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17 June 2007 by nathaniel

a few iCommons re-blogs (updated) (again)

Of money, meaning and artists in residence is a lovely response to our artist talk and work by Tom Chance, while Paddy’s insightful review is slightly more critical (especially of my own work). It inspired a great conversation, actually, and I’m excited about where I might go with the next Wireframe, as I think through what happened, and what didn’t (with or without Paddy’s approval :).

And more from Joy. And, oh well, go here. That’s what technorati is for – I’m off to a planning meeting for next year’s Summit!

updated links (and again):

http://www.robmyers.org/weblog/2007/06/14/the-art-happens-here/#comment-39071
http://www.parthsuthar.com/derive/2007/06/15/the-art-happens-here/
http://www.secondlifeherald.com/slh/2007/06/by_prokofy_neva.html#more
Why don’t artists use open source software?
Second Summit
http://www.ugotrade.com/2007/06/18/second-life-a-global-creative-context-of-the-future/
http://www.turbulence.org/blog/archives/004417.html
http://newsgrist.typepad.com/underbelly/2007/06/icommons_keynot.html

Posted in art, art and tech, creative commons, iSummit07, pop culture, re-blog tidbits, reviews, south african art, stimulus, theory, uncategorical ·

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16 June 2007 by nathaniel

interviewed Paddy Johnson, she interviewed Kathryn Smith

Forgot to blog this, an interview I did with Paddy, and also hers with Kathryn. Awesome. Actually, as you would imagine, the iCommons site is booming right now, so I highly recommend the feed.

Posted in art, art and tech, creative commons, iSummit07, pop culture, re-blog tidbits, reviews, south african art, stimulus, theory ·

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09 May 2007 by nathaniel

catch-up, links, tidbits, etc

Hey All:

Been in Wales at this conference over the last 5 days or so, and lots has happened in the world since then, so this’ll be a kind of ranty catch-up of random and, depending on who you are and what you like, potentially unimportant things. Nicole and my presentations went pretty well, thanks for thinking of us – I’ll be posting a draft of the paper on implicitbody.net in the coming weeks; most important to me, got some great feedback on where to go from here with the dissertation. And I think Nicole is feeling good about the new directions in her own research. In no particular order:

New South African Art blogs: art matters and midnight kitchen. The former is anonymous and the latter is Rat Western – both are based in Joburg and both seem to be pretty good so far. I am ambiguous about anonymity, given I’m not sure what they are protecting themselves from and, at least with Robert Sloon, it feels like a faux humbleness (everyone knows who he is in “real life” – even tho no one knew who he was before the blog – and he’s more than willing to appear at exhibitions all over the world – mostly to exhibit himself…). What are the reasons, the real reasons, for anonymity in this case? All that said, glad to have more writing on SA art online, especially in joburg – go for it, “Jane” and Rat. Opposed to the former (or at least what she implied on her first post), I think we do need more “irreverent bloggers.” (Tho I question her judgment of “Art Heat’s … frank reportage sans pretension”; I appreciate Art Heat as much as the next guy  – and featured them on my site, and in Contempo, very early on – but until recently you had to wade through so much crap just to get any content at all; it was mostly/only about the Michaelis Clique and its inner-workings….) While I’m at it, SAartsEmerging features MTkidu this month.

Also new online: the networked music review blog, a new one by turbulence; nice piece on Red Burns and my alma mater, ITP, also known as the Harvard of Interactive (in the NY Times; the latter is an older piece from Newsweek)… New MTAA Commons Art Diagram for their iCommons Residence and also a 2-part interview on AFC (1 and 2). New Artthrob up – my fave articles include: thoughtful piece by Tavish McIntosh about Afterlife at Michael Stevenson; Sue Williamson on Gimberg/Nerf/Sacks/Young; Zachary Yorke reviews the companion book to this show, which sounds great and I hope to see it soon – I wonder if mine is the only artwork (as opposed to essay) in the book, or just the only one he mentioned; Michael Smith interviews Anthea Moys and Juliana Smith; finally, Ed Young reviews the Afterlife book, and as usual makes it more about himself than the “book,” but I think this may be the must read of this issue.

I like that most of this post was dedicated to SA Art. I may have something to say about some of the papers in Wales later. Day off today. More soon.

Posted in art, art and tech, creative commons, Links, me, pop culture, re-blog tidbits, research, reviews, south african art, stimulus, theory, uncategorical ·

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30 April 2007 by nathaniel

magic or madness trilogy

I’ve just finished reading my friend Justine’s first trilogy, Magic or Madness – Young Adult Fiction – and it’s great. Mostly intended for teens (without condescending to them), and widely read by adults — her husband, an old friend of my wife’s, Scott, has been on the NYT bestseller list a few times – I’ve been enjoying YAF since the two of them introduced me to the genre.

spoiler warning

The basic premise is simple in that “clear and easy to understand, but I never would have thought of that and it’s so cool” kind of way. Here it is: magic (for those who have it), tho wondrous, drains your life any time you use it – most magic folk consider themselves extremely lucky if they reach the age of forty; but if you don’t use it, prolonging your life, you go mad. Oh, and you can steal magic from others, shortening their lives while making your own longer.
As you can imagine, this creates all kinds of interesting (and horrible) relationships, especially among magic friends and family, and we follow 15-year-old Reason Cansino over the course of (I think it’s about) 2 weeks, from her discovery of magic, her learning how to use it, her wielding of massive amounts of power, her unfolding of the lies and deceit in her family because of (and through) magic, and finally the destruction of magic (at least across the hundreds of living magic-wielders in her own family).

