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20 September 2010 by nathaniel

New Work: Switch & Signal


Switch & Signal

New Work with Jessica Meuninck-Ganger! It’s a one-of-a-kind charcoal and pastel drawing on paper, permanently mounted to an LCD screen playing machinima video from Second Life. Part of the ongoing Distill Life series, the image tells only part of the story. The earth’s rotation in the video is a time lapse, with a moonset and sunset over 5 minutes, but the clouds and sea and rain (and blinking lights, etc) move in real time. Made especially for a group show with our gallery in South Africa, Gallery AOP, opening late October.

Switch & Signal
charcoal, pastel, LCD with machinima video
9 x 12 inches, 2010
Jessica Meuninck-Ganger and Nathaniel Stern

Posted in art, art and tech, exhibition, flickr, me, milwaukee art, pop culture, south african art, technology ·

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16 August 2010 by nathaniel

August 19th: Wikipedia Art performance at Benrimon Contemporary, NYC

Wikipedia Art logoAugust 19th @ Benrimon Contemporary, part of Younger Than Moses: Idle Worship
514 West 24th Street on the 2nd floor
An evening of performances & screenings by Ryan V. Brennan, the Wikipedia Art Project, Genevieve White, Adam & Ron
Beginning 6:00 PM (come a little early for a Wikipedia Art Remix treat!)

For Sean Fletcher and Isabel Reichert’s Wikipedia Art Remix, two actors perform a scene appropriated from Edward Albee’s play “Who’s Afraid of Virginia Woolf”.  The dialogue between the iconic characters George and Martha incorporates highlights from the “Articles for Deletion” page of Wikipedia Art, an intervention by Scott Kildall and Nathaniel Stern on Wikipedia, so the couple’s argument becomes one about whether or not art can exist on Wikipedia.

See a video art version of this upcoming performance piece.

Sean Fletcher and Isabel Reichert have collaborated together on conceptually based performance works, interventions, writings, installations, videos, photography, and prints since meeting each other in 1994.  Their work is about power and vulnerability; how it relates to relationship dynamics, society, and politics. Fletcher and Reichert use collaboration as a tool to integrate the negotiation for power into works of art.

Scott Kildall is an independent artist, who intervenes with objects and actions into various concepts of space. Nathaniel Stern is an artist, teacher, writer and provocateur, who works with interactive, participatory, networked and traditional forms.

Posted in art, art and tech, creative commons, me, milwaukee art, pop culture, stimulus, uncategorical ·

Archives

11 August 2010 by nathaniel

Upgrade! Joburg Remote Lecture Series, Marcelino Stuhmer (reblog)

My worlds collide!

No 1: The Choreographed Accident

from Digital Arts Remote Lectures
….

I’m very excited to announce our very first Remote Lecture for 2010 by Marcelino Stuhmer based at the University of Wisconsin in Milwakee .

The Choreographed Accident: How painting survived the accident.


In this Remote Lecture Marcelino Struhmer will be speaking his expanded painting practice in three recent works.

“The metaphoric crossing between perception and hallucination occurs by means of the paraphernalia of painting, which is also that of recollection and re-cognition, as the recovery, to the senses, of what seemed to be forever beyond experience.” Paul de Man

“Mise-en-abyme”, a term coined by Andre Gide, which refers to the artistic trope of limitless reflection is akin to the physical experience of the carnival’s Mirror Maze. In my current extended painting practice, I wish the viewer to “enter into the work” and find themselves occupying a different parallel space, narrative, and time.  The spatial/architectural constructions in three recent installation projects deconstruct the cinema house into 1) a panoramic painting rotunda, 2) a funhouse mirror maze, and 3) a miniature architectural model of an apartment building in Warsaw.

In the broadest sense, the crisis of representation as seen in the history of painting provides me with a dynamic conceptual meeting point between material, process, and language. My recent installation work reconstructs or invents narratives of distant geographic, and temporal moments, allowing a collision of virtual ‘present-moments’ in an installation space designed specifically to stage these orchestrated time-collisions. I am currently working on a series of paintings, collages, and architectural models, which explores an intersection of image, film, painting, screen, and the history of theater design.

The Remote Lecture Series is a series of once a month lectures by people in different places across the world who are “beamed in” live (via the internet) to speak to a Johannesburg audience. We use available video conferencing technologies like Skype and iChat for the live lecture.  The point of these lectures is to inspire and uplift the discourses around art, new media and technology. We also stream the sessions live from Johannesburg.

Thursday 12th August 2010   -   South African Time 19:00 – Digital Arts Seminar Room, Digital Arts Convent Building. See here for directions – opposite the Wits School of Arts.  Also see calendar page…

Please note – GMT 17:00 for streaming.

Marcelino Stuhmer earned an MFA from the School of the Art Institute of Chicago in 2000. He has done residencies at the Skowhegan School of Painting and Sculpture, was a guest artist at Cittadellarte-Pistoletto Foundation in Biella, Italy, and was awarded a residency at the Rijksakademie in Amsterdam where he received a two-year research fellowship.

His most recent installation project, The Choreographed Accident: Objects, Images and Artifacts from the Pawel Avorsky Museum, Warsaw which debuted at Jeune Creation 2009 in Paris, is now showing at the Wisconsin Triennial 2010, at the Museum of Contemporary Art in Madison, Wisconsin, USA. This conceptual film project tells the story of a British spy during the Cold War who smuggled illegal Jazz records into Poland.

