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05 September 2006 by nathaniel

NETWORKED_PERFORMANCE at The Premises Gallery

via atjoburg and Christo Doherty:

I’m wary of rushing to proclaim South African firsts, but the networked art event at Premises on Saturday 2 September certainly felt like an authentically new thing.  Digital Artists from South Africa and different parts of Britain were collaborating in real-time to create a networked video art event.

Trinity hosted a live collaborative performance by Nathaniel Stern (on site in Johannesburg), Marc Garrett from Q Arts (in Derby, UK) and Ruth Catlow from HTTP, London.  They engaged in thirty minutes of live audio-video performance by uploading, manipulating and collaging images, video clips and sound via the VisitorsStudio database.

According to VisitorsStudio, the idea behind their service is  "to encourage audiences new to media arts to get actively involved in the creative process by providing an easy-to-use, experimental production space live online, which was also a playful social space."  This definitely happened on Saturday.  The small but enthusiastic audience watched the three headline artists interact and then sat down behind the provided laptops to experiment with the network themselves.

Fueled by the sponsored Red Bulls (look closely at the debris on the tables)  even participants new to the process quickly got the hang of the VisitorsStudio interface, which is written in Flash 8.  The system allows a form of participatory doodling which, at times when real interaction occurs, bursts into moments of visual delight. I hope this is just the first of such networked performancens and intercontinental collaborations through the WWW.

Posted in art, art and tech, me, pop culture, re-blog tidbits, reviews, south african art, stimulus, technology, theory, uncategorical ·

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29 August 2006 by nathaniel

Jeremy Wafer takes Sasol Wax Award

Will have to blog more about this later in the week (probably weekend), as it was such a commendable show of great work by some of SA’s best, and sometimes underappreciated, artists – but that’s for when my time winds down a bit. In the meanwhile, you heard it here first. Without the Kebbles, this is SA’s biggest contemporary art award, and the only one geared towards long-time/mid-career artists, whose contributions to the community in this country matter almost as much as their art. Congratulations Jeremy – you deserve this and so much more.

w00+

Posted in art, news and politics, reviews, south african art, stimulus, uncategorical ·

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13 August 2006 by nathaniel

a transition (the rumors are true) – updated below

Sorry I have not been blogging much lately.  Been a little turned off by complaints, busy with a newborn, and planning for a big move. Which brings me to this:

So, the rumors are true. I’ve been offered a fellowship to study in Dublin, and will be doing a PhD-by-research/production at Trinity College beginning October.  My dissertation and artworks will carry on in the vein they always have, with a focus on the implicit body. Here’s the FAQ, so the rumor-mill doesn’t get too out of hand.

  1. yes, my family is of course coming with me
  2. yes, we are coming back – we have not sold our flat, and Nicole is applying for leave from Wits
  3. yes, this is the same department and program that Cape Town artist Ralph Borland is studying in (tho our funding comes from different sources). We are great friends (studied together in New York), and have both been researching departments suitable for our work for a while now, all the while sharing our findings. We’re hoping to continue our collaborative teaching, as well as perhaps start some collaborative art projects, while overseas.
  4. yes, this blog WILL change.  Altho I’d love to have more guest bloggers writing about the scene here in Jozi, I can’t help it if no one bites, and won’t be able to do much from Dublin. I’ll do my best to promote SA art there, and will cover any I see in Europe, as well as happily post any SA writings sent my way. I do not know what kind of life I’ll have in Dublin yet, so certainly don’t know what kind of blog I’ll have. Still, my research and art will be my top priorities, so expect less on this site until we return
  5. yes, I’ll still be connected to SA. I already have a show booked for January in Joburg (and am coming back for it), and have another trip planned to be here in September.  I hope to travel said exhibition to Cape Town in ’08 if possible, and/or will book another exhibition in Joburg, of newer work. I’m also planning to participate in group shows – Johannesburg is one of the only two places I have ever called home (the other being New York).
  6. yes, atjoburg and SAarts will carry on. The former, along with The Upgrade! Johannesburg, will be run by co-founder Christo Doherty (tho I will consult from afar). The latter will carry on as it has, on a submission basis but edited and run by myself, Simon Gush and Bronwyn Lace.
  7. Surprisingly, a few people have asked me about my Wits teaching, and thought I was "leaving my post." Altho I still occasionally do workshops there, and I helped design the Interactive Arts MA and was its core part-time lecturer for 3 years, I have never been there full-time (or half-time, or with any title), and left the core lecturer part-time job in 2005. As an aside – and just to be clear – Christo (Head of Digital Arts) and I are on more than excellent terms as colleagues and friends (his recommendation helped greatly with my application to Trinity, and we’re planning to do some traveling together in Europe when he’s on leave in the second half of next year), and I hope to be involved with the department again on my return.
  8. update. We expect to be in situ in Ireland for about two years. My funding is for three, but  my supervisor has agreed to let me finish up the dissertation at a distance, allowing Nicole to get back to work, and me more time and space to write in SA while getting back into its rhythm…

Let me know if you have any questions or whatever, but please also wish us luck! We leave on 25 October.

