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14 February 2010 by nathaniel

UPDATED – Arrested Time: Nathaniel Stern with Jessica Meuninck-Ganger at Greylock Arts, Adams MA

Greylock Arts
Ross and Felix, pigment on watercolor paper, 14 x 24 inches, 2010

Arrested Time
moved a day later due to snow


An exhibition of works combining contemporary technologies with
traditional drawing and printmaking methods


Nathaniel Stern with Jessica Meuninck-Ganger
Greylock Arts, 93 Summer St, Adams MA
Curated by Jo-Anne Green
27 February 2010 – 3 April 2010

Opening reception Saturday, February 27th 2010, 5:30 – 8:30 pm

About the Works

Nathaniel Stern’s Given Time simultaneously activates and performs two permanently logged-in Second Life avatars, each forever and only seen by and through the other. They hover in mid-air, almost completely still, gazing into one another’s interface. Viewers encounter this networked partnership as a diptych of large-scale (8 feet tall) and facing video projections in a real world gallery, both exhibiting a live view of one avatar, as perceived by the other. To create a visceral aesthetic, these custom-designed and life-sized “bodies” are hand-drawn in subtly animated graphite and charcoal. The audience is invited to physically walk between them; they’re able to hear and see them breathing, witness their hair blowing in the wind, pick up faint sounds such as rushing water or birds crying out from the surrounding simulated environment. Here, an intimate exchange between dual, virtual bodies is transformed into a public meditation on human relationships, bodily mortality, and time’s inevitable flow.

In Distill Life, Stern and Meuninck-Ganger approach both old and new media as form. They permanently mount translucent prints and drawings directly on top of video screens, creating moving images on paper. They incorporate technologies and aesthetics from traditional printmaking – including woodblock, silk screen, etching, lithography, photogravure etc – with the technologies and aesthetics of contemporary digital, video and networked art, to explore images as multidimensional. Their juxtaposition of anachronistic and disparate methods, materials and content – print and video, paper and electronics, real and virtual – enables novel approaches to understanding each. The artists work with subject matter ranging from historical portraiture to current events, from artificial landscapes to socially awkward moments.

With Arrested Time, Green curates an exhibition of Stern’s solo and collaborative work that explores the juxtaposition of old and new media, and illuminates the possibilities and limitations of both. The works hover between stasis and motion, texture and light, line and pixel, past and present, paper and screen, surface and depth, one artist and another.

http://nathanielstern.com
http://jessicameuninck.com
http://greylockarts.net

Greylock Arts, 93 Summer St, Adams MA 01220
Admission is free and open to the public
Saturdays, 12:00 – 4:00 p.m
Otherwise by appointment

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Posted in art, art and tech, me, research, stimulus, technology, uncategorical ·

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07 February 2010 by nathaniel

Profundity and plasticity for the greedy

Passing Between: Mail and Guardian reviewProfundity and plasticity for the greedy
This article by Chris Roper appeared in both the online and print editions of the Mail & Guardian. Also see their online video feature.

“… The work is funny, pretty and accessible, but it’s also complicated, surprising, exceedingly well crafted and rewards a long-term relationship. That’s your cue to rush out and buy a piece, take it home and plug it in.”

“I’d better take a stab at describing the pieces in the gallery, although it would be easier all round if you checked out the video of the work on www.mg.co.za/stern. Basically, it’s a new-media mash-up. Paraphrasing the artists’ own description: they mount translucent prints and drawings on top of video screens, creating moving pictures on paper.”

“That doesn’t do justice to, for example, the mesmerising, joyful experience of watching insubstantial sharks endlessly circling The Gallerist. He’s depicted kneeling on some driftwood in the middle of the ocean while sketchy vultures hover ominously. And there’s a perfect beauty to The Great Oak, the central image of which is a drawing of a sturdy tree, already complicated by the digital echo of itself, counterpointed by ghostly figures leaping at its base.”

…

“So when you wander around the show at the misnamed Art on Paper, or if you’re lucky enough to have one of these works on your wall, you can choose. Do you just want to enjoy the playful nature of a piece such as Twin City — whoah! Here comes the flying cow again! — or do you want to meditate on the nature of the loop, which ‘without origin or telos … interweaves the work’s time with the spectator’s as rhythm rather than succession’?”

“I know, you’re a 21st-century art lover, so you want it all — profundity and plasticity, facile conversation piece and deep worth. Greedy. But with this work, you can have it all and, in true hypertextual style, leap from moment to moment, constantly recreating desire and satisfaction, in much the same way as the looped video constantly re-enacts the pleasure of watching.”

Read the entire article.

