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18 January 2008 by nathaniel

Ralph Borland at Wits (Johannesburg)

If in Joburg, go see a great speaker and artist (and my classmate from ITP, peer in South Africa, and colleague in Dublin), Ralph Borland, next Friday.

Ralph Borland
Photographs by Pieter Hugo
Suited for Subversion, 2002
Nylon-reinforced PVC, denim, padding, speaker, pulse-reader, circuitry
Edition of 3

We are very pleased to kick off the 2008 Digital Soiree series with a
presentation by Ralph Borland entitled “Provocative Technology”.

The Soiree will take place from 13:15 – 14:00 on Friday 25 January in the
Digital Convent Seminar Room, WSOA, Wits University.

Ralph is an South African artist, technologist and DJ who is at the end of
the first year of his PhD with the Disruptive Design Team in the Electronic
and Electrical Engineering Department, Trinity College, Dublin.

He is examining an area of critical technology design practice
undertaken mainly by artists and designers, and proposing its
application to appropriate technology design.

His presentation will be around 30 minutes long, after which he will be
asking for feedback, and hoping for leads to more projects and
histories. He writes: “I’d like to know how the work I’m engaged with may
resonate with practitioners from a variety of fields. Feel free to invite
anyone who may be interested.”

Posted in art, art and tech, Ireland Art, pop culture, re-blog tidbits, south african art, stimulus, technology, theory, uncategorical ·

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17 January 2008 by nathaniel

screening

Forgot to mention that at interval was screened at the  Enormous Room, Boston last night as part of Andrew Shea’s Fourth Wall program.
aonxia.jpg

Posted in art, art and tech, creative commons, pop culture, re-blog tidbits, technology ·

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17 January 2008 by nathaniel

ingrid michaelson

ingrid_michaelson.jpg

I rarely look up a song I’ve heard on television. Maybe on a late night show now and again (I think I found Corinne Bailey Ray thanks to a meta-late night show, Studio 60), or something in a movie, but on TV, not so much. But after the third time I had turned to my wife and said, “This is actually quite a beautiful song; and I think it may be the same artist as the last time I said this,” while watching Grey’s Anatomy, I caved and looked it up on the internet. I was shocked when I found Ingrid Michaelson’s name. Via Wikipedia:

Michaelson was born to artistic parents — composer Carl Michaelson and sculptor Elizabeth Egbert, who is the Executive Director & President of the Staten Island Museum. She took up piano at age 5. She had trained until age 7 at Manhattan’s Third Street Music School and continued for many more years at the Jewish Community Center of S.I.’s Dorothy Delson Kuhn Music Institute. There she met vocal coach Elizabeth McCullough, who worked with her through high school. She is a graduate of Staten Island Technical High School and Binghamton University, where she received a degree in theatre.

“Hey, Nathaniel,” you might ask, “didn’t you go to SI Tech?” Yes, I did, and Ingrid and I were pretty friendly for a short while. In fact, next time I’m at my folks’ place (though that may be a year or so in the making), I’ll go and dig up some photos of us (real photos? not on flickr? Yeh, we’re talking old school disposable camera photos circa 1994/1995).

This isn’t, of course, to take any ownership of Ingrid, her talents or her success. Probably more accurately, I knew the girl who would some day grow to be the woman pictured above (though she doesn’t look as if she has aged a bit. Of course, her lyrics reveal a maturity that says otherwise….). I’m sure neither one of us is the same person. But despite that recognition, I can’t help but feel a sense of – not pride, as that would indicate I played even a small role, which I did not – satisfaction.

I think this satisfaction comes from bearing witness. Ingrid has the same ‘humble beginnings to myspace find to nearly a rock star’ bio on her web site, in the NY Times, and various other places (that last link is a nice interview). But I know it not as a press release – it’s all true. I’ve been to her house on Van Duzer Street on Staten Island; I’ve met her parents; I’m pretty sure I was even in a school show with her (yes, I used to sing and play music in a past life…). Even back then (she was 14 or 15 when we met), Ingrid was generous, quirky, did her own thing, down to earth (see aforementioned interview), and had a similar style to the one she has now: I liked her immediately.

We haven’t been friends since I graduated in 1995, but I do remember running into her, must’ve been around 2001, when I was at NYU; I don’t remember much about the conversation (other than the standard, Staten Island / high school friend thing of poking a bit of fun at each other), but I recall that she was content doing a bit of acting, playing music, figuring things out. I looked her up a few years later (around the time Friendster was popular and I also was feeling minor nostalgia/homesickness living in Johannesburg, so looking up high school buddies), and found her web site and downloaded a few MP3s. Still doing her thing. I had meant to email her and say how I liked the tracks, but never got around to it, and my guess is that she’s pretty aware of the fact that lots of people like them by now :)

It’s just nice to see, you know? It’s a real story of someone who did not claw or suffer or change to get some success. She was content to do her thing before she was a rock star, and from what I can tell, she’s continuing on that track now, as she says, “taking it slow.”

Congratulations, Ingrid. I’m a different kind of fan to the one I was in our former incarnations, but you can add me as one for sure. I wish you more and more success.

Sidenote: also check out Ingrid’s “dutch pop” (ha) side project, Ingrid&Andrew

Sidenote 2: and if you like that, and speaking of talented musicians I went to high school with, also check out João Orecchia (that’s his site; here’s his myspace) – who I do still know very well; he is my daughter’s god father – and his Johannesburg-based band 5 Men 3 Missing (again, their site. myspace). Awesome stuff.

