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implicit art
05 December 2005 by nathaniel

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Ah, Johannesburg. I can’t believe I’m actually back here. It feels oddly like I belong way more than any other place I’ve ever been. And admittedly, that’s a new feeling. When people in NYC asked me about living in Jozi, I often replied, "it’s completely exhilarating and utterly exhausting." I don’t think I’d have to explain to any South African (especially those in the public service: teaching, arts, etc) what that means. But actually, I feel relaxed to be back in my space again. Part of this may be that it’s familiar, another thing may be that now I have so many fab guest bloggers that I don’t need to stress about posting as much as I used to (still always looking for anybody who wants to post text / write!). Bronwyn should totally send me her bio and a photo, tho, too.

Unpacking, recovering from jet-lag, catching up on personal admin, and I hope to be out and about, writing about shows again, etc, by week’s end. In the meanwhile, I’ve got a few projects in the works: new money-making venture – to support myself a bit more; a young adult fiction novel I’ve started working on; a few proposals for art; upcoming chapter in book on cyberculture; thinking on whether or not to organize a solo and/or begin looking for group exhibitions, in 06. I was thinking it’d be really nice to do the piece I had intended for The Kebbles somewhere, but who has the kind of money to get the equipment they had offered me? Maybe do a solo Compressionism show, or some experimental prints with Richard Kilpert… Thoughts, guys? And where do you think I should show? I’m open.

I’ve missed you.

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nathaniel’s books

Interactive Art and Embodiment book cover
Interactive Art and Embodiment: the implicit body as performance

from Amazon.com

Buy Interactive Art for $30 directly from the publisher

Ecological Aesthetics book cover
Ecological Aesthetics: artful tactics for humans, nature, and politics

from Amazon.com

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