{"id":563,"date":"2005-02-28T15:01:24","date_gmt":"2005-02-28T13:01:24","guid":{"rendered":"http:\/\/nathanielstern.com\/blog\/?p=563"},"modified":"2005-02-28T15:14:23","modified_gmt":"2005-02-28T13:14:23","slug":"artstar","status":"publish","type":"post","link":"https:\/\/nathanielstern.com\/blog\/2005\/02\/28\/artstar\/","title":{"rendered":"artstar"},"content":{"rendered":"<p><a href=\"http:\/\/artstar.tv\/\"><img data-recalc-dims=\"1\" src=\"https:\/\/i0.wp.com\/nathanielstern.com\/blog\/wp-content\/artstar.jpg?w=850\" alt='artstar logo' \/><\/a><\/p>\n<p>OK, so I generally try <em>not<\/em> to write about the things other bloggers are writing about, unless it&#8217;s a list re-blog multi-recap &#8220;the world today&#8221; type thinger, rather than the standard collective conscious &#8220;I have not written about X yet, and I have to&#8221; stuff (but wait, dude, have you seen all the sh!t on <a href=\"http:\/\/americablog.blogspot.com\/2005\/02\/man-called-jeff.html\">this guy<\/a>? Do a search and see even more! GuckertGate! Had to link it. Just had to.)&#8230;<\/p>\n<p>&#8230;but it seems that only digital art geeks in NYC, and <a href=\"http:\/\/rhizome.org\">rhizome<\/a> regulars, have picked up on <a href=\"http:\/\/artstar.tv\/\">artstar<\/a>. I am yet to hear anything about it in SA.<\/p>\n<p>Basically, it&#8217;s <em>the apprentice<\/em>, but for artists: a reality TV show where you get to meet great critics on a group exhibition, and maybe land a solo show in Chelsea, NYC, if you win.<\/p>\n<p>Other than the fact that they are totally booked out for auditions, the general &#8220;in-the-know&#8221; vibe is that it&#8217;s totally commercialized bullsh!t that will make fun of artists, and mostly pay attention to them and their neuroses, rather than their art.<\/p>\n<p>The other side is, you bet your ASS there&#8217;d be a lineup of just about every artist &#8211; famous already or not &#8211; in Joburg to get on this show; we just don&#8217;t have the resources to make art happen here in the same ways, and &#8220;selling out&#8221; is the only way to &#8220;buy in.&#8221; And remember, this here is coming from a privileged whitey. How many artists do you know that manage to actually make all the work they dream up? A portion of it? Get to even SHOW the work they&#8217;ve already made, in the way they want? <a href=\"http:\/\/www.thekebble.co.za\/\">the kebbles<\/a> are the only way &#8211; and many more south africans love the work he is doing (myself included), than are reminding us that he was not at the top of our lists too long ago.<\/p>\n<p>I also wouldn&#8217;t mind a bigger audience for my work. Art is a public service, after all, no? Man, what a real opportunity.<\/p>\n<p>But I digress.<\/p>\n<p>Then again, I could care less about the musicians who have been on the <em>real world<\/em>, so maybe I&#8217;m just talking out of my ass&#8230;<\/p>\n<p>I just wish I had the chance for something like that, that artists in jozi had chances like that. I yearn for a space that allows me  to say <i>I don&#8217;t want that<\/i>, on principle, rather than making me feel jealous of the possibilities that can come out of it.<\/p>\n<p>Of course I&#8217;d rather ask viewers to perform my work into existence, and look at themselves in the process, than make a spectacle of trying to get a gig (not that it isn&#8217;t already a spectacle, but that&#8217;s not the important part of what I do.).<\/p>\n<p>Unfortunately, my world is not as simple as Bush&#8217;s. Situations like this are always already a <i>both\/and<\/i> and not an <i>either\/or<\/i>. I wish the world were that easy, but you are <i>not<\/i> either &#8220;with us or against us&#8221;&#8230;. (ask <a href=\"http:\/\/americablog.blogspot.com\/2005\/02\/man-called-jeff.html\">guckert<\/a>)<\/p>\n<p>I&#8217;ll watch, and see where it takes us&#8230;.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>OK, so I generally try not to write about the things other bloggers are writing about, unless it&#8217;s a list re-blog multi-recap &#8220;the world today&#8221; type thinger, rather than the standard collective conscious &#8220;I have not written about X yet, and I have to&#8221; stuff (but wait, dude, have you seen all the sh!t on [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,9],"tags":[],"class_list":["post-563","post","type-post","status-publish","format-standard","hentry","category-art","category-pop-culture"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/s9blZT-artstar","jetpack-related-posts":[{"id":1387,"url":"https:\/\/nathanielstern.com\/blog\/2006\/12\/31\/happy-new-year\/","url_meta":{"origin":563,"position":0},"title":"happy new year","author":"nathaniel","date":"31 December 2006","format":false,"excerpt":"I'm exhausted. I know, I've been on holiday for the last couple of weeks (but that was visiting family, so it's not really \"restful\"), and I mostly just took the last two months \"off\" to move to Dublin. But a new baby, moving continents, catalogue production, many shows, starting a\u2026","rel":"","context":"In &quot;art&quot;","block_context":{"text":"art","link":"https:\/\/nathanielstern.com\/blog\/category\/art\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":5708,"url":"https:\/\/nathanielstern.com\/blog\/2017\/11\/10\/review-the-shape-of-things-to-come-karin-haas-nyc-harvey-opgenorth-la-and-keith-nelson-mke-at-galerie-kenilworth\/","url_meta":{"origin":563,"position":1},"title":"Review: The Shape of Things to Come, Karin Haas, Harvey Opgenorth, and Keith Nelson at Galerie Kenilworth","author":"nathaniel","date":"10 November 2017","format":false,"excerpt":"Nine Sages of Images, Harvey Opgenorth Though I missed the inaugural show at Galerie Kenilworth, I was quite pleased to make it to their second exhibition,\u00c2\u00a0The Shape of Things to Come. The gallery itself is a cool story.