{"id":980,"date":"2005-12-16T11:19:28","date_gmt":"2005-12-16T09:19:28","guid":{"rendered":"http:\/\/nathanielstern.com\/blog\/?p=980"},"modified":"2005-12-16T11:20:01","modified_gmt":"2005-12-16T09:20:01","slug":"gallery-hopping-sa","status":"publish","type":"post","link":"https:\/\/nathanielstern.com\/blog\/2005\/12\/16\/gallery-hopping-sa\/","title":{"rendered":"gallery hopping, SA"},"content":{"rendered":"<p>Happy Day of Reconciliation everyone!<\/p>\n<p>Had a very nice dinner with Colleen Alborough, Matthew Townshend, Richard Kilpert and his sister (whose name I forget), and The Best Person Ever (Nicole Ridgway) last night.  I passed out at around 9 on Coll&#8217;s couch (can you believe I&#8217;m still jet-lagged, plus slightly ill?), but not after her delici (pronounced &#8220;delish,&#8221; as in delicious) dessert&#8230;<\/p>\n<p>Anyhow, she and I also hit a few art spots the other day, and I thought I&#8217;d mention.<\/p>\n<p><img data-recalc-dims=\"1\" src=\"https:\/\/i0.wp.com\/nathanielstern.com\/blog\/wp-content\/fouriejam.jpg?w=850\" alt='abrie fourie, end of the world at the Johannesburg Art Gallery' \/><br \/>\n<small>At the fore of this image is one of Abrie&#8217;s unmarked light-boxes that I will, for now, call <i>untitled (crushed chairs)<\/i>, and the back displays 2\/3rds of a triptych entitled <i>yellow<\/i><\/small><\/p>\n<p>First, we swung by the Johannesburg Art Gallery, specifically, to see Abrie Fourie&#8217;s <i>end of the world<\/i>. Actually, I helped Abrie set up an incarnation of this exhibition at <a href=\"http:\/\/www.africanart.org\/\">The Museum for African Art<\/a> in New York in July 2004, and it was nice to see what had changed.  Both of the works pictured above are new: at the fore is one of Abrie&#8217;s unmarked light-boxes that I will, for now, call <i>untitled (crushed chairs)<\/i>, and the back displays 2\/3rds of a triptych entitled <i>yellow<\/i>.  He had also turned several of his framed broken chair snaps into floor-placed light boxes, making pristine plastic and lights a big feature of the show.  The king of making onlookers stare at banal images in wonder, Abrie carries on in his tradition of broken beauties and light emptiness.  Also different from the NYC show, he removed his videos and net.art piece, to be replaced with small, framed prints from the two.  This was probably because of the JAG&#8217;s space downtown being renowned for losing, or not taking care of, equipment; in fact, only 6 of the 20 or so light-boxes in his floor installation were still functional&#8230;.<\/p>\n<p>Also at the JAG was a show of black and white photographs from the permanent collection (we didn&#8217;t spend much time here; the newly painted walls were giving me a headache and the rigid structure of the way the exhibition was hung made me slightly claustrophobic), and Pitso Chinzima&#8217;s <i>32 dimensions<\/i>. I had heard nothing about the latter show until my arrival, but it was a very nice demonstration of some interesting, sculptural-like wall-hangings that the JAG has purchased in recent years. Hat tip to Pitso for his selection of works.<\/p>\n<p>Next up, we hit <a href=\"http:\/\/onair.co.za\/thepremises\/\">The Premises<\/a>, for <i>Disposables &#8211; a book by Brett Morris with an exhibition of limited edition prints<\/i>. Here, the artist gave out disposable cameras to various people who &#8220;live on the fringe of privileged society,&#8221; and paid them for using up, then returning, the roll of film inside. Some very moving work, and Morris continues to give back to the contributors whenever books or images are sold.<\/p>\n<p>Finally, we hit the David Krut exhibition &#8211; not at his space, but of prints made in his workshop &#8211; a final bow from Lara Rivera before <a href=\"http:\/\/franchiseart.com\/\">franchise<\/a> dies. But don&#8217;t worry, it will be reborn as the new <a href=\"http:\/\/www.artonpaper.co.za\/\">art on paper<\/a> (it looks like they are also about to make a web site at the linked address&#8230;), moving from their Melville spot, with, ostensibly, some changes to their schedule.  &#8220;Included [in this final show] are: Colbert Mashile, Deborah Bell, Claudette Schreuders, Bonita Alice, Jeremy Wafer, Sandile Zulu, William Kentridge, Wim Botha and more&#8230;.&#8221; &#8211; with special mention from me of rising star Trasi Henen. Mostly, a showing of important SA artists in the vein of &#8220;who&#8217;s who,&#8221; but with a few works that do indeed catch the eye. Still, you&#8217;ll have to take my word for it, cuz the show is down and franchise\/art on paper is closed for the upcoming renovation.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Happy Day of Reconciliation everyone! Had a very nice dinner with Colleen Alborough, Matthew Townshend, Richard Kilpert and his sister (whose name I forget), and The Best Person Ever (Nicole Ridgway) last night. I passed out at around 9 on Coll&#8217;s couch (can you believe I&#8217;m still jet-lagged, plus slightly ill?), but not after her [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,2],"tags":[],"class_list":["post-980","post","type-post","status-publish","format-standard","hentry","category-art","category-south-african-art"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p9blZT-fO","jetpack-related-posts":[{"id":1192,"url":"https:\/\/nathanielstern.com\/blog\/2006\/05\/24\/outlet-on-saartsemerging\/","url_meta":{"origin":980,"position":0},"title":"Outlet on SAartsEmerging","author":"nathaniel","date":"24 May 2006","format":false,"excerpt":"Abrie Fourie at the Outlet Gallery in PretoriaProf Christo Doherty, head of Digital Arts at Wits, pens a piece on the Outlet gallery and experimental art space in Pretoria for this month's SAartsEmerging feature. The space, intended for both local and international young and emerging artists, has become a stepping\u2026","rel":"","context":"In &quot;art&quot;","block_context":{"text":"art","link":"https:\/\/nathanielstern.com\/blog\/category\/art\/"},"img":{"alt_text":"abrie fourie at the Outlet Gallery in Pretoria","src":"https:\/\/i0.wp.com\/saartsemerging.org\/wp-content\/uploads\/2006\/05\/abrie_web.