Art Education

Art Education Nathaniel Stern Cover

Cover image and feature article on Nathaniel Stern’s work and practice.

“In this month’s Instructional Resource, Christine Woywod presents the interactive artworks of Nathaniel Stern who often blends art and technology to generate participatory installations through which audience members may bodily experience art, performing images into existence.” – James Haywood Rolling Jr.

Woywod, C. (2016). “Nathaniel Stern: Performing images into existence.” Art Education, Volume 69 Issue 4 pp 36-42.

Downloadable PDF of the above article is forthcoming. Firewall version here.

A companion web resource is available here.

Engadget

The photos you (probably) won’t find on Instagram

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Scanning while swimming

Artist Nathaniel Stern had taken to carrying a desktop scanner, a computing device and a battery pack around to “perform images into existence” for his “Compressionism” series. By jumping, twisting and adjusting distance, he accomplished some interestingly glitchy scanner-based images. Last July, he upgraded to a new “marine rated” setup and took the whole kit diving off the coast of Key Largo, Florida.

The result was the “Rippling” series, where he applied the same tactics underwater to create off-the-cuff aquatic imagery. The pictures were affected by nature, human interaction and the inevitable technological quirks that occur when bringing office gear into underwater environments.

See on Engadget

WIRED

‘Beyond the Interface’ deconstructs the human-machine matrix (Wired UK)
Daniel Culpin

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The relentless assault of technology on the rest of our lives is the subject of a new exhibition and series of events, Beyond the Interface — London, opening at the Furtherfield Gallery on 25 April.

The show is a “remixed” extension of an exhibition shown at the International Symposium on Mixed and Augmented Reality 2014 (ISMAR) in Munich. Curated by Furtherfield and mixed reality media artist Julian Stadon, it brings together a number of leading contemporary artists to explore how technology disrupts, enhances and alters the way we live.

On the approach to the gallery, in the McKenzie Pavilion in the heart of Finsbury Park, you’re immediately immersed by the transformation of the walls into lush, teeming images of water lilies; a hacked Monet for the 21st century. Giverny Remediated, by US-based artist Nathaniel Stern, is part of his Compressionism series. Defined by shifting, interactive prints, and inspired by classic Impressionism, the images were captured with uniquely twenty-first century methods — Stern strapped a scanner to his body to capture the blooms.

“I might scan in straight, long lines across tables, tie the scanner around my neck and swing over flowers, do pogo-like gestures over bricks, or just follow the wind over water lilies in a pond,” Stern writes on his website. “The dynamism between my body, technology and the landscape is transformed into beautiful and quirky renderings, which are then produced as archival art objects.”

Water and fluidity as a metaphor for data is a central theme of Stern’s work. As part of Beyond the Interface — London, Stern has also been commissioned to create a brand new installation, Rippling Images of Finsbury Park, a public artwork based in the park’s boating lake. Visitors will be able to download the artworks by public USB installed in the gallery’s walls, using anonymous file-sharing network Dead Drops.

Also in the show, Zach Blas’ Facial Weaponization Suite is an uncanny, disturbing protest against the dehumanising effects of biometric facial technology. The New York-based artist creates “collective masks” from facial data collected by participants in community workshops. These masks — distorted, amorphous blobs, almost resembling chewing gum — erase the recognisable features of the human face, ensuring wearers are unable to be detected by biometric facial scanners. Fusing a cry against government over-surveillance with a sympathy for those frequently pushed to the social margins, Blas’ work is provocative and politically charged.

Also on show is Jennifer Chan’s Grey Matter. The Hong Kong-raised, Chicago-based artist employs videos, gifs and webpages to cast a wry, quizzical look at representations of gender and in modern media culture. In the five-minute video, Chan adopts the persona of a teenage internet user creating her own confessional online diary, using social media — sharing, posting, following — to confront issues of privacy, voyeurism and online identity.

Beyond the Interface — London runs at the Furtherfield Gallery until 21 June, 2015

See original post on WIRED UK

MKE Journal Sentinel

Nathaniel Stern scans artwork into being
Mary Louise Schumacher for the Milwaukee Journal Sentinel

MJS-Rippling
It’s a quirk of human nature to want to see the world through facsimiles of it. That instinct — to look at pictures — is as old as humankind. It defines us, really.

So what happens when the world itself seems to be a terrain of copies, when our days are filled with more images of people and places than actual ones, for instance.

This is the territory of Milwaukee artist Nathaniel Stern, who just had a solo show at the Tory Folliard Gallery, some of which remains on view. Stern creates work he calls Compressionism, images made by strapping a desktop scanner to his body and scanning various landscapes in steady long lines, sweeping motions, quick pogo stick-like hops or while scuba diving underwater. These scans are then turned into artworks using photographic or inkjet printing processes.

In “Soft,” for instance, we see what looks like scrubby, organic matter undulating in water and pressed up against glass, presumably the face of the scanner. It’s akin to what we might expect from a work of art, a pictorial depiction beneath glass. But we also see the gravity of it, the sensation of these wheat-colored plants with a faint purple tinge brushing against the surface.

