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20 March 2012 by nathaniel

Help Jessica and me make art!

13 Views of a Journey

Hi Everyone:

Jessica Meuninck-Ganger and I are trying to raise money for our next collaborative solo exhibition at GALLERY AOP in Johannesburg, South Africa, in January 2013, through crowd-funding site US Artists. Some of this work will also be shown in Milwaukee as part of SGCI next March. Please consider donating even the smallest amount to help us cover costs of materials and catalog printing (with an essay by renowned media theorist Richard Grusin)! Every little bit helps, it’s tax deductible, and donations at various levels will get limited edition art works to boot. Contributions can be made through Amazon payments. We’ve made a video explaining the work and what your money will go towards online with the campaign at: http://www.usaprojects.org/project/matter_mediate_material

Note: If your credit card is issued from a non-US bank, or you prefer not to use Amazon payments, please consider either making a donation through GALLERY AOP via Alet Vorster in South Africa <info@artonpaper.co.za>, or by printing and mailing or faxing this donation form.

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The Exhibition

In our ongoing series of collaborations, a traditional printmaker (Jessica Meuninck-Ganger) and digital artist (Nathaniel Stern) merge practices to create new forms. Matter Mediate Material is an upcoming solo exhibition in Johannesburg, South Africa (January 2013), where we will permanently mount translucent prints and drawings directly on top of video screens, to make “moving images on paper.” Several of these exciting new works will also be shown as part of Southern Graphics Conference International (March 2013, Milwaukee).

We really appreciate your patronage and support. Matter Mediate Material will combine hand craftsmanship with high tech, and so requires LCD screens and media players, hours of shooting, animating and drawing, paper, ink, silk screens, wood, copper plates, frames, glass, and so much more. Your funding will assist with materials and production for the new work, as well as catalog printing. Remember that we must reach our minimum goal to get funding (it’s all or nothing!), but any moneys over and above that goal will help further: towards shipping costs, framing, travel, design, PR and public programming. Every bit helps – so please donate, and tell your friends, too. Thank you for your help!

Thanks in advance for your support! Best,

nathaniel and jessica

Distill Life: undertoe

Perks

$30
Bi-weekly updates, and a small, signed, letterpress print

$60
Bi-weekly updates, a signed letterpress print, and a signed catalog

$175
Updates, signed letterpress print and catalog, and a signed silk screen print

$400
Everything above, and a very limited edition signed digital print

$1,300
Everything above and a signed, very limited edition, 2-layer digital and traditional print

$2,400
Everything above and a signed, limited edition print+video piece -this includes a video screen + media player to make “moving images on paper”

Posted in art, art and tech, exhibition, me, milwaukee art, printmaking, south african art, stimulus, technology, uncategorical, youtube ·

Archives

09 November 2011 by nathaniel

Printing Time: Nathaniel Stern in New Zealand

concentration (2011), 24 x 42 cm, pigment on watercolor paper, edition 5

Printing Time
Kerikeri, New Zealand
Nathaniel Stern at Art at Wharepuke
190 Kerikeri Road, Kerikeri
Bay of Islands, Northland 0230 New Zealand
18th November – 8th December 2011
+64 9 407 8933 or info@art-at-wharepuke.co.nz
–
Printing Time is a suite of 18 performative prints, each an edition of 5. It was produced for a solo exhibition of the same name at Art at Wharepuke in New Zealand, run by Mark Graver – author of Non-toxic Printmaking. In this ongoing series, I strap a desktop scanner, laptop and custom-made battery pack to my body, and perform images into existence. I might scan in straight, long lines across tables, tie the scanner around my neck and swing over flowers, do pogo-like gestures over bricks, or just follow the wind over water lilies in a pond. The dynamism of my relationship to the landscape is transformed into beautiful and quirky renderings, which are re-stretched and colored on my laptop, then produced as archival art objects. This series follows the trajectory of Impressionist painting, through Surrealism to Postmodernism, but rather than citing crises of representation, reality or simulation, my focus is on performing all three in relation to each other.
–
View the whole suite.