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":592,"url":"https:\/\/nathanielstern.com\/blog\/2005\/04\/24\/thank-you-johannesburg\/","url_meta":{"origin":980,"position":1},"title":"thank you johannesburg","author":"nathaniel","date":"24 April 2005","format":false,"excerpt":"me, with gush's work \/ abrie's \"degree\" @ outlet, this is a really cheeky show. Entitled thank you johannesburg, it features artist\/curator\/gallerist abrie fourie's certificate of completion on a curatorial course at the Johannesburg Biennale. That's it. Simon Gush framed and hung the certificate, dead center, at Fourie's small gallery.\u2026","rel":"","context":"In &quot;art&quot;","block_context":{"text":"art","link":"https:\/\/nathanielstern.com\/blog\/category\/art\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":738,"url":"https:\/\/nathanielstern.com\/blog\/2005\/08\/29\/new-videos-online\/","url_meta":{"origin":980,"position":2},"title":"new videos online","author":"nathaniel","date":"29 August 2005","format":false,"excerpt":"Since I've been talking about my excitement around working in linear video again, I thought I'd put some of it online. They're both listed from the video works page on this site. a song for the is the one I made for Kaganof's upcoming Festival in Rotterdam (spent the weekend\u2026","rel":"","context":"In &quot;art&quot;","block_context":{"text":"art","link":"https:\/\/nathanielstern.com\/blog\/category\/art\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":456,"url":"https:\/\/nathanielstern.com\/blog\/2004\/09\/22\/dylan-thomas-graham-outlet\/","url_meta":{"origin":980,"position":3},"title":"dylan thomas graham @ outlet","author":"nathaniel","date":"22 September 2004","format":false,"excerpt":"\"I'm a traditionalist,\" says Abrie Fourie, behind a smirk that would tell even those who don't know him, that he takes pleasure in making such a false statement. Abrie's gallery, on the Tshwane arts campus in Pretoria, is fairly well known for not only contemporary, but experimental work - both\u2026","rel":"","context":"In &quot;art&quot;","block_context":{"text":"art","link":"https:\/\/nathanielstern.com\/blog\/category\/art\/"},"img":{"alt_text":"dylan_thomas_graham.jpg","src":"https:\/\/i0.wp.com\/nathanielstern.com\/blog\/wp-content\/images\/dylan_thomas_graham.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":253,"url":"https:\/\/nathanielstern.com\/blog\/2004\/01\/31\/help-rhizome-etc\/","url_meta":{"origin":980,"position":4},"title":"help rhizome, etc","author":"nathaniel","date":"31 January 2004","format":false,"excerpt":"Rhizome.org - the largest, and oldest, online digital arts community - needs your help! They are free on Fridays, if you wanna check them out. More importantly, they take donations of $5 or more, and are currently struggling to stay afloat (even with their new big deal with The New\u2026","rel":"","context":"In &quot;art and tech&quot;","block_context":{"text":"art and tech","link":"https:\/\/nathanielstern.com\/blog\/category\/art-and-tech\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":341,"url":"https:\/\/nathanielstern.com\/blog\/2004\/05\/23\/willem-boshoff-goodman-more\/","url_meta":{"origin":980,"position":5},"title":"Willem Boshoff @ Goodman (+ more!)","author":"nathaniel","date":"23 May 2004","format":false,"excerpt":"As suspected, Willem Boshoff's show at the Goodman Gallery is definitely worth seeing. There was also a decent turn-out at the walk-about I did with Marcus at the ArtSpace, regarding our work on the GetAway Experiment - we even followed it with a meeting about GetAway2, which brought about some\u2026","rel":"","context":"In &quot;art&quot;","block_context":{"text":"art","link":"https:\/\/nathanielstern.com\/blog\/category\/art\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/nathanielstern.com\/blog\/wp-json\/wp\/v2\/posts\/980","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nathanielstern.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nathanielstern.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nathanielstern.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/nathanielstern.com\/blog\/wp-json\/wp\/v2\/comments?post=980"}],"version-history":[{"count":0,"href":"https:\/\/nathanielstern.com\/blog\/wp-json\/wp\/v2\/posts\/980\/revisions"}],"wp:attachment":[{"href":"https:\/\/nathanielstern.com\/blog\/wp-json\/wp\/v2\/media?parent=980"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nathanielstern.com\/blog\/wp-json\/wp\/v2\/categories?post=980"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nathanielstern.com\/blog\/wp-json\/wp\/v2\/tags?post=980"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}