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11 August 2006 by nathaniel

the rhizome ten year anniversary

Via Rhiz:

This year, Rhizome marks our tenth year of leadership in the new media arts community by celebrating the growth, diversity, and strength of the field. Rhizome was initiated in 1996 as an online platform for the global new media art community. Then, our focus was primarily upon Internet art and, ten years later, we retain this focus and have also grown to support new media art more broadly. Our anniversary festival provides a touchstone moment to celebrate new media art and look forward to further advancements in the field.

the rhizome ten year anniversary

See more…

Posted in art, art and tech, music, pop culture, re-blog tidbits, stimulus, technology, theory, uncategorical ·

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05 July 2006 by nathaniel

nathaniel on BBC

Ha, one of the video re-mixes I did at the iCommons iSummit was on BBC news yesterday (or maybe the day before). Check out the page, and then download the MP3 on the right-hand side (about 10MBs) – the whole thing is about Henrik Moltke’s (along with many others) v. cool free beer project, and, as BY licenses mandate, I get a mention when they use my coolio beat-box re-mix for promotion (starts between five and five and a half minutes in, but you should really listen to the whole segment). Sweet.

Posted in art, art and tech, creative commons, me, music, news and politics, poetry, pop culture, re-blog tidbits, south african art, stimulus, technology, uncategorical ·

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04 July 2006 by nathaniel

I Consume

Another hot re-mix of my slam poem, eat, this time entitled I Consume, and by mcjackinthebox. Check it out.

Posted in art, art and tech, creative commons, me, music, news and politics, poetry, pop culture, re-blog tidbits, south african art, stimulus, uncategorical ·

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03 July 2006 by nathaniel

RBS

One of the most fascinating discussions that emerged from the iCommons iSummit, at least for me, came out of the presentation by Israeli rock stars RHYTHM BEATING SILENCE aka RBS. Their fascinating story is of a band who "made it," but in a small scene driven by virtually one label and one radio station, were completely taken advantage of. Instead of sitting idly, the band went on their own, and gave their music away for free (now all under Creative Commons licences), making money by playing gigs and archiving their albums. Everything is available for re-mix use and non-commercial distribution through their web site.  We went on to discuss revenue generation for lesser known artists, various production modes, DIY art and the importance of collaboration. RBS’s frontman, Nimrod Lev, is quite an interesting activist – here’s a translation of a recent speech he gave at the University of Haifa. Money quote (speaking of criminalizing the downloading of music):

Personally, I was never willing to think of my audience as criminals or to turn the people for whom I create music into criminals, just because the music industry is in a crisis. …
 
I would like to begin with the opening lines of the announcement we attached to the song "Vegas" which was played here earlier:

It does not matter when and how the music and all that is related to it became only a matter of business and commerce. It happened. The love of music became marginal, and in most cases it is not part of the considerations of music products, marketed to the public.

Posted in art, brady dale, creative commons, music, news and politics, pop culture, re-blog tidbits, reviews, stimulus, technology, uncategorical ·

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25 June 2006 by nathaniel

more songs for the

Yes, Colin, maybe I have caught the ccMixter bug. Just uploaded another poetry slam styled vocal track, this time from a video art piece specifically produced for the Netherlands Film Festival, at Aryan Kaganof’s request. a song for the now available for re-mix. Now I wish I had my saxophone with….

Description: a video art / slam poetry piece about the complexities of listening, paternalism and being, framed in a father/son relationship.
Tags: acappella, media, non_commercial, audio, mp3, 44k, mono, CBR, father, patriarchy, singin, spoken_word, poetry_slam, male_volcals, hamlet, to_be, poetry, rap, melody, bassline, bass

Posted in art, art and tech, creative commons, me, music, poetry, pop culture, re-blog tidbits, reviews, south african art, stimulus, technology, theory, uncategorical ·

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25 June 2006 by nathaniel

iCommons iSummit Artist in Residence update/review (so far)

Sorry for the delay on posting art, etc – internet was down at the hotel for ages. The conference has been amazing thus far. The generosity of spirit, the sharing, the intellectual rigor, the commitment to the arts and knowledge – even when I disagree with some of the things being said, I understand that what’s behind the argument being made is a passion for this movement, the essence of "making things, and making things happen."

I like that. Nice tagline.
iCommons: make things; then make things happen.

As far as my work goes, there’s been a fair amount of production, then re-blogging and re-production already. [odys] elicit’s re-release under a CC / GPL license has been re-blogged by turbulence / networked_performance, and a minor software adjustment has been requested by South African choreographer Jeanette Ginslov, for an upcoming dance piece she wants to use it in, entitled Writing with Stones.

My eat spoken word on CCmixter has been rated as 5 star (!) and already used for this rockin piece by teru, of the same name. Very cool! w00+!  As mentioned below, Andre SC has re-mixed some images I’ve produced at the iSummit as well. The Gilberto’s Beer beat re-mix of video is also online on Revver now – a very cool project, mentioned below – as well as on the free-beer site that inspired the original footage. Some of the festival-goers have promised its usage in the work they are planning to do in upcoming weeks (Justin Hall has already started editing).

I’ve got some fab ideas for how the AIR can grow before the next conference, turning into a longer project, involving many countries, and exploring the two areas that seem to interest artists most (around CC): revenue generation and production modes. The former has obviously always been a problem for artists (pre-dating CC for about as long as human existence), but there are already some amazingly smart people on the job (such as Jenny Toomey and Steven Starr of revver) – if you build it, we will come. The latter has always been part of the CC ethos, and there are more and more re-mix tools available, but I’d like to see working, conceptual artists who are more involved with hands-on collaboration (not just re-mixing) enter into the iCommons fold now – beyond the geeks like me. The ideas I have are geared towards production, workshops and lectures (all led by working artists) that promote and encourage some of the possibilities that CC has to offer which we may not yet be aware of. Art Work.

This morning saw some ‘dead air’ time of no internet access, but the first panel featured the likes of Glenn Otis Brown, Products Counsel, Google. Nhlanhla Mabaso, Manager, Open Source Centre, CSIR, South Africa, Jimmy Wales from Wikipedia and Cory Doctorow, Journalist, author and activist (of boingboing!). Funny, provocative, interesting. Money Quote from Jimmy with regards to the principles Wikipedia was founded on (paraphrase): "in restaurants, we serve steak; so we give out steak knives; this means people might stab each other; so we have to lock up our diners. WE REJECT THIS METHOD OF RESTAURANT DESIGN."

And, most importantly, I (arguably) learned to samba last night….

@ Rio iSummit

Posted in art, art and tech, Compressionism, creative commons, flickr, me, music, poetry, pop culture, re-blog tidbits, reviews, south african art, stimulus, technology, uncategorical ·
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nathaniel’s books

Interactive Art and Embodiment book cover
Interactive Art and Embodiment: the implicit body as performance

from Amazon.com

Buy Interactive Art for $30 directly from the publisher

Ecological Aesthetics book cover
Ecological Aesthetics: artful tactics for humans, nature, and politics

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