Nathaniel Stern is an artist and writer, Fulbright grantee and professor, interventionist and public citizen. He has produced and collaborated on projects ranging from ecological, participatory and online interventions, interactive, immersive and mixed reality environments, to prints, sculptures, videos, performances and hybrid forms. His book, Interactive Art and Embodiment: The Implicit Body as Performance, takes a close look at the stakes for interactive and digital art, and his ongoing work in industry has helped launch dozens of new businesses, products and ideas. Stern has been featured in the likes of the Wall Street Journal, Guardian UK, Huffington Post, Daily Mail, Washington Post, Daily News, BBC’s Today show, WIRED, Boing Boing, Gizmodo, PetaPixel, Time, Forbes, Fast Company, Scientific American, the Milwaukee Journal Sentinel, Leonardo Journal of Art, Science and Technology, Rhizome, Furtherfield, Turbulence, and more. According to Chicago’s widely popular Bad at Sports art podcast, Stern has “the most varied and strange bio of maybe anyone ever on the show,” and South Africa’s Live Out Loud magazine calls him a “prolific scholar” as well as artist, whose work is “quite possibly some of the most relevant around.” “Technological, thought-provoking and unexpected” (NPR) he’s been dubbed one of Milwaukee’s “avant-garde” (Journal Sentinel), called ”an interesting and prolific fixture” (Artthrob.co.za) behind many “multimedia experiments” (Time.com), “accessible and abstract simultaneously” (Art and Electronic Media web site), someone “with starry, starry eyes” (Wired.com) who “makes an obscene amount of work in an obscene amount of ways” (Bad at Sports) – both “bizarre and beautiful” (Gizmodo). According to Cory Doctorow at Boing Boing, Stern makes “beautiful, glitched out art-images,” and Caleb A. Scharf at Scientific American says Stern’s art is “tremendous fun” but also “fascinating” in how it is “investigating the possibilities of human interaction and art.”
Stern has held solo and duo exhibitions at the Wits Art Museum, Johannesburg Art Gallery, Johnson Museum of Art, Museum of Wisconsin Art, Villa Terrace Decorative Arts Museum, Furtherfield Gallery, University of the Witwatersrand, University of Wisconsin-Milwaukee, and more than a dozen commercial and experimental spaces throughout the US, South Africa and Europe. His work has been shown at festivals, galleries and museums internationally, including the Venice Biennale, Sydney Museum of Contemporary Art, International Symposium on Electronic Art, Transmediale, South African National Gallery, Kunsthalle Exnergasse (Austria), New Forms Festival (Canada), Haggerty Museum, Sasol Art Museum, International Print Center New York, Milwaukee Art Museum, the Modern and Contemporary Art Center (Hungary) and Grahamstown National Arts Festival (South Africa). Collections include the Johannesburg Art Gallery, Northwestern Mutual, Didata, ABSA, CorpCapital, Sasol, Sanlam, Hollard, Ellerman, Hewlett Packard, SABC, Spier, turbulence.org, Contemporary Irish Art Society, The Rose Goldsen Archive of New Media (Cornell University), and the Universities of South Africa and the Witwatersrand; he is in private collections all over the world. Stern has published with MIT Press, Taylor & Francis, Palgrave Macmillan, Cambridge Scholars, Rodopi, Gylphi Limited, and the University of Amsterdam, among others.
Stern is an Associate Professor of Art and Design in Peck School of the Arts at the University of Wisconsin – Milwaukee, and a Research Associate at the Research Centre, Faculty of Art, Design and Architecture, University of Johannesburg. He is regionally represented by Tory Folliard Gallery in the American Midwest. [Images from Giverny of the Midwest.]
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