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01 March 2010 by nathaniel

Zach Lieberman: Making the invisible visible @ UWM THIS WEDNESDAY, 7PM

Organized by yours truly (Nathaniel, Upgrade! Milwaukee), and sponsored by UWM Visual Art Department

Artists Now!
Department of Visual Art
Guest Lecture Series

Wednesday, March 3, 2010 at 7:00pm
Arts Center Lecture Hall (ACL 120) on the UWM campus
2400 E. Kenwood Blvd.
Free and Open to the Public

In this talk Lieberman will present his interactive works and collaborations, focusing on the artistic process as research.  He will show works such as Manual Input Sessions, in which an old school overhead projector is transformed into a magical audio visual performance device, and Lights On, a performance of sound and light commissioned for the 2009 opening of the new Ars Electronica center in Linz.  He will also talk about openFrameworks, a C++ toolkit for creative coding which is being used by developers worldwide to make compelling interactive installations and performances.

Zach Lieberman flier

Zach Lieberman flier

Posted in art, art and tech, creative commons, milwaukee art, research, stimulus, technology ·

Archives

14 February 2010 by nathaniel

UPDATED – Arrested Time: Nathaniel Stern with Jessica Meuninck-Ganger at Greylock Arts, Adams MA

Greylock Arts
Ross and Felix, pigment on watercolor paper, 14 x 24 inches, 2010

Arrested Time
moved a day later due to snow


An exhibition of works combining contemporary technologies with
traditional drawing and printmaking methods


Nathaniel Stern with Jessica Meuninck-Ganger
Greylock Arts, 93 Summer St, Adams MA
Curated by Jo-Anne Green
27 February 2010 – 3 April 2010

Opening reception Saturday, February 27th 2010, 5:30 – 8:30 pm

About the Works

Nathaniel Stern’s Given Time simultaneously activates and performs two permanently logged-in Second Life avatars, each forever and only seen by and through the other. They hover in mid-air, almost completely still, gazing into one another’s interface. Viewers encounter this networked partnership as a diptych of large-scale (8 feet tall) and facing video projections in a real world gallery, both exhibiting a live view of one avatar, as perceived by the other. To create a visceral aesthetic, these custom-designed and life-sized “bodies” are hand-drawn in subtly animated graphite and charcoal. The audience is invited to physically walk between them; they’re able to hear and see them breathing, witness their hair blowing in the wind, pick up faint sounds such as rushing water or birds crying out from the surrounding simulated environment. Here, an intimate exchange between dual, virtual bodies is transformed into a public meditation on human relationships, bodily mortality, and time’s inevitable flow.

In Distill Life, Stern and Meuninck-Ganger approach both old and new media as form. They permanently mount translucent prints and drawings directly on top of video screens, creating moving images on paper. They incorporate technologies and aesthetics from traditional printmaking – including woodblock, silk screen, etching, lithography, photogravure etc – with the technologies and aesthetics of contemporary digital, video and networked art, to explore images as multidimensional. Their juxtaposition of anachronistic and disparate methods, materials and content – print and video, paper and electronics, real and virtual – enables novel approaches to understanding each. The artists work with subject matter ranging from historical portraiture to current events, from artificial landscapes to socially awkward moments.

With Arrested Time, Green curates an exhibition of Stern’s solo and collaborative work that explores the juxtaposition of old and new media, and illuminates the possibilities and limitations of both. The works hover between stasis and motion, texture and light, line and pixel, past and present, paper and screen, surface and depth, one artist and another.

http://nathanielstern.com
http://jessicameuninck.com
http://greylockarts.net

Greylock Arts, 93 Summer St, Adams MA 01220
Admission is free and open to the public
Saturdays, 12:00 – 4:00 p.m
Otherwise by appointment

Posted in art, art and tech, me, research, stimulus, technology, uncategorical ·

Archives

22 January 2010 by nathaniel

Passing Between: Nathaniel Stern and Jessica Meuninck-Ganger at Gallery AOP, Johannesburg

Kinnickinnic, 2009, lithograph + LCD with video, 255 x 355 x 50mm

Kinnickinnic, 2009, lithograph + LCD with video, 255 x 355 x 50mm

GALLERY AOP (Art on Paper) presents

Passing Between
A collaboration incorporating traditional printmaking and contemporary digital, video and networked art
by Nathaniel Stern and Jessica Meuninck-Ganger

30 January – 27 February 2010
Opening Saturday 30 January from 12:00 to 16:00
Opening address by Prof. Christo Doherty, Wits Digital Arts, at 12:30
The artists will be in attendance at the opening

Walkabout on Saturday 6 February at 12:00
The exhibition is accompanied by a catalogue and DVD

Nathaniel Stern and Jessica Meuninck-Ganger approach both old and new media as form. They permanently mount translucent prints and drawings directly on top of video screens, creating moving images on paper. They incorporate technologies and aesthetics from traditional printmaking – including woodblock, silk screen, etching, lithography, photogravure, etc – with the technologies and aesthetics of contemporary digital, video and networked art, to explore images as multidimensional. Their juxtaposition of anachronistic and disparate methods, materials and content – print and video, paper and electronics, real and virtual – enables novel approaches to understanding each. The artists work with subject matter ranging from historical portraiture to current events, from artificial landscapes to socially awkward moments.

