With his own brand of printed wallpaper (the pattern extracted from one of his photographs), Thomas Demand darkened the Serpentine Gallery in Kensington Gardens in London this summer. Each room a busy dark hue of green interfering with your vision in the same way that a chain link fence does: making us struggle to see the actual artwork. His intention was supposedly to make us aware of the domestic scale of the Gallery.His show consisted of large scale, slickly produced Plexiglas laminated photographs of “Life size sculptures painstakingly made by him” (Shame!) .Using rudimentary materials like paper and cardboard, he constructs banal scenes like a window surrounded by ivy, A kitchen, a photocopy shop, you get the drift right?
He has been working in this way since he left Goldsmiths in the early 90’s and has yet to find something new, rather choosing to attempt to refine the way of working and his idea.
The scenes are of course devoid of human presence and are crafted as accurately as possible. An image of a dead plant looks life like from a distance, but is revealed to be fake and constructed upon closer inspection. This show, and his work is really just a refined version of a concept that was better and more impressively produced ( and allowed to run its course) by Fischli and Weiss. The pair produced woodcarvings and Styrofoam sculptures of similar scenes and human scenarios, having since moved onto other methods of production and so, other ideas.
Demand has just reduced the same concept first to cardboard, and then to a photograph. Beyond the initial surprise of realising that what your looking at is constructed and not real, there is not much else to hold your attention, when it is really just an idea we have seen before, reduced to a large reflective photographic surface. Maybe it is more designed for the contemporary kind of travelling show, along with the need to edition, sell and adapt to the commercial museum and exhibition culture and the public’s constant need for exhibits.
How I wish for something new. The Serpentine Gallery is not one to give much away on their website.
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