Posted in art, art and tech, Compressionism, exhibition, me, milwaukee art, printmaking, research ·

Archives

23 August 2011 by nathaniel

Nathaniel Stern in Milwaukee, Vancouver and Pretoria

13 views of a Journey (detail), 2011, video and print installation, 6 x 8 feet

Current Tendencies II: Artists from Milwaukee
Milwaukee, Wisconsin

10 Milwaukee artists at the Haggerty Museum of Art, Marquette University
13th and Clybourn, Milwaukee, Wisconsin
August 24 – December 31, 2011
Opening reception, August 31, 6PM

Concert at Church of the Gesu with John Weissrock, September 14, 6PM
Panel Discussion with Meuninck-Ganger, Stern and others, October 6, 6PM
Lecture by Reginald Baylor and Mark Brautigam, November 9, 6PM

Current Tendencies II features 10 Milwaukee artists working in a variety of media, including photography, painting, drawing, printmaking, video and sculpture.  The exhibition presents many never-before-seen works, commissioned specifically for the Haggerty Museum.  Each artist was paired with a Marquette professor who wrote a reflection of the artist’s work based on the professor’s area of expertise, creating dialogue between artist and scholar and connecting philosophy, theology, political science, communications, etc., to the works in the exhibition.

The exhibition premieres 13 Views of a Journey (6 x 8 feet, see above detail), a new Distill Life installation by Jessica Meuninck-Ganger and Nathaniel Stern. Here the artists mount large-scale and translucent prints to plexiglass and rear project video through them, creating “moving images on paper.” The 13 animated vignettes are played in random order behind fibrous and inky paper, making a dynamic and room-sized book art project. Says Philosophy Professor Melissa Shew, “This work is not about the artists, past and present; it is not about correctness in terms of history or technique; it is not about influence and deference…. this work concerns what is possible through collaboration, through layering and uncovering, film and print.”

Jessica and Nathaniel will also be part of a panel discussion at the museum on October 6 at 6 PM, with Will Pergl, Dr. Melissa Shew and Dr. Bonnie Brennen. Other artists featured in Current Tendencies II include Reginald Baylor, Mark Brautigam, Julian Correa, Lisa Hecht, Sharon Kerry-Harlan, Luc Leplae, Will Pergl, and Jordan Waraksa. Catalogs are available at the museum, or as a PDF download.

Wikipedia Art logoNew Forms Festival: Public Domain
Vancouver, Canada

Nathaniel Stern and Scott Kildall, among others
Waldorf Hotel, Vancouver
1489 East Hastings Street
Vancouver, BC V5L 1S4, Canada
September 9-11, 2011

New Forms Festival 2011 delves into the theme of “Public Domain”, focusing on concepts of copyright art, public interactivity, media façades and relationships between public and private spaces. Utilizing the entire hotel premises, the festival will act as a creative hub, a laboratory for exploration and discovery. Throughout the festival, performances, video projects, workshops and installations will take place in the hotel rooms, various bars, spaces, hallways, outer walls and the back parking lot, including artists such as Antoine Schmitt, Negativland, Patrick Cruz, ARO, Lief Hall and Hart Snider.

Scott Kildall and Nathaniel Stern famously used Wikipedia as an artistic platform, creating a collaborative project that explores and challenges our understanding of how knowledge is formed and disseminated. For over a year they planned the initiation of Wikipedia Art, a socially generated artwork that exploits a feedback loop in Wikipedia’s citation mechanism. Here, a “word war” across blogs, interviews and the mainstream press, which involved Wikipedians, artists, journalists, lawyers and even the Wikimedia Foundation itself, continuously defined and transformed a work of art in much the same way that these categories define the discourses of the everyday. Their Wikipedia Art hotel room for the New Forms Festival plays with the kinds of parodoxical publicity needed to begin and sustain a Wikipedia page, and charts the inception, birth, life, death and resurrection of their work. It questions the authoritative role of Wikipedia, and reveals its fallibility whilst debating the control of, access to, and creation of, knowledge.

staticTranscode
Pretoria, South Africa

UNISA Gallery
University of South Africa
Kgorong Building, Ground floor
Preller & Ridge Street
Muckleneuk Ridge, Pretoria
September 7 – 30, 2011
Opening reception: September 7

Transcode: Dialogues Around Intermedia Practice, curated by Gwen Miller at the new UNISA (University of South Africa) Gallery, explores the space between digital and traditional work for contemporary, South African artist-researchers. It premieres new work by many artists, including Lawrence Lemaoana, Celia de Villiers, Frikkie Eksteen, Marcus Neustetter, Carolyn Parton, Churchill Madikida, Colleen Alborough, Minette Vári and Fabian Wargau, among others.