Distorting waves, not unlike those of an analog TV screen with the horizontal hold out of whack, are a visual hint that we’re looking at manipulated media. Throughout the series, mysterious digital hiccups, skips, drags and scratches are further pictorial pointers. In them, oscillations of time and movement are inferred. Some works have an inherent quickness, while others are more unhurried and stretch out a moment in time.

Barely detectable inside this expression of narrative is the artist himself, and the sense of performance he brings physically to the work. He says he “performs images into existence.” I like that. I like that the primary artistic act of this work, fundamentally about the mediation of imagery, isn’t made with a computer but with a body out in the world doing things.

It is intriguing to consider our changing visual literacy, by the way. Much of Stern’s iconography would be unintelligible to our 19th-century counterparts.

The best works in the “Rippling Images” series, for me, were those where realism, simulation and abstraction combined in playful and surprising ways, when the digital ripples and the watery ones that are Stern’s subject become inseparable, when reality and its copies dance.

The result is something quite transporting, works reminiscent of the primordial and the pliability of human perception in the 21st century. My only quibble is the somewhat informal presentation of the works, which are set loosely into the frames so that ripples in the paper are visible. I’m told this is intentional, that the artist wants us to see these prints as objects with a surface. I’m just not sure this works.

Stern is represented by the Tory Folliard Gallery, 233 N. Milwaukee St., which is currently showing some of his works. He also has related work up at the Milwaukee Institute of Art & Design, 273 E. Erie St., through Saturday, Dec. 6. He will also have a show at the Museum of Wisconsin Art, 205 Veterans Ave., West Bend, opening April 11. For more information: nathanielstern.com

TEDx talk

“Nathaniel Stern is an awkward artist, teacher and writer, who likes awkward art, students and writing. Stern’s talk, Ecological Aesthetics, discusses tweets in space, scans at the bottom of the sea, interactive installations, and art in virtual worlds – all work about the complex relationships between humans, nature, and politics.”

tedx uwmilwaukee

What is TEDx?

“Imagine a day filled with brilliant speakers, thought-provoking video and mind-blowing conversation. By organizing a TEDx event, you can create a unique gathering in your community that will unleash new ideas, inspire and inform…. A TEDx event is a local gathering where live TED-like talks and videos previously recorded at TED conferences are shared with the community.” – from the TED web site

 

 

WIRED

This Guy Takes Awesome Underwater Photos With a Desktop Scanner
Jason Kehe

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Nathaniel Stern is diving off the coast of Florida, scanning the gorgeous seascape before him—literally. He’s got a desktop scanner strapped to his back, uploading images to an on-board Windows tablet. A few jellyfish, a bit of coral, the expanse of blue—he scans it all. He isn’t capturing these images for science or study, but for gallery walls.

Stern is a digital artist, and for the past 10 years, this has been his medium. His latest show, Rippling Images, opens today at the Tory Folliard Gallery in Milwaukee (it premiered at South Africa’s Turbine Art Fair in July). Its 18 “underwater performative prints” are distorted swashes of vibrant color—what you’d expect if you scanned, say, a school of fish—but beautiful just the same.

“For me,” Stern says, “the way time and space are folded into each image—as vertical slashes or angled swooshes of movement and stasis—are like potent mappings of land and sea, body and technology, together.”

The series, which the artist calls “Compressionism,” began in 2005 in South Africa, where Stern was living at the time. He’d been experimenting with various kinds of interactive art, and galleries started seeking his work. He had no idea what to do, so he simply showed up at a gallery with his “mobile studio”: laptop, video camera, scanner, and hard drive. Then he scanned every object he could find, from windows and walls to doors and benches. He hung each print alongside to its subject—a scan of a window next to the window, for example—and hoped people would get it.

“I thought this would be an intervention in how we understand space and tech,” he says. “People went gaga for it.”

One of Stern’s favorite artists, William Kentridge, attended the show, and said Stern’s prints reminded him of Japanese woodcuts like Hokusai’s classic The Great Wave Off Kanagawa. “You should go out and scan the landscape,” Kentridge told the artist.

For the next decade, he did just that.

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Making His Own Water Lilies

His favorite work—prior to Rippling Images, of course—was Giverny of the Midwest, his techy homage to Monet’s Water Lilies. (Stern is a self-described fan of the impressionist.) To create it, Stern brought a laptop, five scanners and battery packs, and two student assistants to South Bend, Indiana, to spend three days scanning a lily pond. The water claimed two scanners and his phone, but they wound up with 130 scans that Stern then spent two years editing into an installation composed of 93 prints. Laid out in a Mondrian-like arrangement, the piece covers more than 250 square feet and is nearly identical in size to Monet’s masterpiece. Giverny of the Midwest was shown in South Africa in 2011, but Stern’s continued to work on it since, and it will have a US debut at the Museum of Wisconsin Art in April next year.

After he’d waded through water for Giverny, Stern decided it was time to go under it. His brother-in-law Emyano Mazzola, an Italian scuba instructor (and Stern’s occasional photographer), suggested scanning a coral reef. He sought a grant from University of Wisconsin–Milwaukee, where he teaches. It loved the idea, so he became a certified diver and went to the Florida Keys.

