implicit art

Profundity and plasticity for the greedy
This article by Chris Roper appeared in both the online and print editions of the Mail & Guardian. Also see their online video feature.

“… The work is funny, pretty and accessible, but it’s also complicated, surprising, exceedingly well crafted and rewards a long-term relationship. That’s your cue to rush out and buy a piece, take it home and plug it in.”

“I’d better take a stab at describing the pieces in the gallery, although it would be easier all round if you checked out the video of the work on www.mg.co.za/stern. Basically, it’s a new-media mash-up. Paraphrasing the artists’ own description: they mount translucent prints and drawings on top of video screens, creating moving pictures on paper.”

“That doesn’t do justice to, for example, the mesmerising, joyful experience of watching insubstantial sharks endlessly circling The Gallerist. He’s depicted kneeling on some driftwood in the middle of the ocean while sketchy vultures hover ominously. And there’s a perfect beauty to The Great Oak, the central image of which is a drawing of a sturdy tree, already complicated by the digital echo of itself, counterpointed by ghostly figures leaping at its base.”

…

“So when you wander around the show at the misnamed Art on Paper, or if you’re lucky enough to have one of these works on your wall, you can choose. Do you just want to enjoy the playful nature of a piece such as Twin City — whoah! Here comes the flying cow again! — or do you want to meditate on the nature of the loop, which ‘without origin or telos … interweaves the work’s time with the spectator’s as rhythm rather than succession’?”

“I know, you’re a 21st-century art lover, so you want it all — profundity and plasticity, facile conversation piece and deep worth. Greedy. But with this work, you can have it all and, in true hypertextual style, leap from moment to moment, constantly recreating desire and satisfaction, in much the same way as the looped video constantly re-enacts the pleasure of watching.”

Read the entire article.