screening
Forgot to mention that at interval was screened at the Enormous Room, Boston last night as part of Andrew Shea’s Fourth Wall program.

Forgot to mention that at interval was screened at the Enormous Room, Boston last night as part of Andrew Shea’s Fourth Wall program.

Workshop by Benjamin Gaulon (Recyclismâ„¢), Lourens Rozema (Blue Melon), with the support of Tim Redfern (Eclectronics) for the Dublin Art and Technology Association the February 2nd-3rd at the Moxie Studio Dublin.
Summary:
Moore’s law dictates that the complexity of computer chips doubles each 18 months. This causes a rapid decrease in the value of existing electronics. Thus, the dark side of technological progress is the production of endless amounts of electronic waste: e-waste. Although the economic value of obsolete electronics approaches zero, the electronic components themselves can still be useful in other contexts.
Our workshops offer the participants to become familiar with basic hardware and software design while at the same time gaining hands-on experience making an interactive art project. The workshops are open to participants of different backgrounds and no programming or electronic skills are required. The idea is to start from scratch and create a complete project over a weekend, including concept, design, electronics/ interfacing, and functional programming with Max/Msp, Pure Data or Processing.
Duration: 2 days
Admission fee: 20€
Application: by e-mail at ewaste3.0[AT]gmail.com
Group: 14 participants
Today I did something embarrassing. It was the kind of thing that only an Internet neophyte does. See, I’ve been really focusing in on my blog lately and reading sites that talk a lot about good blog promotion and use of social networking and blah blah blah.
So I finally decided that I should join StumbleUpon and Digg. I’ve been a member of del.icio.us for a while (which can’t be beat for lo-fi simplicity and keeping track of sites you want to spend more time with later – that is, not at work) and Utterz. Of course, there’s a ton of other sites like these out there, too. The basic idea behind all of them is that users will identify things that they like and other users will find them. Then, as people organize themselves about shared interests or tastes, they’ll get better and better at sharing sites they like.
Fine, but I resisted because I burn enough time on-line as it is.
Well, part of the process for joining StumbleUpon.com is checking your address book to see if you have many friends who are on already. It turned out that I only had about 10 friends who were using the site and over 200 contacts that were not. I wanted to add the folks who were on there, but I didn’t really want to add the ones who weren’t.
Wouldn’t you know, like an Internet Neophyte, I hit the wrong button and sent the invite to everyone. Friends who don’t like me anymore, ex’es, co-workers, estranged former bosses and girls I couldn’t get a date with. People who don’t even remember me! Everyone!
I guess it doesn’t hurt much, but it did strike me. Of all the tech savvy people I know, only ten of them were on uber-hip StumbleUpon? How odd? Yet all these sites have thousands of users! Yet only about 5% of my contacts were on there!
I know that this will change over time, but I realized this morning that, for now, as much reach as the big social networking sites have, they all pretty much have the same reach. My guess is that if you did an analysis of the people on those sites, you’d find that they are, by and large, pretty much the same people. Like me, they’ve all just joined as many as they can handle.
Meanwhile, though, I think creative techy types, like the readers of this site, have an opportunity… NAY, A RESPONSIBILITY… to find ways to use these sites not to just promote our creative work but to hijack them and turn them into creative works. Like, by creating mazes of links that pass through multiple ones or games for our readers to play where they solve riddles through our pages or… I don’t know… on-line installations of Tagged, Stumbled and del.icio’ed sites. You decide… but I smell new space here.
Digg it!
___________________
BradyDale
Turbulence.org is one of the most important supporters of new media art and artists of the last decade, and longer. And they need your support (via my inbox, below).
Dear Friends,
We need your support. If you:
— are one of the thousands of people who regularly visit Turbulence.org, Networked_Performance, Networked_Music_Review and/or New American Radio
and/or
— are one of the hundreds of teachers who use Turbulence works in your new media/digital art courses
and/or
— are an artist who has received a Turbulence.org, Networked_Performance, and/or New American Radio commission
and/or
— have presented at or attended Upgrade! Boston (Art Interactive or Massachusetts College of Art and Design), Floating Points (Emerson College), or Programmable Media (Pace Digital Gallery)
now is the time to give something back.
We cannot continue without your help. We MUST raise $25,000 by December 31, 2007.
WHAT WE’VE ACCOMPLISHED IN 2007
In addition to an exceptional year of supporting artists through commissions, public events, and our world-renowned resource, Networked_Performance, we started a second blog called
Networked_Music_Review (NMR). On it you will find in-depth interviews with sonic artists and musicians; world-wide events highlighted in real time; a “Weekly” post spotlighting interesting works, artists and conversations; a monthly newsletter which summarizes each month’s activities; and much more.WHAT YOU CAN EXPECT IN 2008
On November 15, NMR began launching fifteen commissioned works, several of which will premiere live at “Programmable Media II: Networked_Music,” a 2-day symposium at Pace University, New York City in April 2008.
In addition to launching 20 new commissioned works, other upcoming highlights include “Mixed Realities,” an exhibition and symposium at Emerson College, winter 2008; and “Re(Connecting) the Adamses,” a major exhibition co-presented with Greylock Arts (Adams, Massachusetts) and MCLA Gallery 51 (North Adams, Massachusetts), summer 2008.
Please make a cash tax-deductible (for US residents) contribution. No amount is too small! Pay via the PayPal button on the Turbulence homepage: http://turbulence.org. Or send a check to New Radio and Performing Arts, Inc., 124 Bourne Street, MA 02131.
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I know, I know; I’m totally broke, too. But if I can throw them a few bucks, so can you.

