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22 June 2007 by nathaniel

DATA returns!

The Dublin Art and Technology Association, originally founded by Jonah Brucker-Cohen and Nicky Gogan, was re-launched after a year-long hiatus, as as part of this year’s Darklight Festival, last night.

Featured works / artists included:

Paul Makepeace, a technologist who donates much of his income to artists, and encourages others who make decent cash to do the same (we love that); Blackletter.ie, self-publishing for Irish contemporary artists (has not yet reached its full potential, but already a fabulous resource, and I’ve watched it get better already in the short time I’ve been using it…); John Buckey and David Walker – The Kingdom, a 3D space akin to Second Life, but prettier and more art friendly; and Benjamin Gaulon, some of the coolest public art I’ve seen in a while, especially his de pong game, highly recommended by following the relevant links above.

Per usual, folks were invited to “bring your new videos, websites, works in progress!” but I had to jet home to help with the babe befre we got to that part… DATA is a great presentation, resource and discussion group – congrats to the organizers for breathing life into it again. Looking forward to more…

Posted in art, art and tech, Ireland Art, Links, re-blog tidbits, reviews, stimulus ·

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21 June 2007 by nathaniel

Cao Fei / China Tracy on VVORK

We love her.

Posted in art, art and tech, creative commons, iSummit07, pop culture, re-blog tidbits, stimulus ·

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20 June 2007 by nathaniel

critique and comparison

Some nice further discussion in the comments section of Tom Moody’s post about my Wireframe Series, and I’m glad for the crit – some positive, some negative, all useful for when I implement the next iteration (hopefully in Joburg in September). I’m even more grateful for his second post, a point by point comparison to Stephen Hendee (image: The Eye, New Britain Museum, New Britain, CT, USA, 2005):

hendee

-specifically evokes “wireframe” computer model (or “invokes” in the case of Stern, who uses the word in his title)
-reproduces wireframe outlines as an actual object
-“problematizes” computer drawing with surrealist invention, deformation
-use of materials such as tape and foamcor (Hendee) and rope (Stern) suggests folk-like or cargo-cult-like reification or fetishization of high technology
-inverts the idea of a computer as effortless and airy through the conspicuous employment of hand labor

I think that these, coupled with his point of it being “activated through its contact with people” (both the performers/volunteers, and the public) are where I should re-double my efforts.

Posted in art, art and tech, creative commons, iSummit07, me, re-blog tidbits, stimulus, theory ·

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20 June 2007 by nathaniel

Thank you, Tom Moody

Tom Moody defends Sentimental Construction #1 after Paddy Johnson’s initial slate. Although I tend to take criticism well, and Paddy and I are “still friends” (we met through professional channels, and now I like to think of us as such), I was very pleased to see my name on Tom’s channel in my RSS reader, and I’m a little less mopey about the initial bad review – what with Tom’s taking her to task. (Intellectual Property Spokesperson Tom Chance also had good things to say on the iCommons site, but it means more to me coming from an artist, and on an arts blog I read / like.) Above are better pics of the installation view than Tom (Moody) managed to find (he was just looking in the wrong place – it was on my camera, rather than online anywhere…), and there are direct links to the video and images on the lower right, here.

(Here are another set of parentheses, just to drive home the point that I think in little node-like bubbles.)

Posted in art, art and tech, creative commons, iSummit07, Links, me, pop culture, re-blog tidbits, south african art, stimulus, theory ·

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20 June 2007 by nathaniel

more on the CC artist panel (update)

I’m not sure Paddy’s post on the panel represents my position very well, and moreover seems to fall in line with the (de-contextualized – David is actually saying something else) claim that my attention to try and make a little money for my art is exploitative (see the comments here). I think Tom Chance does a better job explaining what the vast majority of my presentation was about; and in light of MTAA’s response, I thought there’d be nothing wrong with my doing some clarification as well.

Most of my presentation was about the artist in residence program. I explained why it began (to bring more fine artists into the fold), ventured into the diversity of artists we invited (what they do, how they are – directly or indirectly – involved with CC, and what the two can offer to each other), explained what the residency was encouraging artists to look at (1. Differing modes of production that move beyond re-mixing; and 2. How we as artists can sustain ourselves — this was at the request of the iCommons), showed some of my own work and where my interests lie, and finally, I gave one potential example of each of these (production and money-making). Only one of these, the final bit, one slide, gave a bit on how to use CC to make money. Most of my presentation was just contextualizing for the rest of the artists.

I think, when talking about my own interpreatation, the far more interesting point was the one about context and site-specificity, and how CC might allow for or encourage international collaboration (something that may create a minor tension with Tim’s point about CC having little to do with the value of a work, but the argument could go either way). Read Tom Chance’s post or take a look at the CC description for Sentimental Construction #1 for more on what I was trying to say here.

update: paddy makes the point that she did not say there was anything wrong with my marketing my work (in my comments), and she’s right: she didn’t say that. So, I wanted to add that I only felt misrepresented because “marketing” was the only part of my talk that warranted a mention in her post, not that she “got it wrong” on any level, but that I wanted to give mention to some of the other things I talked about. That, coupled with David’s crit (which does kind of allude to “bad-ness”), above, inspired this post.

Posted in art, art and tech, creative commons, flickr, iSummit07, me, pop culture, re-blog tidbits, stimulus ·

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17 June 2007 by nathaniel

a few iCommons re-blogs (updated) (again)

Of money, meaning and artists in residence is a lovely response to our artist talk and work by Tom Chance, while Paddy’s insightful review is slightly more critical (especially of my own work). It inspired a great conversation, actually, and I’m excited about where I might go with the next Wireframe, as I think through what happened, and what didn’t (with or without Paddy’s approval :).

And more from Joy. And, oh well, go here. That’s what technorati is for – I’m off to a planning meeting for next year’s Summit!

updated links (and again):

http://www.robmyers.org/weblog/2007/06/14/the-art-happens-here/#comment-39071
http://www.parthsuthar.com/derive/2007/06/15/the-art-happens-here/
http://www.secondlifeherald.com/slh/2007/06/by_prokofy_neva.html#more
Why don’t artists use open source software?
Second Summit
http://www.ugotrade.com/2007/06/18/second-life-a-global-creative-context-of-the-future/
http://www.turbulence.org/blog/archives/004417.html
http://newsgrist.typepad.com/underbelly/2007/06/icommons_keynot.html

Posted in art, art and tech, creative commons, iSummit07, pop culture, re-blog tidbits, reviews, south african art, stimulus, theory, uncategorical ·
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