Nathaniel Stern’s new piece, static, is an enclosed installation of six looped films, where each is edited down through “thresholding” the audio: any time the volume goes above a set and very low amplitude, that section is completely removed, and the film jump cuts to the next (nearly) silent sequence. These are in a tight corridor with three body-sized and wall-to-wall projections on either side, spatially putting viewers “in quotes” as they inadvertently cast shadows into the stories around them. High-volume loudspeakers accompany each projection, creating a hum out of the minor background noise left behind in all six Best Picture-winning films: Apocalypse Now, Casablanca, Silence of the Lambs, On The Waterfront, The Godfather II and Midnight Cowboy. What we see or experience is reliant not only on the work’s rich-but-noiseless stasis and over-determined visual action, but also our familiarity with each film or filmic genre. The clips’ varied lengths, styles and narratives, all seen together, accent our collective, social relationships to archetypal stories and characters at large.

Also on exhibition is Stern’s well known interactive piece, stuttering, and several works from his Compressionism and Distill Life series (the latter with collaborator Jessica Meuninck-Ganger).

Out of the Suitcase
At Sea (detail)Milwaukee, Wisconsin

Nathaniel Stern and Jessica Meuninck-Ganger are also part of Out of the Suitcase: Works by Recent Recipients of the Mary L. Nohl Suitcase Awards, with their collaborative and solo print work. The exhibition is curated by Mark Lawson and Bruce Knackert in the Frederick Layton Gallery at the Milwaukee Institute of Art and Design, on view now through October 8, and with an opening reception Thursday, September 8, at 6PM.

Other participating artists include: Nicole Brown, Matt Cipov, Michael Davidson, Chris Davis Benavides, Santiago Cucullu, Nicholas Grider, Karen Gunderman, Nicolas Lampert, Angela Laughingheart, Faythe Levine, Shana McCaw and Brent Budsberg, Kimberly Miller, Will Pergl, John Ruebartsch, Val Schleicher, Sonja Thomsen, Christopher Willey and James Zwadlo.

Posted in art, art and tech, exhibition, milwaukee art, printmaking, south african art ·

Archives

22 July 2011 by nathaniel

Giverny of the Midwest: Nathaniel Stern @ GALLERY AOP in Johannesburg, South Africa

Giverny of the Midwest (detail), 2011, 2 x 12 meters
Nathaniel Stern scanning lilies in South Bend, IndianaGiverny of the Midwest

Johannesburg, South Africa
Nathaniel Stern at GALLERY AOP

44 Stanley Avenue
Braamfontein Werf (Milpark), Johannesburg
Saturday 30 July – Saturday 13 August 2011
Opening talk by Jeremy Wafer, 30 July 14h00
Artist talks, 4 – 5 August, Joburg and Pretoria
Artist walkabout at AOP, 4 August 18h00

For Nathaniel Stern’s ongoing series of performative prints, he straps a desktop scanner, laptop and custom-made battery pack to his body, and performs images into existence. He might scan in straight, long lines across tables, tie the scanner around his neck and swing over flowers, do pogo-like gestures over bricks, or just follow the wind over water lilies in a pond. The dynamism between his body, technology and the landscape is transformed into beautiful and quirky renderings, which are then produced as archival art objects.

Giverny of the Midwest is a panoramic installation of nearly 100 such prints, rendering water, lilies, leaves and other organic forms into lush and rippling images. The source materials were scanned during a week-long camping trip next to a lily pond in South Bend, Indiana, and edited together over the course of nearly 2 years. The piece explicitly cites Monet’s large-scale painting and installation, Water Lilies (1914-1926), at the Museum of Modern Art in New York. It is similarly an immersive triptych of over 250 square feet (totaling 2 x 12 meters), and follows the patterns of light and color in Monet’s panorama. But Giverny of the Midwest’s three large panels move between proximity and distance, and are broken down into differently-sized and -shaped prints on watercolor paper, each evenly spaced apart. The tensions between flow and geometry, life and modularity, place it in further dialogue with other trajectories of modern and contemporary art, and simultaneously activate the possibilities of working across digital and traditional forms.

