{"id":1169,"date":"2006-05-07T19:49:02","date_gmt":"2006-05-07T17:49:02","guid":{"rendered":"http:\/\/nathanielstern.com\/blog\/2006\/05\/07\/william-kentridges-chambre-noire-black-box-at-the-jag\/"},"modified":"2006-05-07T19:52:19","modified_gmt":"2006-05-07T17:52:19","slug":"william-kentridges-chambre-noire-black-box-at-the-jag","status":"publish","type":"post","link":"https:\/\/nathanielstern.com\/blog\/2006\/05\/07\/william-kentridges-chambre-noire-black-box-at-the-jag\/","title":{"rendered":"William Kentridge’s Chambre Noire \/ Black Box at the JAG"},"content":{"rendered":"
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William Kentridge’s Chambre Noire \/ Black Box at the JAG<\/a><\/small><\/div>\n

I’ve got some horrible photos of William’s new piece up here<\/a>.<\/p>\n

Some of the most poetic and beaitiful uses of technology I’ve ever seen, this short, mechatronic play considers the history of Germany genocide in (what is now) Namibia, and follows the artist’s process of exploration and production through several media: film, drawing, opera, robots, set design….<\/p>\n

Kentridge is so… good.
<\/p>\n","protected":false},"excerpt":{"rendered":"

William Kentridge’s Chambre Noire \/ Black Box at the JAG I’ve got some horrible photos of William’s new piece up here. Some of the most poetic and beaitiful uses of technology I’ve ever seen, this short, mechatronic play considers the history of Germany genocide in (what is now) Namibia, and follows the artist’s process of […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,3,24,9,25,2,19,5,1],"tags":[],"class_list":["post-1169","post","type-post","status-publish","format-standard","hentry","category-art","category-art-and-tech","category-flickr","category-pop-culture","category-reviews","category-south-african-art","category-stimulus","category-technology","category-uncategorical"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p9blZT-iR","jetpack-related-posts":[{"id":956,"url":"https:\/\/nathanielstern.com\/blog\/2005\/12\/02\/william-kentridge-on-net-art-news-a-mechanical-masterpiece\/","url_meta":{"origin":1169,"position":0},"title":"William Kentridge on Net Art News: A Mechanical Masterpiece","author":"nathaniel","date":"02 December 2005","format":false,"excerpt":"Cool to see William Kentridge on Rhizome - I can't wait to see this piece in action! Link to William Kentridge on Rhizome.org's Net Art News: A Mechanical Masterpiece: William Kentridge, one of South Africa's most acclaimed contemporary visual artists, gained international stardom at Documenta X (1997), where he exhibited\u2026","rel":"","context":"In "art"","block_context":{"text":"art","link":"https:\/\/nathanielstern.com\/blog\/category\/art\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1534,"url":"https:\/\/nathanielstern.com\/blog\/2007\/10\/03\/back-in-dublin\/","url_meta":{"origin":1169,"position":1},"title":"back in dublin","author":"nathaniel","date":"03 October 2007","format":false,"excerpt":"After 3 weeks in South Africa - with visits to the Goodman Gallery (and Cape Goodman), William Kentridge's studio, David Krut, Art on Paper, and many other hot spots (not the least of which being my wonderful friends and family - I'll try to find time to post more on\u2026","rel":"","context":"In "art"","block_context":{"text":"art","link":"https:\/\/nathanielstern.com\/blog\/category\/art\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":846,"url":"https:\/\/nathanielstern.com\/blog\/2005\/10\/19\/anne-mcilleron-goodman-gallery\/","url_meta":{"origin":1169,"position":2},"title":"Anne McIlleron @ Goodman Gallery","author":"nathaniel","date":"19 October 2005","format":false,"excerpt":"Wanted Everything, a projection by Anne McIlleron @ the Goodman Gallery Photographs, video stills, projections and text pieces concerned \"with light, colour and indeterminacy is the impulse for much of Anne Mcllleron\u2019\u00c4\u00f4s work\" - so it says on the Goodman Gallery site. Anne, who is most well-known for winning the\u2026","rel":"","context":"In "art"","block_context":{"text":"art","link":"https:\/\/nathanielstern.com\/blog\/category\/art\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":591,"url":"https:\/\/nathanielstern.com\/blog\/2005\/04\/22\/watercolours-and-works-on-paper-warren-siebrits\/","url_meta":{"origin":1169,"position":3},"title":"watercolours and works on paper @ warren siebrits","author":"nathaniel","date":"22 April 2005","format":false,"excerpt":"kentridge's UNTITLED watercolor concertina, circa 1991 First, I gotta say that the siebrits site is just about finished, and it's already looking pretty classy... I like it when SA arts go live for the rest of the world to find! Woot. Second, as usual, Warren et al have put together\u2026","rel":"","context":"In "art"","block_context":{"text":"art","link":"https:\/\/nathanielstern.com\/blog\/category\/art\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":91,"url":"https:\/\/nathanielstern.com\/blog\/2003\/05\/11\/yeh-im-dumb\/","url_meta":{"origin":1169,"position":4},"title":"yeh, I’m dumb","author":"nathaniel","date":"11 May 2003","format":false,"excerpt":"I know I said I was taking a break from blogging, but I had to post this short (true) story. If you are South African, you probably wouldn't think it that big of a deal, because most people from SA that wanted to meet him already have, but I was\u2026","rel":"","context":"In "art"","block_context":{"text":"art","link":"https:\/\/nathanielstern.com\/blog\/category\/art\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":624,"url":"https:\/\/nathanielstern.com\/blog\/2005\/06\/05\/when-cities-collide\/","url_meta":{"origin":1169,"position":5},"title":"when cities collide","author":"nathaniel","date":"05 June 2005","format":false,"excerpt":"So, Joshua Goldberg (our visiting digital artist in residence) is nearly over jetlag after a really fun night at Carfax last night (er, two nights ago now, as I took a while to blog this). Christo and my students from Wits Digital Arts flexed some VJ \/ live visualisation skills,\u2026","rel":"","context":"In "art"","block_context":{"text":"art","link":"https:\/\/nathanielstern.com\/blog\/category\/art\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/nathanielstern.com\/blog\/wp-json\/wp\/v2\/posts\/1169","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nathanielstern.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nathanielstern.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nathanielstern.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/nathanielstern.com\/blog\/wp-json\/wp\/v2\/comments?post=1169"}],"version-history":[{"count":0,"href":"https:\/\/nathanielstern.com\/blog\/wp-json\/wp\/v2\/posts\/1169\/revisions"}],"wp:attachment":[{"href":"https:\/\/nathanielstern.com\/blog\/wp-json\/wp\/v2\/media?parent=1169"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nathanielstern.com\/blog\/wp-json\/wp\/v2\/categories?post=1169"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nathanielstern.com\/blog\/wp-json\/wp\/v2\/tags?post=1169"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}