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08 March 2006 by nathaniel

PLAGIARISM AND COPYRIGHT INFRINGEMENT OF GERHARD MARX’S WORK

From Warren Siebrits:

On Sunday, 19 February 2006, an ad campaign “created” by advertising agency Ireland-Davenport, for their client BMW South Africa, appeared reproduced full page in numerous Sunday newspapers.
 
This advert depicting a female nude observed from behind, has been composed very closely in style and concept to that of Gerhard Marx. Not only is the advertisement a direct rip-off of Marx’s signature style, but the advert is also composed using reconstituted map fragments which is the cornerstone of Marx’s expression. Neither Gerhard Marx, nor the Gallery authorized any reproduction or simulation of his work to either BMW South Africa or Ireland-Davenport.

Marx is a young South African contemporary artist, theatre director and scenographer who pioneered this form of visual expression five years ago in 2001. In the catalogue for his previous exhibition held at our gallery in November 2005 there is an extensive interview reproduced where the artist discusses the invention of this technique along with illustrations of some of his earliest works in this style dating from 2002. The entire publication along with all Marx’s images are clearly copyrighted, with permission expressly requested for the use of any material pertaining to Marx’s work.
 
As the representatives of Gerhard Marx’s work, it is our opinion that this campaign grossly plagiarizes and infringes on Gerhard Marx’s creative and intellectual domain. We have therefore decided to take legal action against BMW South Africa and Ireland-Davenport and have appointed the services of Dr Owen Dean of Spoor and Fisher.
 
Enquiries Warren Siebrits or Lunetta Bartz 011 327 0000.

(detail) SHEET # 2 : HORIZONTAL FIGURE 2 cut and reconstituted map fragments 38 x 141cm
(detail) SHEET # 2 : HORIZONTAL FIGURE 2 cut and reconstituted map fragments 38 x 141cm

Posted in art, news and politics, pop culture, re-blog tidbits, south african art, uncategorical ·

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07 March 2006 by nathaniel

Intimate Circuits

@ Joao Ferreira 8-31 March, opens 6PM

I had the pleasure of getting a personal viewing with some of Tammy Griffin’s amazingly beautiful works – oil paintings and mixed media with programmed and animated LEDs – when I was in Grahamstown giving a workshop last year. I think the most wondrous thing about them is how they shift not only while you watch them, but when you walk away and come back, depending on the light surrounding them. A perfectly titled show, the pieces feel small and scared, personal and close, while enveloping you with their sheer size and performance.

Tammy Griffin - animated light sculptures combined with oil and mixed media on canvas (title not given)
Tammy Griffin – animated light sculptures combined with oil and mixed media on canvas (title not given)

From the artist:

My paintings are abstract versions of realistic portraits, private associations, self-invented marks, words and maps of energy. For this exhibition I added moving light to my palette to animate the works – oils, mixed media and electronics on canvas. I scratched, pierced, sculpted, painted, hammered, soldered, cut, poured, touched and calculated. I have used 500 LEDs, 1500 meters of wire, as well as 20 microprocessors to drive the lights. The result is full of texture, movement, music and rhythm. In the end, meditative and restful.

Opens at Joao Ferreira in Cape Town tomorrow @ 6 PM, and up til 31 March.

Posted in art, art and tech, pop culture, south african art, stimulus, technology, uncategorical ·

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05 March 2006 by nathaniel

Bridget Baker: provocateur of poise

I’ve actually not seen Bridget Baker’s latest show (in Cape Town – see that Joao Ferreira link for images), but I really like BB as a person, and if the raves between her Mail and Guardian review and Artthrob review are any indication, she’s really on a roll with her ongoing series. I remember seeing some of the earliest Blue Collar Girl photos between her place and the Cancelled Kebbles (who killed Biggie?) in 2004, and knowing she was onto something (a search for Bridget on this site also returned heaps of entries – did I mention she’s rad?). Read up those linkies, and also check out her Artbio this month.

Posted in art, re-blog tidbits, reviews, south african art, stimulus, uncategorical ·

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05 March 2006 by nathaniel

Hear and Now

Hear and Now at the Market Theatre, JohannesburgHear and Now at the Market Theatre, Johannesburg, is co-directed by that award-winning team who gave us Tshepang: Lara Foot Newton and Gerhard Marx. It’s a kind of psychological drama with a few really great jokes and monologues.

At its core, Hear and Now is worth seeing if only for Gerhard’s trademark brilliant set design, and Lionel Newton’s performance as the lead.  The latter sometimes over-acts, admittedly, but from my perspective this has more to do with the workshopped script than his own abilities.  The details of character throughout are very strong but, as alluded to, the plot is heavily overdone (given its relatively light premise), and it turns too easily towards an/the end. I have to say that I also found some of the third person narrative structure a little condescending – I think we could figure a lot of it out, guys…

In all, tho, the piece makes me miss writing, makes me slightly jealous, makes me again want to beg Gerhard to collaborate with me. Only one day left for the show!

Posted in art, bronwyn lace, poetry, reviews, south african art, uncategorical ·

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02 March 2006 by nathaniel

Beeldspraak

Beeldsprak: all 52 prints
Beeldsprak: Beeld "newspaper curated" (by Gordon Froud) exhibition at the University of Johannesburg gallery.

I hit the University of Johannesburg Gallery last night – a beautiful new space with an interesting outside – for the Gordon Froud curated Beeldspraak. The exhibition is a culmination of 52 weeks worth of a "newspaper exhibition." Gordon proposed (first somewhere else, which rejected him – but he did not say where) to have 52 different artists each contribute one work over the course of a year, and every Tuesday it would be printed in the paper and catalyze discussion. It led to a beautifully diverse exhibition that really does capture the vibes of contemporary South African art, albeit in a 2D-only space. The most wonderful part – aside from the original works being donated towards a good cause and auctioned off over the next few weeks – is that each contributing artist receives one set of all 52 limited edition prints, now selling for R6000.

I’m glad I played a part! See it.

Posted in art, art and tech, flickr, me, news and politics, pop culture, reviews, south african art, stimulus, technology, uncategorical ·

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28 February 2006 by nathaniel

Hear and Now

Brett Kebble merit award winners, Lara Foot Newton and Gerhard Marx of the internationally acclaimed production Tshepang, team up again to present their new play Hear and Now at the Market Theatre. Following the play’s seasons at The State Theatre and Baxter Theatre in 2005, author Lara Foot Newton has made some revisions to the script bringing further clarity to the story.

Currently enjoying a sold-out tour and rave reviews in Sweden, Hear and Now returns to South Africa for a season on the Market Theatre’s Barney Simon stage.

Combining the theatrical skills of Baxter Theatre Resident Director and Dramaturg, Lara Foot Newton, with the unique talents of fine artist and theatre-maker Gerhard Marx, this tactile play is textured to stimulate all the senses.

TIME: 19H30 for 20H15

TUESDAY 28-Feb 20H15
WEDNESDAY 1-Mar 20H15
THURSDAY 2-Mar 20H15
FRIDAY 3-Mar 20H15
SATURDAY 4-Mar 20H15
SUNDAY 5-Mar 15H15

VENUE: The Barney Simon Theatre

RSVP: Lusanda Zokufa on 011 832 1641 ext 123 or
lusanda@markettheatre.co.za

Posted in art, south african art, uncategorical ·
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