\u00c2\u00a0Amy Brengel owns the building, lives in the flat above, and had Village\u2026","rel":"","context":"In &quot;art&quot;","block_context":{"text":"art","link":"https:\/\/nathanielstern.com\/blog\/category\/art\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/nathanielstern.com\/blog\/wp-content\/uploads\/2017\/11\/IMG_9218-1-1024x279.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/nathanielstern.com\/blog\/wp-content\/uploads\/2017\/11\/IMG_9218-1-1024x279.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/nathanielstern.com\/blog\/wp-content\/uploads\/2017\/11\/IMG_9218-1-1024x279.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":799,"url":"https:\/\/nathanielstern.com\/blog\/2005\/09\/26\/doin-the-sean\/","url_meta":{"origin":563,"position":2},"title":"doin the Sean","author":"nathaniel","date":"26 September 2005","format":false,"excerpt":"For those of you who didn't notice, we added yet another guest blogger to our ranks a short while ago! Sean Slemon, a South African artist currently doing his MFA at Pratt in NYC (and winner of the 2005 Sasol New Signatures award), will be doing occasional write-ups of exhibitions,\u2026","rel":"","context":"In &quot;sean slemon&quot;","block_context":{"text":"sean slemon","link":"https:\/\/nathanielstern.com\/blog\/category\/old-categories\/sean-slemon\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":963,"url":"https:\/\/nathanielstern.com\/blog\/2005\/12\/05\/home-schweet-home\/","url_meta":{"origin":563,"position":3},"title":"home schweet home","author":"nathaniel","date":"05 December 2005","format":false,"excerpt":"Ah, Johannesburg. I can't believe I'm actually back here. It feels oddly like I belong way more than any other place I've ever been. And admittedly, that's a new feeling. When people in NYC asked me about living in Jozi, I often replied, \"it's completely exhilarating and utterly exhausting.\" I\u2026","rel":"","context":"In &quot;art&quot;","block_context":{"text":"art","link":"https:\/\/nathanielstern.com\/blog\/category\/art\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":837,"url":"https:\/\/nathanielstern.com\/blog\/2005\/10\/15\/ralph-borlnd-in-nyc-suited-for-subversion\/","url_meta":{"origin":563,"position":4},"title":"Ralph Borland in NYC: Suited for Subversion","author":"nathaniel","date":"15 October 2005","format":false,"excerpt":"South Africa's own Ralph Borland is exhibiting on a group show in NYC at the Museum of Modern Art (MOMA), right now! Suited for Subversion is part of the exhibition SAFE: Design Takes on Risk, October 16, 2005 - January 2, 2006. Here's two pics he sent me from over\u2026","rel":"","context":"In &quot;art&quot;","block_context":{"text":"art","link":"https:\/\/nathanielstern.com\/blog\/category\/art\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1386,"url":"https:\/\/nathanielstern.com\/blog\/2006\/12\/19\/nyc-arrivals-the-itp-the-grandstanders-and-the-clash-of-cultures\/","url_meta":{"origin":563,"position":5},"title":"NYC arrivals (the ITP, the grandstanders and the clash of cultures)","author":"nathaniel","date":"19 December 2006","format":false,"excerpt":"We arrived late on Sunday night from Dublin to NYC for the holidays, and boy does aerlingus have it down when it comes to passport control - we did it Irish side, so no waits in NYC. Sid was a bit cranky from no sleep on the flight, and mucho\u2026","rel":"","context":"In &quot;art&quot;","block_context":{"text":"art","link":"https:\/\/nathanielstern.com\/blog\/category\/art\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.gabebc.com\/thumbs\/thumb19.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.gabebc.com\/thumbs\/thumb19.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.gabebc.com\/thumbs\/thumb19.jpg?resize=525%2C300 1.5x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/nathanielstern.com\/blog\/wp-json\/wp\/v2\/posts\/563","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nathanielstern.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nathanielstern.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nathanielstern.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/nathanielstern.com\/blog\/wp-json\/wp\/v2\/comments?post=563"}],"version-history":[{"count":0,"href":"https:\/\/nathanielstern.com\/blog\/wp-json\/wp\/v2\/posts\/563\/revisions"}],"wp:attachment":[{"href":"https:\/\/nathanielstern.com\/blog\/wp-json\/wp\/v2\/media?parent=563"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nathanielstern.com\/blog\/wp-json\/wp\/v2\/categories?post=563"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nathanielstern.com\/blog\/wp-json\/wp\/v2\/tags?post=563"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}