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Posted in art, art and tech, exhibition, me, milwaukee art, printmaking, re-blog tidbits, south african art ·

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22 January 2010 by nathaniel

Passing Between: Nathaniel Stern and Jessica Meuninck-Ganger at Gallery AOP, Johannesburg

Kinnickinnic, 2009, lithograph + LCD with video, 255 x 355 x 50mm

Kinnickinnic, 2009, lithograph + LCD with video, 255 x 355 x 50mm

GALLERY AOP (Art on Paper) presents

Passing Between
A collaboration incorporating traditional printmaking and contemporary digital, video and networked art
by Nathaniel Stern and Jessica Meuninck-Ganger

30 January – 27 February 2010
Opening Saturday 30 January from 12:00 to 16:00
Opening address by Prof. Christo Doherty, Wits Digital Arts, at 12:30
The artists will be in attendance at the opening

Walkabout on Saturday 6 February at 12:00
The exhibition is accompanied by a catalogue and DVD

Nathaniel Stern and Jessica Meuninck-Ganger approach both old and new media as form. They permanently mount translucent prints and drawings directly on top of video screens, creating moving images on paper. They incorporate technologies and aesthetics from traditional printmaking – including woodblock, silk screen, etching, lithography, photogravure, etc – with the technologies and aesthetics of contemporary digital, video and networked art, to explore images as multidimensional. Their juxtaposition of anachronistic and disparate methods, materials and content – print and video, paper and electronics, real and virtual – enables novel approaches to understanding each. The artists work with subject matter ranging from historical portraiture to current events, from artificial landscapes to socially awkward moments.

Jessica Meuninck-Ganger is a Milwaukee-based artist. Her prints, artist’s books and large-scale mixed media works have been exhibited in the USA and in the rest of the world. She received her MFA in Studio Arts from the Minneapolis College of Art and Design in 2004 and is currently Head of Printmaking at the University of Wisconsin-Milwaukee, USA.

Nathaniel Stern is an installation and video artist, net.artist, printmaker and writer. He has had solo exhibitions at various museums, academic institutions, and commercial and experimental galleries worldwide. He obtained his PhD in Art & Technology from Trinity College, Dublin in 2009 and is currently Assistant Professor in the Department of Visual Art, University of Wisconsin-Milwaukee, USA.

Jessica and Nathaniel met at their first University of Wisconsin – Milwaukee Visual Art Faculty Meeting in August 2008, became fast friends, and decided to begin collaborating whilst on a trip to the Milwaukee Zoo with their kids a few months later.

44 Stanley Avenue  Braamfontein Werf   Johannesburg
Tuesday – Friday 10:00 – 17:00  Saturday 10:00 – 15:00

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Posted in art, art and tech, me, milwaukee art, pop culture, printmaking, south african art, stimulus, technology, uncategorical, youtube ·

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12 January 2010 by nathaniel

WikiWars

I’m in Bangalore, India with my good friend and collaborator, Scott Kildall (among many others – including my friend Heather Ford!), participating and presenting at the Centre for Internet and Society’s CPOV (Critical Point of View): WikiWars. So far, so interesting. Our paper is tomorrow, entitled Wikipedia Art: Citation as Performative Act. There will be a great and free book resulting from the conference and the research, writing and discussions that come out of it.

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Posted in art, art and tech, creative commons, me, milwaukee art, pop culture, research, stimulus ·

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10 December 2009 by nathaniel

Dada South?

Dada South? Exploring Dada legacies in South African art 1960 to the present

‘Dada South?’, curated by Roger van Wyk and Kathryn Smith presents a collision of artistic strategies and forms that reflect the impact of Dada; works conceived and enacted in the spirit of Dada, and which seek to question the conventions, values and function of art in a troubled society. The juxtaposition of works from South Africa and from abroad aims to examine the significance of non-western cultures in Dada practice. It also provides an opportunity to consider an alternative history of resistance in a culture of isolation and repression in South Africa, one that intersects with the canon of ‘resistance art’, but which deviates into forms that are less didactic, more eclectic and experimental.

On exhibition will be historical Dada works and publications by Marcel Duchamp, George Grosz, Raoul Hausmann, John Heartfield, Hannah Höch, Man Ray, Hans Richter and Sophie Täuber-Arp – all assembled for exhibition alongside works and objects by Jane Alexander, Walter Battiss, Willem Boshoff, Candice Breitz, Kendell Geers, Neil Goedhals, Wopko Jensma, Robin Rhode, Lucas Seage and Nathaniel Stern among many others.

The opening features a series of performances by Warrick Sony, Donna Kukama and Kemang wa Lehulere and the Iziko Museums Education and Public Programmes, among others.

12 December – 28 February

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03 December 2009 by nathaniel

support turbulence!

From Jo-Anne Green and Helen Thorington – I just gave $10, and every bit helps! Support Turbulence.org

Dear Friends,

As the end of the year draws near, we hope that you will support our many inspiring and innovative projects – Turbulence.org, Networked_Performance, Networked_Music_Review, Networked: a (networked_book) about (networked_art), Upgrade! Boston, Floating Points, Programmable Media, New American Radio – and the artists, scholars, and writers they support.

Please contribute $10, $25, $50 or more.

No amount is too small! No amount is too large!

Contribute via PayPal on Turbulence or send a check to:

New Radio and Performing Arts, Inc.
124 Bourne Street
Roslindale, MA 02131, USA

Thanks for your generous support, and a Happy New Year to you all.

Warm Regards,

Jo-Anne Green and Helen Thorington, Co-Directors
New Radio and Performing Arts, Inc.

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Posted in art, art and tech, creative commons, Links, pop culture, re-blog tidbits, technology, uncategorical ·
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nathaniel’s books

Interactive Art and Embodiment book cover
Interactive Art and Embodiment: the implicit body as performance

from Amazon.com

Buy Interactive Art for $30 directly from the publisher

Ecological Aesthetics book cover
Ecological Aesthetics: artful tactics for humans, nature, and politics

from Amazon.com

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