Election
Hillary channeling Reese Witherspoon.
somehow missed this feature a few days ago:
Sentimental Construction (2007, 25.4MB, 6:31 min)Nathaniel Stern took a bit of a hammering in various quarters for this piece,
made on a residency in Croatia.
I think there’s an probably an element of you-had-to-be-there about this
although, that said, I think the video is rather magical &
does as good a job of summoning the kind of ephemeral spell this stuff can weave
as any I’ve seen.
Lastly it has to be said the reason Nathaniel is great is because
(1) he has a frightening amount of energy, more indeed, really, than his fair share –
he starts 5 ‘isms’ before breakfast
(2) he is bold, unafraid to risk looking ridiculous & therefore quite often as an artist
he goes to much more interesting places than most…
In general I’ll take a Nathaniel “failure†over quite a lot of folks’ “successâ€.
Thanks, Michael. Tom Moody came to this piece’s defense a day or two after Paddy’s pan (above), as well. This video has actually since been updated/edited (only had one day to do it in situ in Croatia), available here. Follow-up piece (passage) is here. Not sure what’s next, but it’s growing and changing as I ride it out, or fuck it and go in the opposite direction…
Was part of a festival / party promoting Irish tourism in Dublin SL this past weekend (weird to be dancing and partying while sick in bed, but there you are). Below is a brief video with some of my prints (and my dancing avi) featured, and below that, a scan of the Irish Times feature (preview) article on the event. In the coming weeks, I’ll be putting together a large solo exhibition of Compressionist works for a new gallery opening up in Second Life, courtesy of Haydn Shaughnessy…
[youtube:http://www.youtube.com/watch?v=CLxPAqUIT1k]
A continuation from The Wireframe Series: Sentimental Construction #1, performance 2 (passage) is a similarly site-specific, publicly performed architectural structure made of rope. The piece, erected in Joubert Park, Johannesburg South Africa (2007), twists the idea of ‘public space’ by its double activation: first, through the volunteers who stretch its form outward and around them; and second, through the communal play of the park’s inhabitants, which gives the structure a performative turn.
Although the design is, itself, a passage – several doorframe shapes in series, swinging freely from atop four wooden poles – it can only move between hard and soft, virtual and actual, public and private, through its contact with people. This is juxtaposed with the inconsistencies of South Africa’s major inner-city: crumbling art deco buildings surrounded by crowded streets and busy taxi ranks, all making way for the quiet of the Johannesburg Art Gallery’s neo-classical architecture, and the leisurely games, picnics and ice cream stands in the inexplicably carved-out Joubert Park. The surrounding areas of the park have historically been a bundle of contradictions – before, during and after Apartheid – sustained as civic spaces because of how they’re used by the public. performance 2 playfully mirrors the contradictions of this space and its utility, and further underpins the tensions between work and play, nostalgia and possibility, construction and emergence.
video documentation
[youtube:http://www.youtube.com/watch?v=MaYitxrlMm8 500 395]
download as quicktime or ogg / theora
Performers / Documentarians: Brendan Copestake, Ismail Farouk, Anthea Moys, João Orecchia, Rat Western. Click for photos and sketches.

The video, images, concept and design of this work are licensed
under a Creative Commons Attribution 3.0 Unported License
Video installation, projected on sculptures in the shape of the original furniture (as distorted by the wide angle lens), which is bolted to the wall. Has been exhibited in various South African venues.
“video art exploring multiplicity – three characters played by the same artist. installed by projecting onto a table and three chairs of this shape, bolted to the wall….” more
[youtube:http://www.youtube.com/watch?v=LH8dFNp23Gw]