anf bulletin #1

Howdy y’all. Am at the commons sense conference, and was just on a panel discussion with Megan Knight (PhD Wits), Vincent Maher (New Media Lab, Rhodes/Grahamstown) and Matthew Buckland (Mail & Guardian online).
It was a pretty cool panel, tho admittedly a lot was centered around the debate of “what gets to be journalism” (this, which often gets confused for value – like the old “what gets to be art” debate – doesn’t interest me much) – still, there was plenty of provocation around freedoms, positive connotations to the amateur, helping creative economies through the creative commons, and even a few jokes (gasp!). I have to say that everyone I saw and met at the whole conference was excitable, and exciting – some super interesting and smart people who want to add something to the world!
My own presentation was a re-mix of one I found here by our keynote, Larry Lessig. It was pretty much a hit, if I do say so myself, and I promised Lessig et al I’d put it online.
Download it (3.3 MB powerpoint presentation + quicktime movie that you may need to point to the first time you open it – slide no. 32)
Other links:
You can get the Mac and PC fonts here.
Commenter’s blog

Lawrence Lessig, digital copyright guru, Stanford Professor of Law, advocate of creativity, and chairman for creative commons, gave a talk to a bunch of artists and businesspeople over at Wits yesterday afternoon. It was really great. Most of the gist of his talk can be found here; it was about Exclusive Rights vs. non-Exclusive Rights economies, how we need both to foster creativity, and that there needs to be a space between the two, where the world can reside (and thanks to America, this is not happening… we are leaning too far to the "ER" economy). It was actually a pat on the back. Look at Joburg’s small community of bloggers (JoBlog, plankman for example) and anti-copyrighters (Christian Nerf, Aryan Kaganof for example) who both encourage re-mixing their work, and also sell their "big guns" to the likes of collectors/consumers. I, myself, have a CC blog (with loads of content – text and images – I’ve seen re-used), and also give away a lot of my software source code, video, images, etc, to any who ask… On the flipside, I use this popularity to sell works like step inside to the JAG (did I mention they bought it? First sale of a digital interactive installation in the country!) as an edition of 3, and promise NOT to copy it and distribute. It was cool to hear how cool we are. And he also said a lot of other stuff I hadn’t thought of that was pretty smart. Watch Lawrence Lessig for more – he says he posts all his content online, and for free. Oh, and also check out creative commons and ccmixter – the remix family tree. Creative commons, south africa launch party tonight, 17h30, Rosebank Hotel. Don’t miss it!

Aside from being a really nice guy, Ian has produced, constructed, destroyed (whatever you want to call it) a really fun and interesting show. He’s basically speaking back to the history of art in a performance of “violation and disruption,” tho I’d probably more closely relate it to a night out with friends. It feels like he’s kind of drinking wine with a few of his genius buddies, simultaneously poking fun at their processes, and borrowing from their rhythms, to ask us to look again at what we know about art theory and practice.
There was a great turn-out, an interesting performance, and a bit of the ole theory speak, too. Ian says that below is his finest creation…