Jessica Meuninck-Ganger is a Milwaukee-based artist. Her prints, artist’s books and large-scale mixed media works have been exhibited in the USA and in the rest of the world. She received her MFA in Studio Arts from the Minneapolis College of Art and Design in 2004 and is currently Head of Printmaking at the University of Wisconsin-Milwaukee, USA.

Nathaniel Stern is an installation and video artist, net.artist, printmaker and writer. He has had solo exhibitions at various museums, academic institutions, and commercial and experimental galleries worldwide. He obtained his PhD in Art & Technology from Trinity College, Dublin in 2009 and is currently Assistant Professor in the Department of Visual Art, University of Wisconsin-Milwaukee, USA.

Jessica and Nathaniel met at their first University of Wisconsin – Milwaukee Visual Art Faculty Meeting in August 2008, became fast friends, and decided to begin collaborating whilst on a trip to the Milwaukee Zoo with their kids a few months later.

44 Stanley Avenue  Braamfontein Werf   Johannesburg
Tuesday – Friday 10:00 – 17:00  Saturday 10:00 – 15:00

Posted in art, art and tech, me, milwaukee art, pop culture, printmaking, south african art, stimulus, technology, uncategorical, youtube ·

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03 December 2009 by nathaniel

support turbulence!

From Jo-Anne Green and Helen Thorington – I just gave $10, and every bit helps! Support Turbulence.org

Dear Friends,

As the end of the year draws near, we hope that you will support our many inspiring and innovative projects – Turbulence.org, Networked_Performance, Networked_Music_Review, Networked: a (networked_book) about (networked_art), Upgrade! Boston, Floating Points, Programmable Media, New American Radio – and the artists, scholars, and writers they support.

Please contribute $10, $25, $50 or more.

No amount is too small! No amount is too large!

Contribute via PayPal on Turbulence or send a check to:

New Radio and Performing Arts, Inc.
124 Bourne Street
Roslindale, MA 02131, USA

Thanks for your generous support, and a Happy New Year to you all.

Warm Regards,

Jo-Anne Green and Helen Thorington, Co-Directors
New Radio and Performing Arts, Inc.

Posted in art, art and tech, creative commons, Links, pop culture, re-blog tidbits, technology, uncategorical ·

Archives

17 October 2009 by nathaniel

Nathaniel Stern, PhD

Had my VIVA yesterday, for my dissertation. It was awesome – amazing feedback, a great discussion, some provocative comments. My examiners really engaged with the text in ways that any doctoral student would be thrilled by. I’ll write about it some time, but am too busy celebrating right now. Anyhow, no revisions: I’m a doctor.

Woot.

Posted in art, art and tech, creative commons, me, milwaukee art, reviews, stimulus, technology, theory, uncategorical ·

Archives

05 October 2009 by nathaniel

American Furniture/Googled

I’ve penned a review for the Milwaukee Art Museum’s American Furniture/Googled exhibition, and it’s up on the Milwaukee Journal Sentinel / Mary-Louise Schumacher’s “Art City” site. Teaser:

The “American Furniture/Googled” exhibition at the Milwaukee Art Museum through Sunday is a surprisingly interesting show, even if only in its promise.

Little did I expect, when going to what I assumed to be a very tame gallery talk, to be engaged in a discussion about controversial topics surrounding knowledge and research. At first glance, the exhibition feels like little more than a post-curating gimmick: a bunch of slideshows about designers and furniture next to their 19th century counterparts.

But the show’s charming curator, Mel Buchanan – the museum’s relatively newly appointed assistant curator of 20th-Century Design – convinced me of at least one thing: Google gets people talking. As our small crowd at the Buchanan-led chat disputed issues of truth, power and silliness online, our interest exponentially increased. I’d definitely recommend the show; just be sure to bring a friend, or group, who likes debate.

Buchanan was given a tiny budget – even by non-museum exhibition standards – and told to use everyday technologies to access the MAM’s collection of furniture design circa the 1800s. She and her collaborators actually considered several ideas before settling on Google searches for their pieces as its starting point.

These throwaways included, among other things, a Wiki show, where museum-goers could contribute their own information and opinions for each object, and a Facebook show, where each piece got a profile and friends, and we could write on their virtual walls.

…

Read more.

Posted in art, art and tech, exhibition, flickr, me, milwaukee art, pop culture, re-blog tidbits, reviews, stimulus, technology, theory ·
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nathaniel’s books

Interactive Art and Embodiment book cover
Interactive Art and Embodiment: the implicit body as performance

from Amazon.com

Buy Interactive Art for $30 directly from the publisher

Ecological Aesthetics book cover
Ecological Aesthetics: artful tactics for humans, nature, and politics

from Amazon.com

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