Posted in art, art and tech, me, news and politics, reviews, south african art, uncategorical ·

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13 August 2006 by nathaniel

the shooting gallery

via site:

a digital ceremony for a war photographer

Literary cult figure and pioneering digital filmmaker, Aryan Kaganof joins Catherine Henegan, Amsterdam based multi-disciplinary artist, for a gripping performance about a war photographer and an insatiable media machine. Also included in the team is James Webb, internationally renowned electronic sound artist who has created an audio landscape for the performance….

read more….

I went to go see this piece on its closing day. There were some amazingly beautiful moments, such as when aryan swung naked from the ceiling, blowing out candles in remembrance, or his hilarious first phone call about war being great for his career. A comment on mass media as producing reality, some important messages in the piece (tho occasionally the piece itself felt a little too mediated). Definitely a historical landmark for networked performance in South Africa, if not the world.

Posted in art, art and tech, kaganof, news and politics, pop culture, re-blog tidbits, reviews, south african art, stimulus, technology, uncategorical ·

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30 July 2006 by nathaniel

ismail farouk and the parking gallery

JHB626GP, on the parking gallery roof. Photo by Christo Doherty
JHB626GP, on the parking gallery roof. Photo by Christo Doherty

JHB626GP, Ismail Farouk’s solo exhibition of a video produced for the Venice architectural biennale and photographs shot of a burning house in Ellis Park, was an amazing testament to the urbane provocations alive and well in downtown johannesburg.  Between a great SAarts article by Rat Western and Matthew Krouse’s interview in the M&G, a lot has already been said recently about this entertainer / artist – I highly recommend both of these pieces, and won’t repeat their content here. I will say that his evocative and emotive images resounded with a plea to look again and work at our country, while his stylistic video (I could admittedly have done without the Mendoza track in the sound, but rumour has it that the British producers insisted, believing it to be more ‘authentically’ South African) portrayed a sympathetic but vibrant rhythm to our city.

I am biased, without doubt, but I also think this show concretizes Simon Gush as one of SA’s rising gallerist stars. His experience as an exhibition hanger, dabbling with curatorship, and artistic sensibilities – as well as an innate fearlessness around risks and complex set-ups – helped to create the perfect spaces for Farouk’s cityworks.

Best show I’ve been to in a long while. Congratulations to Ismail, Simon, Rat and Max. (And to Lindsay Bremner, for a great opening speech – a textured and inviting mediation in under 5 minutes, as an opening text should be…. And that was the most unpretentious use of Deleuze I’ve ever heard…. She and Farouk are the leftmost peops in the pic below. Oh, and many thanks to Christo Doherty for the use of his beautiful photos.)

Lindsay Bremner and Ismail Farouk, left, in front of the latter's images at his solo exhibition. Parking Gallery, Johannesburg. Photo by Christo Doherty
Lindsay Bremner and Ismail Farouk, left, in front of the latter’s images at his solo exhibition.
Parking Gallery, Johannesburg. Photo by Christo Doherty

Posted in art, art and tech, news and politics, pop culture, reviews, simon gush, south african art, stimulus, uncategorical ·

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23 July 2006 by nathaniel

galleries abound

robert hodgins and jan neethling @ art on paper galleryHit up Diane Victor’s great opening of 2-D works at Goodman (a little monochromatic, but it is Diane – and the fleshly and performative smoke drawings are my fave), Angus Taylor’s sculpture exhibition at U of J (the large-scale and abstract concrete works are the best), and an amusing and (as always) quality (and surprisingly affordable) Jan Neethling and Robert Hodgins @ Art on Paper. All worth seeing…. Pix up on flickr.

Posted in art, flickr, reviews, south african art, uncategorical ·
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nathaniel’s books

Interactive Art and Embodiment book cover
Interactive Art and Embodiment: the implicit body as performance

from Amazon.com

Buy Interactive Art for $30 directly from the publisher

Ecological Aesthetics book cover
Ecological Aesthetics: artful tactics for humans, nature, and politics

from Amazon.com

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