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25 May 2005 by nathaniel

li’l larry lessig

lawrence lessig in johannesburg

Lawrence Lessig giving his presentation to a bunch of Joburgers at Wits

Lawrence Lessig, digital copyright guru, Stanford Professor of Law, advocate of creativity, and chairman for creative commons, gave a talk to a bunch of artists and businesspeople over at Wits yesterday afternoon. It was really great. Most of the gist of his talk can be found here; it was about Exclusive Rights vs. non-Exclusive Rights economies, how we need both to foster creativity, and that there needs to be a space between the two, where the world can reside (and thanks to America, this is not happening… we are leaning too far to the "ER" economy). It was actually a pat on the back. Look at Joburg’s small community of bloggers (JoBlog, plankman for example) and anti-copyrighters (Christian Nerf, Aryan Kaganof for example) who both encourage re-mixing their work, and also sell their "big guns" to the likes of collectors/consumers. I, myself, have a CC blog (with loads of content – text and images – I’ve seen re-used), and also give away a lot of my software source code, video, images, etc, to any who ask… On the flipside, I use this popularity to sell works like step inside to the JAG (did I mention they bought it? First sale of a digital interactive installation in the country!) as an edition of 3, and promise NOT to copy it and distribute. It was cool to hear how cool we are. And he also said a lot of other stuff I hadn’t thought of that was pretty smart. Watch Lawrence Lessig for more – he says he posts all his content online, and for free. Oh, and also check out creative commons and ccmixter – the remix family tree. Creative commons, south africa launch party tonight, 17h30, Rosebank Hotel. Don’t miss it!

Posted in art, art and tech, creative commons, news and politics, pop culture, south african art, technology, theory ·

Archives

19 May 2005 by nathaniel

Warrington @ premises

reney warrington at the premises gallery

Reney Warrington has some pretty pictures at the Gallery | Premises.

Posted in art, south african art ·

Archives

18 May 2005 by nathaniel

ian waldeck, gallery @157

pollack by waldeck

ian waldeck’s pollack “violation”

Aside from being a really nice guy, Ian has produced, constructed, destroyed (whatever you want to call it) a really fun and interesting show. He’s basically speaking back to the history of art in a performance of “violation and disruption,” tho I’d probably more closely relate it to a night out with friends. It feels like he’s kind of drinking wine with a few of his genius buddies, simultaneously poking fun at their processes, and borrowing from their rhythms, to ask us to look again at what we know about art theory and practice.

There was a great turn-out, an interesting performance, and a bit of the ole theory speak, too. Ian says that below is his finest creation…

ian waldeck and his son

Posted in art, pop culture, south african art, theory ·

Archives

13 May 2005 by nathaniel

anyone at all interested in guest writing here? I’m TOTALLY into it!

There’s been so much great stuff going on in Joburg – from shows at the JAG and Muti, to Dance pieces with Robyn Orlin and viewings of work/films by Aryan Kaganof. Monna Mokoena (Gallery Momo) was even on the cover of Blink Magazine this month!

You haven’t heard from me cuz I’ve also been busy – making education-based sites, working with my students on their upcoming show, various freelance to pay the bills, and some upcoming project work with PJ Sabbagha (a dance piece – he was Standard Bank Young Artist for Dance this year) and William Kentridge (too difficult to explain, but will surely post any pictures I can as we progress).

But I hate to waste this space, and I’ve not nearly enough blogs lately! Anyone at all interested in guest blogging? I’d prefer people who are willing to write about South African art stuff, but rants and politics, whatever, even if they don’t gel with mine, are totally acceptable.

Blogging is as easy as using webmail, and posting images just like adding attachments. I can’t offer money (I have none), but it’s not that much work and can be kind of fun – my readership has averaged at about 1000 page visits per day over the last six months (more when I post more, less when I don’t)!

Any takers should contact me. I’ll carry on writing now and again, and give passwords to anyone who can promise about at least one blog / week (if I like them). No experience necessary, but opinions are a must. Obviously, whenever you post, you’ll get your name under the title, and I’ll also give you your own li’l page on my web site, with bio info, pictures, whatever you like (if you have your own site, we’ll link to that instead)….

Seriously. I’m into it.

Posted in art, art and tech, me, pop culture, re-blog tidbits, south african art, technology, uncategorical ·

Archives

04 May 2005 by nathaniel

pelmama, etc

Lucky SIBIYA, 1982

Lucky SIBIYA, 1982

I’ve been meaning to cover the pelmama museums projects for quite some time now, but just hadn’t had the chance to give it the time it deserves. The site, started and maintained by one Fernand F. Haenggi, is the culmination of extensive research in and around struggle art from the 60s through the 90s in South Africa. It covers museums, galleries, artists, gallerists and works. It’s mos def worth spending some time with, especially for those who were not around (present company included!).

While I’m at it, I’m gonna point to http://www.terrorealism.net/, which seems to be Kendell Geers’ site, circa 2001. Flashy and OTT (Over The Top), would you expect anything less? This is more for amusement than for anything else….

Posted in art, news and politics, south african art ·

Archives

03 May 2005 by nathaniel

WSOA 3rd years

public art projects, Wits 3rd years

To be perfectly honest, I struggled with which works to feature on this show, and perhaps it’s a cop-out to finally go with none. Truth be told, the most inspiring thing about its opening was the turn-out. Amidst Marina Abramovic and Paolo Canevari, to have such a large crowd of supporters at a local, student show is inspiring. I think it was part of Abramavic’s point at her talk, too, no? It’s our job to provoke, and this includes teaching and nurturing young artists to do the same.

That being said, the Trinity Session have really outdone themselves. It’s my understanding that this exhibition is a result of their provocations in and around what it means to make public art. Some works take risks, others are pretty, still others invite us in, to complete – or interact with – the work.

Go and support some more.

Posted in south african art ·
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Interactive Art and Embodiment book cover
Interactive Art and Embodiment: the implicit body as performance

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Ecological Aesthetics: artful tactics for humans, nature, and politics

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