Aside from being well-written, surprising, suspenseful and fun, the final book left me in awe of just how much Justine trusts her readers – children and adults alike. Cory Doctorow (boing boing) called the ending very risky, “really disturbing and thought-provoking… a direction I hadn’t expected and that has me thinking about it still.” Magic becomes an allegory for money, power and greed, where a little is needed to live (once you enter the system – like capitalism, perhaps?), but the more you have the more you want, and of course, there is only one top dog: isolated, and without humanity.

But it’s also not so simple as it sounds – some of her characters are stripped of their magic without them wanting to be, others are left magical without knowledge or choice. And while Reason opts out of magic, one of her friends, Tom, does not; he keeps his magic, and his foreshortened life. Justine is careful in her writing of his justification (“magic is who he is”), and leaves us hanging as to how he will turn out (he is the only character in the book that is never selfish with his magic, has never attempted to steal anyone else’s, and has even given it away when others needed it — but then again, he’s still young). We as readers are not meant to judge, and we only hope he will walk the lines between need and greed, power and responsibility.

Nice, J. Recommended.

Posted in pop culture, reviews, uncategorical ·

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28 April 2007 by nathaniel

body in quotes

body-in-quotes.jpg

There’s the “Body in Quotes” panel at the Borders, Boundaries & Liminal States conference in Second Life. Sponsored by Ars Virtua New Media Center, and the CADRE Laboratory for New Media, and hosted at the Amphitheater on Learning (NMC Virtual Worlds). From stage left to stage right is Xerxes Druart (Stuart Bunt of SymbioticA) , Wirxli Flimflam (Jeremy Turner), Natberg Sternberg (me) and The Unknown (Carlos Castellanos – moderator). I think I’m cool cuz I know that Pling Ping, the avatar up front and on the left from the camera lense, is Jo Greene of Turbulence. We like her.

WIrxli has a fantastic summary of his talk and some images of the panel etc over at his blog. I had no idea he had so many avatars, and it was fun to have a bodyguard protecting the guy sitting next to me in SL. He also says my audio kept crashing, which sucks. I had no idea. Oh well. I’m not gonna paste my notes, like he did, cuz they are mostly disorganized, but I will say that a draft of the short paper where most of my ideas come from will be online in the next few weeks. It mostly looks at affect and body-environment coupling in and around the space of the computer, network, crying babies and spouses, all between RL self and avatar self, and how those might disperse and interfere with one another. Next time I try to use ventrilio and SL at the same time, I will go into the office rather than trying to use my home connection….

Stuart’s work blew me away – he is a bio-engineer that works on a team facilitating art and artists (the likes of Stelarc). Some of his recent work includes pigs with wings, and attaching a homegrown ear to Stelarc’s forearm; oh and, the one my veggie wife likes, they “grew” a leather jacket so as not to harm a cow!

Thanks to all on the panel, and to Carlos…

Posted in art, art and tech, me, pop culture, re-blog tidbits, research, reviews, stimulus, theory, uncategorical ·

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27 April 2007 by nathaniel

remains – Second Life panel discussion

remains.jpg
The ‘Remains’ panel discussion @ Borders, Boundaries & Liminal States, from letft to right: Rubaiyat Shatner (James Morgan, Ars Virtua), JOE Languish (Laura Jones, anthropologist and archaeologist), Chloe Mahfouz (Renée Ridgway, artist & curator), Kliger Dinkin (Brad Kligerman, artist & architect).

Yesterday marked my own first interaction with other avatars in SL, and, unfortunately for the organizers, it was kind of like how most skeptics might’ve imagined it. To quote James Morgan via Rhizome:

If you haven’t been in Second Life then you cannot understand the lengths to which something can go wrong. It was certainly odd for the world to be offline at the beginning of our conference yesterday [and they didn’t get the sound working – imagine giving a prepped 15-min presentation by typing just the important bits in real time!], but I have to say that Laura Jones, Brad Kligerman, and Renée Ridgway managed to maintain composure and have an interesting session on remains.

Yes, the second part of his statement is dead on – despite technical problems. It was admittedly more like a chat, where other things interrupt (BRB!), than like being at a physical conference, where that is the sole thing you are doing (and I think audio might have helped there), but that is the nature of SL, I imagine, and I think the generosity and interest of everyone I spoke to actually showed an enjoyment in navigating that space. There were continual slippages between SL and “RL” names and activities, my favorite part being when Brad / Kliger’s beautiful but dopey-looking avatar (which had just finished giving a pretty intense “talk” about his work) said he was “fried.”

SL means never looking bad or having morning breath, no matter what happened the night before.

Hopefully I’ll ‘see’ some of you at today’s sessions – I’m on the second one, “Body in Quotes” – program here and instructions on participating here.

Posted in art, art and tech, pop culture, research, reviews, stimulus, theory ·
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