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05 October 2009 by nathaniel

American Furniture/Googled

I’ve penned a review for the Milwaukee Art Museum’s American Furniture/Googled exhibition, and it’s up on the Milwaukee Journal Sentinel / Mary-Louise Schumacher’s “Art City” site. Teaser:

The “American Furniture/Googled” exhibition at the Milwaukee Art Museum through Sunday is a surprisingly interesting show, even if only in its promise.

Little did I expect, when going to what I assumed to be a very tame gallery talk, to be engaged in a discussion about controversial topics surrounding knowledge and research. At first glance, the exhibition feels like little more than a post-curating gimmick: a bunch of slideshows about designers and furniture next to their 19th century counterparts.

But the show’s charming curator, Mel Buchanan – the museum’s relatively newly appointed assistant curator of 20th-Century Design – convinced me of at least one thing: Google gets people talking. As our small crowd at the Buchanan-led chat disputed issues of truth, power and silliness online, our interest exponentially increased. I’d definitely recommend the show; just be sure to bring a friend, or group, who likes debate.

Buchanan was given a tiny budget – even by non-museum exhibition standards – and told to use everyday technologies to access the MAM’s collection of furniture design circa the 1800s. She and her collaborators actually considered several ideas before settling on Google searches for their pieces as its starting point.

These throwaways included, among other things, a Wiki show, where museum-goers could contribute their own information and opinions for each object, and a Facebook show, where each piece got a profile and friends, and we could write on their virtual walls.

…

Read more.

Posted in art, art and tech, exhibition, flickr, me, milwaukee art, pop culture, re-blog tidbits, reviews, stimulus, technology, theory ·

Archives

19 September 2009 by nathaniel

Winkleman Gallery: Editioned, Networked Video Art Objects

Eve Sussman & Rufus Corporation, along with the Edward Winkleman Gallery, have produced a large edition of an ongoing video art work that comes complete with a player and screen. As if this isn’t enough of a breakthrough in the commercial art gallery realm (and one Jessica and I have been admittedly contemplating for our Distill Life series for some time; we can attest to the fact that, as noted by Winkleman, it indeed is a lot of work and research – not to mention cash), the players can also go online to download latter parts of the artists’ ongoing series.

… Sussman selected the ARCHOS 5 player for this Compound Edition for its high-fidelity audio and video and internet capability. This last fact will allow collectors of this Compound Edition to continue along the White on White journey in the near future. As episodes of White on White become available fans of the work can collect them and have them streamed to their Archos player – thereby owning a limited edition film-in-progress and simultaneously becoming a co-producer of the final film noir.

Read more

It’s a big risk, but one that seems to be paying off already. Bravo to the artists and gallery for what looks to be a beautiful work – a wonderful hybrid of conceptual, new media, and object-based art.

Posted in art, art and tech, Links, re-blog tidbits, reviews, stimulus, technology, uncategorical ·

Archives

02 August 2009 by nathaniel

Networked: a networked_book about networked_art

The amazing folks at turbulence.org have done it again! See below.

Networked_Performance — Networked: a networked_book about networked_art
Networked: a (networked_book) about (networked_art) INVITES YOU TO PARTICIPATE: Two years in the making, Networked: a (networked_book) about (networked_art) is now open for comments, revisions, and translations. You may also submit a chapter for consideration.

Please register and then Read | Write:

The Immediated Now: Network Culture and the Poetics of Reality
Kazys Varnelis

Lifetracing: The Traces of a Networked Life
Anne Helmond

Storage in Collaborative Networked Art
Jason Freeman

Data Undermining: The Work of Networked Art in an Age of Imperceptibility
Anna Munster

Art in the Age of Dataflow: Narrative, Authorship, and Indeterminacy
Patrick Lichty

BACKGROUND

Networked proposes that a history or critique of interactive and/or participatory art must itself be interactive and/or participatory; that the technologies used to create a work suggest new forms a “book” might take.

In 2008, Turbulence.org and its project partners — NewMediaFix, Telic Arts Exchange, and Freewaves – issued an international, open call for chapter proposals. We invited contributions that critically and creatively rethink how networked art is categorized, analyzed, legitimized — and by whom — as norms of authority, trust, authenticity and legitimacy evolve.