Looks like printer Ricardo Fornoni (damned if I know his surname, but a really nice guy who I used to chat to all the time at Krut) – who does fine art inkjets for many of Joburg’s digital elites – is opening South Africa’s first gallery dedicated solely to emphasizing collaboration, experimentation and digital art: Resolution Gallery. It’s a commercial gallery, located right in the center of Johannesburg’s gallery district (near Krut, Siebrits, Goodman, etc), so couple the fact that it’s viable with some of the text on their site, and it’s a pretty exciting venture:
Resolution promotes and sells digital media artifacts, from limited edition prints to interactive installations….
We curate thematic exhibitions that draw together local, international, established and up-and-coming artists to collective benefit….
We see our gallery as a stage, a meeting place and a laboratory.
A stage where the public has the chance to meet artists and experience digital art.
A meeting place where networks are formed and potential is generated around the work we exhibit.
A laboratory where we host those experiments that spark new potential in the relationships between technology and art.
Their first show, “Montage” – limited edition prints that combine digital techniques with traditional processes – opens next week and includes South African artists Roger Ballen, Dinkie Sithole, Wilma Cruise, Rob Machiri, Gavin Younge, and Spanish artist Manolo Belzunce. More info.
Good luck Ricardo – it’s a great initiative and deserves support, and I hope any Joburg locals that still read this blog will head over and check it out on 13 November, 18h30. Hat tip to Christo for letting me know about the new space.
And while I’m mentioning shows I’m on in New York, Broad Cast Response – the video installation I made as part of the iCommons residency in Croatia – will be screened as part of the t-minus festival in Brooklyn next weekend:
Premieres November 9th at Monkeytown in Brooklyn, NY.
Two screenings: 7:30 and 10:00, $5
Reservations strongly suggested. Make a reservation now.
(Monkeytown Info/directions)
Welcome to the 4th-annual T-MINUS Film Festival: Bringing Time into Focus.
What slows down when everything speeds up? Why do things that move fast demonstrate a unique inner peace when viewed from a different speed? What are the defining patterns in the world of motion?
T-MINUS 2007 showcases a collection of imaginative and innovative work from filmmakers, scientists, photographers, dancers, printers, musicians, and passengers (as well as a few roosters) from around the globe – attempting to explore these questions through the creative medium of time.
This year’s festival presents 13 works encompassing a range of techniques and perspectives – from 16mm walks through NYC, to algorithm’s in dance. Through shifting sequences, interrupting motion, or shuffling timelines, each piece succeeds at illuminating the hidden corners of our world by bringing Time into Focus.
Including work by Adam Kendall, Charles Lim, Chris Jordan, Grant Wakefield, John Adderly, Luca Mugnaini, Luke Dubois, Nathaniel Stern, anti:clockwise, Peter Shapiro, Sameer Butt, Ting-Hsin Wang and Tony Schultz.