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17 January 2008 by nathaniel

DATA (Dublin Art and Technology Association) Workshop 2.0* – *E-Waste 3.0â„¢

Workshop by Benjamin Gaulon (Recyclismâ„¢), Lourens Rozema (Blue Melon), with the support of Tim Redfern (Eclectronics) for the Dublin Art and Technology Association the February 2nd-3rd at the Moxie Studio Dublin.

Summary:
Moore’s law dictates that the complexity of computer chips doubles each 18 months. This causes a rapid decrease in the value of existing electronics. Thus, the dark side of technological progress is the production of endless amounts of electronic waste: e-waste. Although the economic value of obsolete electronics approaches zero, the electronic components themselves can still be useful in other contexts.

Our workshops offer the participants to become familiar with basic hardware and software design while at the same time gaining hands-on experience making an interactive art project. The workshops are open to participants of different backgrounds and no programming or electronic skills are required. The idea is to start from scratch and create a complete project over a weekend, including concept, design, electronics/ interfacing, and functional programming with Max/Msp, Pure Data or Processing.

Duration: 2 days
Admission fee: 20€
Application: by e-mail at ewaste3.0[AT]gmail.com
Group: 14 participants

Posted in art, art and tech, inbox, Ireland Art, Links, re-blog tidbits, stimulus, technology ·

Archives

17 January 2008 by nathaniel

artreview.com

A little overwhelming at first, the new artreview.com web site (currently in beta) has some really great features, the potential to pair up emerging artists with known entities (a plus), and to sustain a growing interest in the contemporary, fine and visual arts despite the upcoming American recession (whose effects people are arguing over in the art world).

Like most community sites, it’s a bit overhwleming at first. Kind of a myspace meets art zine meets saatchi gallery – which could be good or bad, I gather. Admittedly, I have a hard enough time maintaining my own web site, so I’ve never used the aforementioned for much in terms of “career” (and have mostly joined things like them and facebook when enough people have harassed me to do so, meening saatchi doesn’t even know my name) but that doesn’t mean it can’t work for you (hell, the Irish Gallery I work with found me on flickr – even tho I mostly use that site for photos of my daughter! And look at my last post on musician Ingrid Michaelson).

The things I like best about the new site are that there are feeds for EVERYTHING, and the blogs, reviews and videos seem to mix up commissions with everyday folks (I believe Paddy Johnson will be doing some NYC writing for them, and looks like Régine Debatty of wemakemoneynotart already has). And the front page had some great content, so I didn’t have to go looking for it when, after sizing it up, I wanted to read something.
I haven’t quite been convinced to sign up yet, but I am not ruling it out either…. Def worth keeping an eye on.

Posted in art, re-blog tidbits, reviews, stimulus ·

Archives

17 January 2008 by nathaniel

ingrid michaelson

ingrid_michaelson.jpg

I rarely look up a song I’ve heard on television. Maybe on a late night show now and again (I think I found Corinne Bailey Ray thanks to a meta-late night show, Studio 60), or something in a movie, but on TV, not so much. But after the third time I had turned to my wife and said, “This is actually quite a beautiful song; and I think it may be the same artist as the last time I said this,” while watching Grey’s Anatomy, I caved and looked it up on the internet. I was shocked when I found Ingrid Michaelson’s name. Via Wikipedia:

Michaelson was born to artistic parents — composer Carl Michaelson and sculptor Elizabeth Egbert, who is the Executive Director & President of the Staten Island Museum. She took up piano at age 5. She had trained until age 7 at Manhattan’s Third Street Music School and continued for many more years at the Jewish Community Center of S.I.’s Dorothy Delson Kuhn Music Institute. There she met vocal coach Elizabeth McCullough, who worked with her through high school. She is a graduate of Staten Island Technical High School and Binghamton University, where she received a degree in theatre.

“Hey, Nathaniel,” you might ask, “didn’t you go to SI Tech?” Yes, I did, and Ingrid and I were pretty friendly for a short while. In fact, next time I’m at my folks’ place (though that may be a year or so in the making), I’ll go and dig up some photos of us (real photos? not on flickr? Yeh, we’re talking old school disposable camera photos circa 1994/1995).

This isn’t, of course, to take any ownership of Ingrid, her talents or her success. Probably more accurately, I knew the girl who would some day grow to be the woman pictured above (though she doesn’t look as if she has aged a bit. Of course, her lyrics reveal a maturity that says otherwise….). I’m sure neither one of us is the same person. But despite that recognition, I can’t help but feel a sense of – not pride, as that would indicate I played even a small role, which I did not – satisfaction.

I think this satisfaction comes from bearing witness. Ingrid has the same ‘humble beginnings to myspace find to nearly a rock star’ bio on her web site, in the NY Times, and various other places (that last link is a nice interview). But I know it not as a press release – it’s all true. I’ve been to her house on Van Duzer Street on Staten Island; I’ve met her parents; I’m pretty sure I was even in a school show with her (yes, I used to sing and play music in a past life…). Even back then (she was 14 or 15 when we met), Ingrid was generous, quirky, did her own thing, down to earth (see aforementioned interview), and had a similar style to the one she has now: I liked her immediately.

