{"id":1497,"date":"2007-06-20T10:34:01","date_gmt":"2007-06-20T08:34:01","guid":{"rendered":"http:\/\/nathanielstern.com\/blog\/2007\/06\/20\/more-on-the-cc-artist-panel\/"},"modified":"2007-06-20T11:15:23","modified_gmt":"2007-06-20T09:15:23","slug":"more-on-the-cc-artist-panel","status":"publish","type":"post","link":"https:\/\/nathanielstern.com\/blog\/2007\/06\/20\/more-on-the-cc-artist-panel\/","title":{"rendered":"more on the CC artist panel (update)"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/farm2.static.flickr.com\/1425\/574332227_c3464f4abb.jpg?resize=500%2C375\" height=\"375\" width=\"500\" \/><\/p>\n<p>I&#8217;m not sure <a href=\"http:\/\/www.artfagcity.com\/2007\/06\/19\/defining-moments-at-the-artist-in-residence-panel\/\">Paddy&#8217;s post<\/a> on the panel represents my position very well, and moreover seems to fall in line with the (de-contextualized &#8211; David is actually saying something else) claim that my attention to try and make a little money for my art is exploitative (see the comments <a href=\"http:\/\/www.artfagcity.com\/2007\/06\/07\/art-intercom-featuring-new-media-artist-nathaniel-stern\/\">here<\/a>). I think <a href=\"http:\/\/icommons.org\/articles\/of-money-meaning-and-artists-in-residence\">Tom Chance<\/a> does a better job explaining what the vast majority of my presentation was about; and in light of <a href=\"http:\/\/www.mtaa.net\/mtaaRR\/news\/twhid\/artificial_legal_add_ons_to_art.html\">MTAA&#8217;s response<\/a>, I thought there&#8217;d be nothing wrong with my doing some clarification as well.<\/p>\n<p>Most of my presentation was about the artist in residence program. I explained  why it began (to bring more fine artists into the fold), ventured into the diversity of artists we invited (what they do, how they are &#8211; directly or indirectly &#8211; involved with CC, and what the two can offer to each other), explained what the residency was encouraging artists to look at (1. Differing modes of production that move beyond re-mixing; and 2. How we as artists can sustain ourselves &#8212; this was at the request of the iCommons), showed some of my own work and where my interests lie, and finally, I gave one potential example of each of these (production and money-making). Only one of these, the final bit, one slide, gave a bit on how to use CC to make money. Most of my presentation was just contextualizing for the rest of the artists.<\/p>\n<p>I think, when talking about my own interpreatation, the far more interesting point was the one about context and site-specificity, and how CC might allow for or encourage international collaboration (something that may create a minor tension with <a href=\"http:\/\/www.mtaa.net\/mtaaRR\/news\/twhid\/artificial_legal_add_ons_to_art.html\">Tim&#8217;s point<\/a> about CC having little to do with the value of a work, but the argument could go either way). Read <a href=\"http:\/\/icommons.org\/articles\/of-money-meaning-and-artists-in-residence\">Tom Chance&#8217;s post<\/a> or take a look at the CC description for <a href=\"http:\/\/nathanielstern.com\/works\/performance\/sentimental-construction.html\"><em>Sentimental Construction #1<\/em><\/a> for more on what I was trying to say here.<\/p>\n<p><strong>update<\/strong>: paddy makes the point that she did not say there was anything wrong with my marketing my work (in my comments), and she&#8217;s right: she didn&#8217;t say that. So, I wanted to add that I only felt misrepresented because &#8220;marketing&#8221; was the only part of my talk that warranted a mention in her post, not that she &#8220;got it wrong&#8221; on any level, but that I wanted to give mention to some of the other things I talked about. That, coupled with David&#8217;s crit (which does kind of allude to &#8220;bad-ness&#8221;), above, inspired this post.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;m not sure Paddy&#8217;s post on the panel represents my position very well, and moreover seems to fall in line with the (de-contextualized &#8211; David is actually saying something else) claim that my attention to try and make a little money for my art is exploitative (see the comments here). I think Tom Chance does [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,3,27,24,36,7,9,8,19],"tags":[],"class_list":["post-1497","post","type-post","status-publish","format-standard","hentry","category-art","category-art-and-tech","category-creative-commons","category-flickr","category-isummit07","category-me","category-pop-culture","category-re-blog-tidbits","category-stimulus"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p9blZT-o9","jetpack-related-posts":[{"id":1451,"url":"https:\/\/nathanielstern.com\/blog\/2007\/04\/27\/remains-second-life-panel-discussion\/","url_meta":{"origin":1497,"position":0},"title":"remains &#8211; Second Life panel discussion","author":"nathaniel","date":"27 April 2007","format":false,"excerpt":"The 'Remains' panel discussion @ Borders, Boundaries & Liminal States, from letft to right: Rubaiyat Shatner (James Morgan, Ars Virtua), JOE Languish (Laura Jones, anthropologist and archaeologist), Chloe Mahfouz (Ren\u00c3\u00a9e Ridgway, artist & curator), Kliger Dinkin (Brad Kligerman, artist & architect). Yesterday marked my own first interaction with other avatars\u2026","rel":"","context":"In &quot;art&quot;","block_context":{"text":"art","link":"https:\/\/nathanielstern.com\/blog\/category\/art\/"},"img":{"alt_text":"remains.jpg","src":"https:\/\/i0.wp.com\/nathanielstern.com\/blog\/wp-content\/uploads\/2007\/04\/remains.