Our international committee consisted of: Steve Dietz (Northern Lights, MN) :: Martha Gabriel (net artist, Brazil) :: Geert Lovink (Institute for Network Cultures, The Netherlands) :: Nick Montfort (Massachusetts Institute for Technology, MA) :: Anne Bray (LA Freewaves, LA) :: Sean Dockray (Telic Arts Exchange, LA) :: Jo-Anne Green (NRPA, MA) :: Eduardo Navas (newmediaFIX) :: Helen Thorington (NRPA, NY)

Built by Matthew Belanger (our hero!), http://networkedbook.org is powered by WordPress, CommentPress and BuddyPress.

Networked was made possible with funds from the National Endowment for the Arts (United States). Thank you.

We are deeply grateful to Eduardo Navas for his commitment to both this project and past collaborations with Turbulence.org.

Jo-Anne Green and Helen Thorington
jo at turbulence dot org
newradio at turbulence dot org

Posted in art, art and tech, creative commons, exhibition, Links, me, milwaukee art, re-blog tidbits, research, stimulus ·

Archives

30 July 2009 by nathaniel

Wikipedia Art in the Wall Street Journal

Article on Internet Art in the Wall Street Journal, with a short segment on Wikipedia Art. Here’s the link (subscription needed after a week, so here’s a PDF: The Internet as Art).

Schweet!

Posted in art, art and tech, creative commons, Links, me, milwaukee art, pop culture, re-blog tidbits, reviews ·

Archives

24 July 2009 by nathaniel

More Compressionism, plus bonus life and art details (in short review)

Wow. I almost forgot I had a blog. It’s been a while, hasn’t it?

I’ve been working on a whole lot of art. Video-print-object things like this, scanner stuff like that, interactive installations like these (actually, mostly been updating a few of these pieces to new versions with openFrameworks, while brainstorming a new piece), and this new mixed reality installation. All will be premiering in various parts of the world, hopefully (some are booked, some are not), within the next year. I’m off to NYC for a few weeks (drop a line if you wanna meet up), but in the meanwhile, enjoy this new documentation image for Compressionism (photo and design by Jesse Egan).

Giverny of the Midwest (scanning lilies in Indiana, photo by Jesse Egan)

Giverny of the Midwest (scanning lilies in Indiana, photo by Jesse Egan)

Compressionism is a digital performance and analog archive, where I strap a custom-made scanner appendage and battery pack to my body, and perform images into existence. I might scan in straight, long lines across tables, tie the scanner around my neck and swing over flowers, do pogo-like gestures over bricks, or just follow the wind over water lilies in a pond. The dynamism of my relationship to the landscape is transformed into beautiful and quirky renderings, which are re-stretched and colored on my laptop, then produced as archival art objects using photographic processes. The above image was taken in South Bend, Indiana, as part of an art camping trip: two days in tents, with lots of tech, working towards a large-scale and gridded work reminiscent of Monet’s MOMA-owned masterpiece. The final piece will be 12 meters wide by 2 meters tall, and completed some time in 2010.

Posted in art, art and tech, Compressionism, me, milwaukee art, printmaking, stimulus, technology ·

Archives

12 July 2009 by nathaniel

ThirdCoast Digest – Shuffling Priorities: How MARN is Pushing Art to the Top of The List

Somehow missed this story earlier in the week:

ThirdCoast Digest – Shuffling Priorities: How MARN is Pushing Art to the Top of The List
Shuffling Priorities: How MARN is Pushing Art to the Top of The List

July 7th, 2009 by Erin Petersen
Posted in Arts & Culture, VITAL, VITAL Features, Visual Art

When the Milwaukee Artist Resource Network MARN named Melissa Musante as its first full-time Executive Director last February, our interest here at TCD was piqued. Musante came to MARN with an impressive resume including several years as Associate Director at Film Wisconsin; prior to that, she was the National Outreach Sales Manager for Utrecht Art Supplies from 2003-2006.

Musante had been active with MARN as a visual artist before assuming the role of ED and has been showing her work both as a painter and an independent filmmaker in the Milwaukee area for years.

Under the direction of former ED Mike Brenner and Interim Director Melissa Dorn Richards, MARN was able to provide some of the most innovative resources for artists, and both leaders played pivotal roles in helping Milwaukee’s arts scene grow exponentially. Since its founding in 2000, MARN has been able to operate as a network…

Read more…

Posted in art, art and tech, inbox, milwaukee art, re-blog tidbits, stimulus ·
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nathaniel’s books

Interactive Art and Embodiment book cover
Interactive Art and Embodiment: the implicit body as performance

from Amazon.com

Buy Interactive Art for $30 directly from the publisher

Ecological Aesthetics book cover
Ecological Aesthetics: artful tactics for humans, nature, and politics

from Amazon.com

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