISSERTATION. Like, less than a minute ago. No sh!t.

Slightly anti-climactic, and there’s still a defense and any edits they give me before I am “Dr. Stern.” But mostly, it feels good.

Posted in art, art and tech, Compressionism, Ireland Art, me, milwaukee art, south african art, uncategorical ·

Archives

28 March 2009 by nathaniel

Public Lectures and Exhibitions in Milwaukee and Johannesburg

Last night saw the opening of Night Work at The Armoury Gallery in Milwaukee, Wisconsin. Some great responses, surprise guests, new show offers, decent sales – a really great Milwaukee debut for both me and Jessica (my collaborator). Thanks to everyone who helped, came out, etc. For those who didn’t make it, the show was a kind of “weekend pick” over at Milwaukee’s Journal Sentinel (where one of the gallerists also pitched the show), and it’ll be up for more than a month (including Milwaukee’s gallery night, on April 17th!). If you can’t make it, it’s brand spanking new work, so we still need to document it – I’m hoping to have some images and/or video online in the next few weeks. We’re really excited about the progression, so watch this space….

I will also be giving public lectures about my work this week, twice. First, I will take over a spot on Wednesday, April 1st, 7pm (in ACL 120) for the Artist Now! series in the Visual Art department, Peck School of the Arts, at UWM:

Artists Now! is a Wednesday evening lecture series designed for a broad audience with an interest in contemporary visual art. The series presents a diverse group of artists working across traditional, hybrid and emergent disciplines. Join these nationally and internationally recognized practitioners as they explore and expand the boundaries of creative visual practice today.

All lectures take place on Wednesdays at 7 pm in the Arts Center Lecture Hall, 2400 E. Kenwood Blvd. on the UWM campus. The lectures are free and open to the public.

I’ll give an hour’s worth of overview of my practice, some works, and a couple of the trajectories I’m aware of in them. But if you can’t make that, don’t worry! The very next day I will be giving a very similar talk (pretty much the same one, with perhaps slightly more on the tech side, and with the general variability that comes with my “performances”) as part of the Computation and Craft lecture series in the School of Architecture & Urban Planning (SARUP) – Thursday, April 2nd at noon in AUP 110, also UWM. See the flyer below (click for larger).

interactions, interventions and implications: computation and craft lecture at UWM

interactions, interventions and implications: computation and craft lecture at UWM

Finally, I’ll kind of be all over the Johannesburg Art Fair, in South Africa – well, my art will. I personally can’t attend, but I am: (twice) in the Internet Art in the Global South net.art exhibition, curated by Tegan Bristow; on Bad Form, an interesting show over at Blank Projects, curated by Christian Nerf and Kathryn Smith; featured in a talk by Wilhelm van Rensburg on contemporary printmaking (Gallery AOP); and will mostly likely also feature at the David Krut table. Should be an awesome fair – sad to miss it.

Hope to see some of you around these great events!

Posted in art, art and tech, Compressionism, creative commons, kaganof, me, milwaukee art, research, south african art, stimulus, technology, theory ·

Archives

28 January 2009 by nathaniel

Swamp Eyes: Group Contemporary Print Show in New York

Four More Trees by Nathaniel Stern

Four More Trees by Nathaniel Stern

performative digital scan turned into an
aquatint etching, engraving and drypoint, 2006
polyptych of four
top images each: 59 x 49.3 cm
bottom image: 73.8 x 49.3 cm
edition 5

Several of the hand-made prints, which were produced as details and iterations from my performative digital image series “Compressionism,” will be exhibited as part of a group show at David Krut Projects in Chelsea, New York from 7 February to 16 March. Here is more on the series and these particular works, and info on the exhibition follows. Please make it if you can. I’ll unfortunately only be there in spirit!

Swamp Eyes
7 February – 16 March 2009
Opening: Thursday, 7 February at 6pm

A curated exhibition of works on paper that contemplate the external, natural world from a set of aesthetic dimensions.  Bringing nature and culture into alliance, these works explore the natural and cultural with wit and sensitive observation. From the raised surface of the etched line to thoughtful use of colour, the works are emphatically physical and intricate.

“The tree which moves some to tears of joy is in the Eyes of others only a Green thing that stands in the way. Some see Nature all ridicule and deformity, and by these I shall not regulate my proportions; and some scarce see Nature at all. But to the Eyes of the Man of Imagination, Nature is Imagination itself.” William Blake

South African and International artists exhibiting:

Ryan Arenson, Willem Boshoff, Wim Botha, Gail Behrmann, Willie Cole (US), Claire Gavronsky, William Kentridge, Alice Maher (UK), Suzanne McClelland (US), Colin Richards, Michelle Segre (US), Rose Shakinovsky, Sean Slemon, Kiki Smith (US), Nathaniel Stern, Sandile Zulu.

David Krut Projects
526 West 26th Street, #816,
New York, NY 10001
http://www.davidkrut.com

Posted in art, art and tech, Compressionism, me, sean slemon, south african art, stimulus ·
← Older posts
Newer posts →

Categories

Tags

aesthetics alice wilds art artist feature avant-garde books briefiew coding comics concern culture digital studio drawing ecology engineering fantasy fiction goods for me google ilona andrews jon horvath kate daniels milwaukee mo gawdat nathaniel stern paduak philosophy public property reading review sean slemon self-enjoyment Steve Martin syllabus sharing teaching technology TED TEDx trees urban fantasy web-comics webcomics whitehead world after us writing

nathaniel’s books

Interactive Art and Embodiment book cover
Interactive Art and Embodiment: the implicit body as performance

from Amazon.com

Buy Interactive Art for $30 directly from the publisher

Ecological Aesthetics book cover
Ecological Aesthetics: artful tactics for humans, nature, and politics

from Amazon.com

All content © 2025 by implicit art. Base WordPress Theme by Graph Paper Press