We haven’t been friends since I graduated in 1995, but I do remember running into her, must’ve been around 2001, when I was at NYU; I don’t remember much about the conversation (other than the standard, Staten Island / high school friend thing of poking a bit of fun at each other), but I recall that she was content doing a bit of acting, playing music, figuring things out. I looked her up a few years later (around the time Friendster was popular and I also was feeling minor nostalgia/homesickness living in Johannesburg, so looking up high school buddies), and found her web site and downloaded a few MP3s. Still doing her thing. I had meant to email her and say how I liked the tracks, but never got around to it, and my guess is that she’s pretty aware of the fact that lots of people like them by now :)

It’s just nice to see, you know? It’s a real story of someone who did not claw or suffer or change to get some success. She was content to do her thing before she was a rock star, and from what I can tell, she’s continuing on that track now, as she says, “taking it slow.”

Congratulations, Ingrid. I’m a different kind of fan to the one I was in our former incarnations, but you can add me as one for sure. I wish you more and more success.

Sidenote: also check out Ingrid’s “dutch pop” (ha) side project, Ingrid&Andrew

Sidenote 2: and if you like that, and speaking of talented musicians I went to high school with, also check out João Orecchia (that’s his site; here’s his myspace) – who I do still know very well; he is my daughter’s god father – and his Johannesburg-based band 5 Men 3 Missing (again, their site. myspace). Awesome stuff.

Posted in flickr, Links, me, music, poetry, pop culture, re-blog tidbits, stimulus, uncategorical ·

Archives

09 January 2008 by nathaniel

breaking: first blog post in a long time says very little but amuses nathaniel!

Paddy Johnson has seemingly moved to using the royal ‘we’ in her posts.

Posted in art, pop culture, re-blog tidbits, uncategorical ·

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14 December 2007 by nathaniel

Spier Contemporary

spier contemporary

South Africa’s new premiere, biennial, contemporary exhibition and competition opened last night in the Cape. Sounds like an amazing exhibition, with lots of young, new names whose careers will hopefully be launched through their wins. Sorry to miss it, but I’m sure there’ll be lots of coverage in the coming months. I feel like it should be noted that Tegan Bristow’s piece, was not just a video, but also interactive – she’s a former student of mine and currently teaches in the Digital Arts department at the University of the Witwatersrand.

From here:

And the winners are:

• Abrie Fourie for his photographic works: Beverley Hills, Sunnyside, Pretoria 2007 and Changing Room, Hillcrest Swimming Pool, Pretoria 2007;

• Chuma Sopotela, Mwenya Kabwe and Kemang Wa Lehulere for their performance U nyamo alunampumlo (The foot has no nose), a work that explores African urban centres, through a hybrid of theatrical forms including live-feed video projection, living installations and live performance work;

•Bettina Malcomess, Rene Holleman and Linda Stupart for their performance Doing it for Daddy, a walking tour of the Spier Estate which reimages real and fictional histories;

• Nina Barnett and Robyn Nesbitt for their video Warcry, a challenging and thrilling look at the war cries of two Johannesburg schools;

• Andrew Putter for Secretly I will love you more, a haunting video installation based on three paintings in the Castle of Good Hope in which the portrait of Maria van Riebeek sings a Khoi Khoi lovesong-lullaby, celebrating her love for Krotoa, her adopted Khoi Khoi daughter; and

• Peter van Heerden for his performance Die Uitlander, the African and the Vrouw, which looks at the patriotism, dedication and resolve of African women.

Receiving special mention were: Tegan Bristow for her video Chalk Vision; Bongani Joseph Khoza for his video On Trains with Bongani; and Kai Losgott and Anthea Moys for their video Unsaid.

There is one more award still to be made. This is the People’s Choice Award.Anyone visiting the exhibition can vote for their favorite artwork. On 20 February 2008 when the exhibition will close on the Spier Estate, the final winner will be announced. The seven award winners will share the prize money of R700,000. All the prizes will be some type of self study, residency programme or another which promotes or progresses the artist’s career.

Posted in art, art and tech, pop culture, re-blog tidbits, south african art, stimulus ·

Archives

14 December 2007 by nathaniel

(U)SA should listen to Tutu

Bishop Desmond Tutu seems to be one of few outspoken and visible Apartheid heroes that still speaks a lot of sense. The quotes below are from this article on the Mail & Guardian, where Tutu is talking about Mbeki and Zuma in SA, but I think America has a lot to gain from his insights, too.

 “We don’t seem to be talking about policy differences between the two leaders. It’s merely a question of personality and how much attraction the one candidate has over the other.”…

“We’re feeling insecure because of the violence and crime and it makes us feel very worried indeed. Living behind locked doors and high walls and electric fences is not good for us and our leader needs to know this.”…

“My father used to have an expression: ‘Improve your argument, don’t raise your voice’ … It’s a very good saying. The public discourse has deteriorated in quality and now we have leaders who are not the sharpest thinkers and they’re carrying the day and we shouldn’t allow that to happen.”

“We should be frank and talk about the things that are not okay in our society… There are far better things in which to invest energy and resources.”

Read the whole article.

Posted in news and politics, re-blog tidbits, uncategorical ·
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nathaniel’s books

Interactive Art and Embodiment book cover
Interactive Art and Embodiment: the implicit body as performance

from Amazon.com

Buy Interactive Art for $30 directly from the publisher

Ecological Aesthetics book cover
Ecological Aesthetics: artful tactics for humans, nature, and politics

from Amazon.com

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