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1531,"url":"https:\/\/nathanielstern.com\/blog\/2007\/09\/01\/what-is-implicit-art\/","url_meta":{"origin":1497,"position":1},"title":"what is Implicit Art?","author":"nathaniel","date":"01 September 2007","format":false,"excerpt":"Implicit Art, or as I more often call it, Implicit Body Art, is art that asks us to move in ways we normally wouldn't, pushing the boundaries of performativity and affect. A different mode of thinking about interactive art - whether for critique or production or both - the Implicit\u2026","rel":"","context":"In &quot;art&quot;","block_context":{"text":"art","link":"https:\/\/nathanielstern.com\/blog\/category\/art\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":515,"url":"https:\/\/nathanielstern.com\/blog\/2004\/12\/05\/the-storytellers-walkabout-and-panel-discussion\/","url_meta":{"origin":1497,"position":2},"title":"walkabout + panel discussion: art and technology in RSA","author":"nathaniel","date":"05 December 2004","format":false,"excerpt":"the walkabout. photo credit: richard kilpert Yesterday was the above event, organized by myself, AT.joburg and the JAG (johannesburg art gallery), and sponsored by the JAG and the American Consulate of South Africa. There was a a great turnout and a fantastic vibe around the work, what is possible in\u2026","rel":"","context":"In &quot;art&quot;","block_context":{"text":"art","link":"https:\/\/nathanielstern.com\/blog\/category\/art\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1577,"url":"https:\/\/nathanielstern.com\/blog\/2008\/01\/18\/ralph-borland-at-wits-johannesburg\/","url_meta":{"origin":1497,"position":3},"title":"Ralph Borland at Wits (Johannesburg)","author":"nathaniel","date":"18 January 2008","format":false,"excerpt":"If in Joburg, go see a great speaker and artist (and my classmate from ITP, peer in South Africa, and colleague in Dublin), Ralph Borland, next Friday. Ralph Borland Photographs by Pieter Hugo Suited for Subversion, 2002 Nylon-reinforced PVC, denim, padding, speaker, pulse-reader, circuitry Edition of 3 We are very\u2026","rel":"","context":"In &quot;art&quot;","block_context":{"text":"art","link":"https:\/\/nathanielstern.com\/blog\/category\/art\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":612,"url":"https:\/\/nathanielstern.com\/blog\/2005\/05\/27\/blogging-the-commons\/","url_meta":{"origin":1497,"position":4},"title":"blogging the commons","author":"nathaniel","date":"27 May 2005","format":false,"excerpt":"me & the double L (that's the larry to the lessig) remix Howdy y'all. Am at the commons sense conference, and was just on a panel discussion with Megan Knight (PhD Wits), Vincent Maher (New Media Lab, Rhodes\/Grahamstown) and Matthew Buckland (Mail & Guardian online). It was a pretty cool\u2026","rel":"","context":"In &quot;art&quot;","block_context":{"text":"art","link":"https:\/\/nathanielstern.com\/blog\/category\/art\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1339,"url":"https:\/\/nathanielstern.com\/blog\/2006\/10\/02\/the-upgrade-johannesburg-presents-our-first-panel-discussion-collecting-digits\/","url_meta":{"origin":1497,"position":5},"title":"the Upgrade! Johannesburg presents our first Panel Discussion: Collecting Digits","author":"nathaniel","date":"02 October 2006","format":false,"excerpt":"the Upgrade! Johannesburg presents our first Panel Discussion: Collecting Digits Friday October 6, 2006 @ 3pm: Panel Discussion: Collecting Digits WSOA Digital Arts. Map: http:\/\/digitalarts.wits.ac.za\/artworks\/contact\/map.htm This panel and discussion on the possibilities and problems with collecting new media art will include presentations by: Warren Siebrits - founder of one of\u2026","rel":"","context":"In &quot;art&quot;","block_context":{"text":"art","link":"https:\/\/nathanielstern.com\/blog\/category\/art\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/nathanielstern.com\/blog\/wp-json\/wp\/v2\/posts\/1497","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nathanielstern.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nathanielstern.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nathanielstern.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/nathanielstern.com\/blog\/wp-json\/wp\/v2\/comments?post=1497"}],"version-history":[{"count":0,"href":"https:\/\/nathanielstern.com\/blog\/wp-json\/wp\/v2\/posts\/1497\/revisions"}],"wp:attachment":[{"href":"https:\/\/nathanielstern.com\/blog\/wp-json\/wp\/v2\/media?parent=1497"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nathanielstern.com\/blog\/wp-json\/wp\/v2\/categories?post=1497"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nathanielstern.com\/blog\/wp-json\/wp\/v2\/tags?post=1497"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}