Posted in flickr, Links, me, music, poetry, pop culture, re-blog tidbits, stimulus, uncategorical ·

Archives

09 January 2008 by nathaniel

breaking: first blog post in a long time says very little but amuses nathaniel!

Paddy Johnson has seemingly moved to using the royal ‘we’ in her posts.

Posted in art, pop culture, re-blog tidbits, uncategorical ·

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14 December 2007 by nathaniel

Spier Contemporary

spier contemporary

South Africa’s new premiere, biennial, contemporary exhibition and competition opened last night in the Cape. Sounds like an amazing exhibition, with lots of young, new names whose careers will hopefully be launched through their wins. Sorry to miss it, but I’m sure there’ll be lots of coverage in the coming months. I feel like it should be noted that Tegan Bristow’s piece, was not just a video, but also interactive – she’s a former student of mine and currently teaches in the Digital Arts department at the University of the Witwatersrand.

From here:

And the winners are:

• Abrie Fourie for his photographic works: Beverley Hills, Sunnyside, Pretoria 2007 and Changing Room, Hillcrest Swimming Pool, Pretoria 2007;

• Chuma Sopotela, Mwenya Kabwe and Kemang Wa Lehulere for their performance U nyamo alunampumlo (The foot has no nose), a work that explores African urban centres, through a hybrid of theatrical forms including live-feed video projection, living installations and live performance work;

•Bettina Malcomess, Rene Holleman and Linda Stupart for their performance Doing it for Daddy, a walking tour of the Spier Estate which reimages real and fictional histories;

• Nina Barnett and Robyn Nesbitt for their video Warcry, a challenging and thrilling look at the war cries of two Johannesburg schools;

• Andrew Putter for Secretly I will love you more, a haunting video installation based on three paintings in the Castle of Good Hope in which the portrait of Maria van Riebeek sings a Khoi Khoi lovesong-lullaby, celebrating her love for Krotoa, her adopted Khoi Khoi daughter; and

• Peter van Heerden for his performance Die Uitlander, the African and the Vrouw, which looks at the patriotism, dedication and resolve of African women.

Receiving special mention were: Tegan Bristow for her video Chalk Vision; Bongani Joseph Khoza for his video On Trains with Bongani; and Kai Losgott and Anthea Moys for their video Unsaid.

There is one more award still to be made. This is the People’s Choice Award.Anyone visiting the exhibition can vote for their favorite artwork. On 20 February 2008 when the exhibition will close on the Spier Estate, the final winner will be announced. The seven award winners will share the prize money of R700,000. All the prizes will be some type of self study, residency programme or another which promotes or progresses the artist’s career.

Posted in art, art and tech, pop culture, re-blog tidbits, south african art, stimulus ·

Archives

26 November 2007 by nathaniel

support turbulence

turbulence.org

Turbulence.org is one of the most important supporters of new media art and artists of the last decade, and longer. And they need your support (via my inbox, below).

Dear Friends,

We need your support. If you:

— are one of the thousands of people who regularly visit Turbulence.org, Networked_Performance, Networked_Music_Review and/or New American Radio

and/or

— are one of the hundreds of teachers who use Turbulence works in your new media/digital art courses

and/or

— are an artist who has received a Turbulence.org, Networked_Performance, and/or New American Radio commission

and/or

— have presented at or attended Upgrade! Boston (Art Interactive or Massachusetts College of Art and Design), Floating Points (Emerson College), or Programmable Media (Pace Digital Gallery)

now is the time to give something back.

We cannot continue without your help. We MUST raise $25,000 by December 31, 2007.

WHAT WE’VE ACCOMPLISHED IN 2007

In addition to an exceptional year of supporting artists through commissions, public events, and our world-renowned resource, Networked_Performance, we started a second blog called
Networked_Music_Review (NMR). On it you will find in-depth interviews with sonic artists and musicians; world-wide events highlighted in real time; a “Weekly” post spotlighting interesting works, artists and conversations; a monthly newsletter which summarizes each month’s activities; and much more.

WHAT YOU CAN EXPECT IN 2008

On November 15, NMR began launching fifteen commissioned works, several of which will premiere live at “Programmable Media II: Networked_Music,” a 2-day symposium at Pace University, New York City in April 2008.

In addition to launching 20 new commissioned works, other upcoming highlights include “Mixed Realities,” an exhibition and symposium at Emerson College, winter 2008; and “Re(Connecting) the Adamses,” a major exhibition co-presented with Greylock Arts (Adams, Massachusetts) and MCLA Gallery 51 (North Adams, Massachusetts), summer 2008.

Please make a cash tax-deductible (for US residents) contribution. No amount is too small! Pay via the PayPal button on the Turbulence homepage: http://turbulence.org. Or send a check to New Radio and Performing Arts, Inc., 124 Bourne Street, MA 02131.

Thanks.

Kind Regards,

Jo-Anne Green and Helen Thorington
Co-Directors

New Radio and Performing Arts, Inc.: http://new-radio.org
New York: 917.548.7780 . Boston: 617.522.3856
Turbulence: http://turbulence.org
Networked_Performance Blog: http://turbulence.org/blog
Networked_Music_Review: http://turbulence.org/networked_music_review
Upgrade! Boston: http://turbulence.org/upgrade
New American Radio: http://somewhere.org

I know, I know; I’m totally broke, too. But if I can throw them a few bucks, so can you.

Posted in art, art and tech, creative commons, inbox, Links, me, music, poetry, pop culture, re-blog tidbits, stimulus, technology, theory, uncategorical ·
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