Apart from numerous exhibitions in Europe and North America, Stuhmer has won a number of grants and prizes, including Best International Artist at the Arte Laguna 2009 International Art Prize Exhibition at the Venice Arsenalle in Venice, Italy, a Graduate Committee Research Fellowship from the University of Wisconsin, Milwaukee, the First Place Royal Prize for Painting in The Netherlands, a Mondrian International Publication and Exhibition Grant, a Community Artist Assistance Program Grant from Chicago, and a Joan Mitchell award in conjunction with an artist residency at the Atlantic Center for the Arts in New Smyrna Beach, Florida. He is currently an Assistant Professor in the Painting and Drawing area of the Department of Visual Art at the University of Wisconsin in Milwaukee.

For more information please contact me directly on tegan (dot) bristow (at) wits (dot) ac (dot) za or 011 717 4604

Posted in art, art and tech, milwaukee art, re-blog tidbits, south african art, stimulus ·

Archives

12 July 2010 by nathaniel

compressionism site updated

compressionism.net

Just finished an overhaul of compressionism.net, and uploaded content, including works, press, documentaiton, etc. Look out for upcoming books and shows that feature the new work!

In this ongoing series of prints, I strap a desktop scanner, laptop and custom battery pack to my body, and perform images into existence. I might scan in straight, long lines across tables, tie the scanner around my neck and swing over flowers, do pogo-like gestures over bricks, or just follow the wind over water lilies in a pond.

Read more…

Posted in art, art and tech, Compressionism, exhibition, Links, me, milwaukee art, printmaking, re-blog tidbits, reviews, south african art, stimulus, technology, youtube ·

Archives

03 May 2010 by nathaniel

Nathaniel Stern Bad At Sports interview now live

Bad at Sports interview with Nathaniel SternBad at Sports Episode 244:
Nathaniel Stern

by Duncan MacKenzie

“Bad at Sports is a weekly podcast produced in Chicago that features artists talking about art and the community that makes, reviews and critiques it. Shows are usually posted each weekend and can be listened to on any computer with an internet connection and speakers or headphones.”

This audio interview (available streaming from the site, or as a download to your computer or mp3 player) begins with Nathaniel Stern rapping a bit of Beastie Boys / Q-Tip, and quickly degrades to him lovingly poking fun at his dad. It’s actually a great interview, where you can hear some off the cuff chatting with Duncan MacKenzie about hektor.net, Distill Life, Compressionism, Wikipedia Art, Given Time, Doin’ my part to lighten the load, and more. It’s good fun, with lots of tangential stories and jokes, and many mentions of good friends and colleagues. Enjoy!

listen to interview on B@S

Posted in art, art and tech, carine zaayman, Compressionism, me, milwaukee art, poetry, pop culture, printmaking, re-blog tidbits, research, reviews, south african art, stimulus, technology, theory, uncategorical ·

Archives

08 April 2010 by nathaniel

@ The Museum of Wisconsin Art, Elaine Erickson Gallery, and more…

Museum of Wisconsin Art & Elaine Erickson Gallery
The Gallerist, lithograph + LCD with machinima, 10 x 12 inches

Two in Wisconsin, and more!

It’s been a busy few months for Nathaniel Stern (me), and there’s more to come. My show with Jessica Meuninck-Ganger at Gallery AOP in Johannesburg has received critical acclaim in the Mail and Guardian and on Rhizome.org (among others), and the exhibition at Greylock Arts (extended for another two weeks – see documentation here) featured in the North Adams Transcript, and will be discussed at length in an upcoming episode of Bad at Sports. Current group shows, and openings in the next few weeks, also include other spaces in Chicago, Johannesburg, Hungary and Milwaukee. See my web site for more.

The big and exciting news is our homecoming: two solo shows of the Nathaniel Stern and Jessica Meunink-Ganger collaborations open this week in Wisconsin – and the catalogue (with DVDs) from Gallery AOP will be available. You can see the cover of “Cue” in today’s Journal Sentinel for a feature and image.


Distill Life

Museum of Wisconsin Art
Nathaniel Stern and Jessica Meuninck-Ganger
Wednesday 5 April 2010 – Saturday 8 May 2010

Opening Sunday 11 April 2010, 1:30 PM
Featuring a talk and demonstration by the artists at 2 PM

*

Print Press Play

Elaine Erickson Gallery
Nathaniel Stern and Jessica Meuninck-Ganger
Thursday 8 April 2010 – Saturday 22 May 2010

Opening Thursday 8 April 2010, from 6 – 8 PM
Featuring a talk by the artists at 6:30 PM


*

About the work

Jessica Meuninck-Ganger and Nathaniel Stern approach both old and new media as form. In their “Distill Life” works, the artists permanently mount translucent prints and drawings directly on top of video screens, creating moving images on paper. They incorporate technologies and aesthetics from traditional printmaking – including woodblock, silk screen, etching, lithography, photogravure etc – with the technologies and aesthetics of contemporary digital, video and networked art, to explore images as multidimensional.

Meuninck-Ganger and Stern hack and tweak, shoot and print, appropriate and remix, edit and draw. Their juxtaposition of anachronistic and disparate methods, materials and content -print and video, paper and electronics, real and virtual – enables novel approaches to understanding each. The artists engage with subject matter ranging from historical portraiture to current events, from hyperreal landscapes to socially awkward moments. The works are surprising, wistful, enchanting, and seriously playful.

http://nathanielstern.com
http://jessicameuninck.com

Posted in art, art and tech, exhibition, Links, me, milwaukee art, pop culture, printmaking, re-blog tidbits, research ·
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nathaniel’s books

Interactive Art and Embodiment book cover
Interactive Art and Embodiment: the implicit body as performance

from Amazon.com

Buy Interactive Art for $30 directly from the publisher

Ecological Aesthetics book cover
Ecological Aesthetics: artful tactics for humans, nature, and politics

from Amazon.com

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