Giverny of the Midwest (detail), middle wall, 30 prints @ 2 x 4 meters

Giverny of the Midwest (detail, 2 x 4 meters; total size 2 x 12 meters)

Also part of the exhibition: The Giverny Series, 8 individual prints (edition 10, 2011) and In the fold, an artist book (forthcoming) – both produced using imagery from the aforementioned “art camping trip” in South Bend, Indiana.

****

Artist presentations

At both artist talks, Nathaniel will talk about his trajectory of thinking and making, which centers around curiosity, generosity and dialogue. He’ll present his work as a series of questions that often lead to interdisciplinarity and collaboration, and the combination of new and traditional media. The walkabout will see an open discussion about Giverny of the Midwest more specifically – the prints, the process, and the in-betweens.

Artist talk: Thursday 4 August, 12h30
Digital Convent, University of the Witwatersrand, Braamfontein, Johannesburg
Co-hosted by Wits Digital Arts and the Division of Visual Arts
details: tegan.bristow@wits.ac.za

Artist walkabout: Thursday 4 August, 18h00
GALLERY AOP
44 Stanley Avenue, Braamfontein Werf (Milpark), Johannesburg
details: info@artonpaper.co.za

Artist talk: Friday 5 August, 9h00
Sunnyside Campus, University of South Africa (UNISA), Pretoria
Hosted by the Department of Art History, Visual Arts and Musicology
details: colleen.alborough@gmail.com

***

GALLERY AOP details

Gallery hours: Tuesday – Friday 10h00-17h00, Saturday 10h00-15h00

Posted in art, art and tech, Compressionism, exhibition, me, milwaukee art, pop culture, printmaking, research, south african art, stimulus, technology, uncategorical ·

Archives

16 May 2011 by nathaniel

Nathaniel Stern in London, Milwaukee, Stellenbosch and Montreal

Given Time, networked installation and continuous performance
Wikipedia Art logoMade Real
London

Made Real: Nathaniel Stern and Scott Kildall
Furtherfield Gallery (formerly HTTP)
Unit A2, Arena Design Centre
71 Ashfield Rd, London N4 1NY
Friday 27 May – Saturday 25 June 2011
Private View: Thursday 26 May 2011, 6.30-9pm

Networks – social, political, physical and digital – are a defining feature of contemporary life, yet their forms and operations often go unseen and unnoticed. For this exhibition Scott Kildall and Nathaniel Stern, artists and co-founders of Wikipedia Art, take these networks as their artistic materials and play-spaces to create artworks about love, power-play and a new social reality. Three works are shown for the first time in the UK: Wikipedia Art, a collaborative work “made” of dialogue and social activity; Given Time, an Internet artwork that creates a feedback loop across virtual and actual space; and Playing Duchamp, a one-on-one meeting and game between an absent artist and viewer/participant. Read more…

Strange Vegetation

Strange Vegetation
Milwaukee

Strange Vegetation: Yevgeniya Kaganovich in
collaboration with Nathaniel Stern
Villa Terrace Decorative Arts Museum
2220 North Terrace Avenue
Milwaukee, WI 53202
8 June – 25 July 2011
Opening Reception: Wednesday 8 June 2011, 5:30-8:30pm

Strange Vegetation grows an ecological system out of the Villa Terrace Decorative Arts Museum’s unique decor. It germinates and mutates the wallpaper’s images into a mesh of living things: physically interconnected and identical plant-like forms projecting, like bulbous roots, from the floor. Over a dozen of these latex volumes slowly breathe in and out, an inflation and deflation cycle that gradually distorts each form. The installation and its surroundings transform the site from museal space to biological habitat, producing a fantastical organism of an imagined future. Strange Vegetation suggests that all built environments are (a) vibrant matter with the capacity for their own movement, change and agency over time. Read more…

The Great OakLens: fractions of contemporary photography and video in South Africa
Stellenbosch

Stellenbosch University Art Museum
Ryneveldstraat 52 Ryneveld Street
Stellenbosch, South Africa
11 May to 23 July 2011

Lens: fractions of contemporary photography and video in South Africa combines a collection of old and new work produced by South African artists who performatively use the lens in their practice. It includes several collaborations from Nathaniel Stern and Jessica Meuninck-Ganger’s Distill Life series, and pieces by Bridget Baker, Dineo Bopape, Husain and Hasan Essop, Jo Ractliffe, Kathryn Smith, Pieter Hugo, Stephen Hobbs, Steven Cohen, Zanele Muholi and many others.

