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06 November 2005 by nathaniel

podcast odys!

odys for your ipod is now available as individual zipped files, a whole package, and even a podcast! Fun to play, and should work in all new iTunes: window and mac. Am still trying to get links direct to iTunes store, but being an indy artist one-off, no promises. For those who don’t know it, the artwork goes like this:

odys for your iPod (2005) is an extension of the odys series (2001-2004). the odys series consists of six short digital video poems / monologues for small screen viewing in an intimate gallery space. By stuttering between odys’ actions and words, listeners construct his person. As he attempts to re-member, bringing the past back to his body and calling it his own, listeners attempt to piece together a story for themselves. Viewers are encouraged to re-visit and jump over juxtaposed media, and create a shifting collage of, and in response to, his person.

odys for your iPod encourages viewers to download all six of the newly optimized video art pieces from odys.org, and into iTunes and their iPods. It allows for an even more intimate and physical relationship with his character, as well as a continually growing connection with each vignette.

odys’ name comes from The Odyssey; he is the traveler, the seeker of home (Ithaca). Contrary to both Odysseus and hektor ( see http://hektor.net ), odys is an unconvincing liar and horrible storyteller. His failed attempts to speak the traumatic past are often mistaken for nonsense. Ironically, odys’ poor endeavors at communication can now be largely consumed by a take-away transmission: online at odys.org.

odys’ language of utterances is about the "spaces between." The space between words, between articulation and inarticulation, between Troy and Ithaca, between judgment and responsibility, and between speaker and listener.

Enjoy!

Posted in art, art and tech, me, music, pop culture, re-blog tidbits, south african art, technology ·

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02 November 2005 by kaganof

book launch


Dear Friends of Nathaniel’s Blog Page,
You are cordially invited to a festive book launch to be held on thursday 3 november at 6:30pm (18h30). The venue is the newly opened XARRA BOOKS – No. 1, Central Place, Newtown, Johannesburg. This exciting new afrocentric book store is a real alternative to the exclusivity of the musty malls. Contact them at info@xarrabooks.com or call June on 083-2361825.

Oh yes, and before we forget, the book to be launched is JOU MA SE POEMS (Pine Slopes Publications) ISBN   0-9584874-9-9
JOU MA SE POEMS is a collection culled from the hundreds of poems by Aryan Kaganof that have been published on the internet by diverse literary sites, including Exquisite Corpse, A Dead Mule, Howling Dog Press, Jack Magazine, Eratio, Donga and many others.
It’s an ideal way to get addicted to the voluminous output of the poet described by literary critic Paul Wessels as “life’s recording angel”. All of his best loved poems are here as well as the first publication of his “vertical mesostic”, a tribute to John Cage.

The launch will be accompanied by a rare performance of FREEDOM FIGHTER, the post-blues avant gospel formation that everyone’s talking about. Featuring Dax “tovenaar” Butler on electric guitar, Joel “assagai” Assaizky on electric bass, Derek “green africa” Davey on drums and Aryan “caruso” Kaganof on vocals.

The book retails for R150 but will be on sale at the launch for only R100 so bring cash and buy extra copies – it’s the ideal Christmas present for people who don’t believe in Christmas.

Posted in kaganof, poetry, south african art, uncategorical ·

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28 October 2005 by nathaniel

durban downloaded

Just looking over the vast amounts of photos over the last few days, but have chosen to reminisce in text (remember: we’re in Africa; I like to keep file sizes down!)….

Wednesday morning began with a whole lot of gushing over Colleen Alborough’s amazing work. The production of Night Journey was a journey itself – Colleen has been working on the piece for about 3 years. But it is only with that time that the piece has come to be so amazingly well rendered, so obviously considered. The interactive elements are far superior to her last attempt (now moving to alarm motion sensors instead of motion tracking cameras), but rather than turning the piece into something playful, they push the piece towards an unrepeatable eeriness. Her felt (the material, not the action) walls and animated videos are a scary yet comfortable claustrophobia, and the lights and bodies in the space paradoxically make me feel safe, and make my skin crawl.

The next part of the morning was slightly different. We went to catch a rehearsal of Bombay Crush. You heard me right: Jay Pather, avant-garde choreographer extraordinaire, is producing a full-on Bollywood Musical. OMG it was super duper fun to watch its beginnings. Opens 1 Dec, and if time and money allow, I’m hoping to take my second-ever trip to Durban in order to see it.

Then we hit the Durban Art Gallery to see some of their permanent collection, some newly acquired works from the recent red-eye exhibition, and the positive: aids in 2005 show. The most interesting works for me were by Desmond Zeederberg, Clive van den Berg, Churchill Madikida and Wayne Barker.

Storm then took me for a bit of a tour – we hit ushaka for a walk on the pier, round the new and old architecture, through a few parks, and finally to the aquarium for a look at the fishies. There seems to be a new fascination with clown fish since the dawning of Finding Nemo, and I got to reference my / Josh Goldberg’s ‘clown joke’ far too frequently for the common man.

Day eased into night as I blogged a bit, did some personal admin online at the gallery, and prepped a small feast for our final night in Durbs. I’ll be back….

Posted in art, art and tech, music, pop culture, south african art, stimulus, technology ·

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27 October 2005 by kaganof

jacki

Posted in kaganof, south african art ·

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26 October 2005 by kaganof

tatiana, ya ta lubim

Posted in art, kaganof, south african art, uncategorical ·

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26 October 2005 by nathaniel

Themba Shibase, Aidan Walsh, Colleen Alborough

untitled, 2005, Themba Shibase
left: Untitled, 2005

Well, in addition to the brilliant Colleen Alborough show I’ve been helping out with (and bragging about) for the last while (responses were amazingly positive), two other exhibitions opened last night. The well-known Aidan Walsh exhibits some of his most recent paintings, and Themba Shibase, a bright young Durban star, hung his new, mixed media, works.

Altho the former is not exactly my style, he’s an icon of the area and an important figure in the arts, and supporting arts, scene. And I’m mostly alone in my under-appreciation ;)

Themba Shibase, and his “d-urban critique” is more my speed. His first solo exhibition, it:

consists of paintings on found board and paper, which is contrasted with pristine drawings in clinical white box frames. Rough edges, torn bits and loose, drippy brush marks lives comfortably with controlled and assured draughtsmanship in Shibase’s painted universe. The works interrogate new identities in an urban context, and are based on the pull between traditional cultural manifestations and a contemporary world of technology and a free-market economy.

And artists support artists! the above work (Untitled, 2005) was purchased just before the opening, by none other Colleen Alborough and her extremely cool and supportive husband, Matthew Townsend.

Virginia MacKenny wishes she was here.

Posted in art, art and tech, south african art, technology ·
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nathaniel’s books

Interactive Art and Embodiment book cover
Interactive Art and Embodiment: the implicit body as performance

from Amazon.com

Buy Interactive Art for $30 directly from the publisher

Ecological Aesthetics book cover
Ecological Aesthetics: artful tactics for humans, nature, and politics

from Amazon.com

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