Generating the ImpossibleGenerating the Impossible
Montreal

Finally, my family (Nicole Ridgway and Sidonie Ridgway Stern) and I are also participating in the SenseLab’s residency / conference / performance / exhibition, Generating the Impossible, in Montreal this July. The event, subtitled “A Potlatch For Research-Creation,” will be held in a forest outside of Montreal from 3-7 July 2011 and in the city itself from 8-10 July 2011. Erin Manning, Brian Massumi and all of the event’s participants are working together to re-conceptualize and collaboratively produce a new form of Sentimental Construction as part of the program.
*****

Hope to see some of you around the globe!

Posted in art, art and tech, exhibition, me, milwaukee art, printmaking, south african art ·

Archives

11 January 2011 by nathaniel

Nathaniel Stern in Minnesota, Berlin and New York

stuttering, interactive installation

at interval screen shotMind the Gap
Minnesota

Paul Watkins Gallery
Winona State University, Minnesota
12 January – 2 February
2011
Artist talk, 14 January 3:30 pm
Opening reception,
14 January 4:30 – 6:00pm
Free and open to the public

Nathaniel Stern’s first solo exhibition in Minnesota, Mind the Gap features his recently redeveloped and award-winning interactive installation, stuttering, juxtaposed with at interval, a video art work that similarly explores both the labor of, and humor in, embodied communication. With stuttering, viewers-turned-participants use their entire bodies to touch and trigger activation points laid out in a Mondrian-styled grid. Move quickly, and the piece will itself stutter in a barrage of audiovisual verbiage; move carefully, even cautiously – stutter with your body – and both meaning and bodies emerge. For at interval, Stern removed all dialogue from Woody Allen’s Annie Hall, leaving only 13 minutes of stutters, gasps, and oral fumbles. Just as in stuttering, this work articulates the in-betweens, accents the impossibilities within language.

Wikipedia Art logoTransmediale
Berlin

Transmediale.11
Response:Ability

Various venues, Berlin, Germany
1 – 6 February, 2011
Registration required

Scott Kildall and Nathaniel Stern‘s Wikipedia Art questions structures of power and knowledge in the Age of the Internet. Here the artists wrote about, and then initiated, an art work composed on Wikipedia, and thus art that anyone can edit. Through a social and creative feedback loop of publish-cite-transform that they call ‘performative citations,’ the piece began as an intervention, turned into an object, and was killed and resurrected on the Wikipedia site several times over. Wikipedians, artists, critics, bloggers, geeks and journalists debated fact, theory and opinion via hundreds of sites and publications worldwide, each community continuously transforming what the work was and did and meant simply through their writing and talking about it. Wikipedia Art is a finalist for the Transmediale Award; Kildall and Stern will be in Berlin exhibiting as part of the festival, presenting as part of the conference program, and attending the award ceremony.

Nathaniel Stern scanning water liliesTalks at the College Art Association and New York University
New York

CAA 99th annual conference
West Ballroom, 3rd Floor, Hilton New York
Wednesday, 9 February, 9:30 AM–12:00 PM
Registration required

At the CAA conference, Yevgeniya Kaganovich and Nathaniel Stern will be giving a talk about their work together as part of the Bio-Art, Boundaries, and Borders panel, organized by Jennifer Johung.

Nathaniel Stern Artist Talk
ITP, New York University
4th Floor, 721 Broadway (and Waverly), New York City
Friday, 11 February, 6:30 PM
Free and open to the public

Finally, Nathaniel Stern will also be giving an Artist Talk at New York University, hosted by the Interactive Telecommunications Program. Most likely, this will be followed by dinner and drinks around the East Village.

*****

Hope to see some of you there!
nathaniel stern
http://nathanielstern.com

Posted in art, art and tech, creative commons, exhibition, me, milwaukee art, pop culture, south african art, stimulus, technology ·
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nathaniel stern is an awkward artist, writer, and teacher, who likes awkward art, writing, and students.

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