Though he’s been using rigs of various sorts over the years, going underwater posed a particular challenge. He designed 10 rigs, built five, and brought three. One consisted of a FlipPal portable scanner and a DryCase for the tablet. But the “most fun” rig, Stern says, was made entirely of Plexiglas. Vacuum-sealed with a bike valve, it kept his Windows tablet dry.

To a point. The rig started leaking at 30 feet (it was supposed to go to 60), and some of the images included scratches and bubbles. “I love this,” Stern says. “The work is meant to frame and amplify the forces of land and sea, show how they affect movements and actions and performances. None of this technology ever did precisely what I wanted or intended, and you can see that in every image. It’s beautiful.”

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Scanning On

That’s one reason Stern wants to keep creating this kind of art—an unusual move in an era when digital artists are expected to constantly grow, adapt, iterate, change. “To stick with one image-making process for 10 years—and it’s easily going to be another 20—is not something most digital artists do,” says Stern, who’s planning an ice dive for his project. “The process and what comes out of it are so rich and full of wonder.”

Don’t believe him? If you meet him on the street, Stern might even give you a try: He loves watching people attempt to scan their world for the first time. “They want to move quickly,” Stern says. “But the images don’t capture anything. Then they start to slow down. And instead of just moving, they’re moving with, or moving around. It’s pretty magical to watch people dance with the landscape.”

“You can hear,” he adds, “that I’m a hopeless romantic.”

RIppling Images

For Rippling Images, I worked with a team to produce a marine-rated, desktop scanner-based imaging rig, and performed a new series of digital artworks while scuba diving on a live coral reef off the coast of Key Largo in Florida.

Length, 2m40s

download Rippling Images as mp4 QuickTime

Play Video
Click To Play

Read the original on WIRED.com

MKE Journal Sentinel

Visual Arts Splash Fall Season with Color: Must-see exhibits, projects are on the calendar
This article by Mary-Louise Schumacher appeared in both the online and print editions of the MJS

MJS-Rippling

With a number of shows that look at the landscape through a 21st-century lens — whether Nathaniel Stern’s underwater impressions, Terese Agnew’s contemplation of layered epochs, Pegi Christiansen’s walks through a sculpture garden or John Shimon and Julie Lindemann looking at the state of Wisconsin as a medium of sorts — the coming months promise many ways to consider the world.

Here are some visual art exhibits and projects not to miss in the coming months, including several that will be open for Gallery Night & Day, the citywide art crawl this Friday evening and Saturday.

Nathaniel Stern

Tory Folliard Gallery, 233 N. Milwaukee St.

This is pretty much Nathaniel Stern’s year. While he’s shown some of his collaborative works in Milwaukee for some years, he has not shown the solo work he is most known for internationally. For this work, he straps a scanner, laptop and custom battery pack to his body and “performs into existence” his strange and beautiful artworks. What’s more he does this in and under water with a special rig made at the University of Wisconsin-Milwaukee. There are moments of intense clarity that surface from the visual skips and drags. These 21st-century versions of Impressionism debut Friday at the Tory Folliard Gallery. Stern will speak at 1 p.m. Saturday. He also will have work exhibited at the Milwaukee Institute of Art & Design, 273 E. Erie St., as part of “Vital Technology,” starting Friday and at the Museum of Wisconsin Art starting April 11.

Read the rest of this article in the online or print editions of the MJS

Popular Mechanics

These Stunning Underwater Photos Were Taken With a Desktop Scanner
Tim Newcomb

Stern traverses the land- or seascape with a desktop scanner, computing device + custom-made battery pack, + performs prints into existence.

Rippling Images is a fitting name for Nathaniel Stern’s latest works of art, and in more ways than one. The collection shows off 18 prints captured under the rippling water of a live coral reef near Kay Largo, Fla., and he made those images using a device known for rippling: a desktop scanner.

Stern has been known for more than a decade for his method of scanning landscapes. The inspiration for this aqueous art came when his brother-in-law suggested he take the idea under the sea. Stern says he designed 10 different subaqueous scanner systems, built five to completion, and took three with him underwater. The scanners used custom electronics, plus melted and welded Plexiglas, metal, towels, and even some duct tape to operate in the ocean.

“They leaked, they broke, and they captured things I never wanted and never intended,” he says. But that’s what you get with experimental work.

RIppling Images

For Rippling Images, I worked with a team to produce a marine-rated, desktop scanner-based imaging rig, and performed a new series of digital artworks while scuba diving on a live coral reef off the coast of Key Largo in Florida.

Length, 2m40s

download Rippling Images as mp4 QuickTime

Play Video
Click To Play

Using custom-made rigs and battery packs, Stern strapped the devices to his back or held them out in front as he swam to capture the beauty and color of the reef and the marine life that frolics nearby.

“My goal was an exhibition where site and technology—their limitations, possibilities, and potentials—take great agency in the constitution and construction of printed forms,” he writes on his website. “I provoke thinking and feeling and movement that never would have came to me had I not worked beyond the scope of what was possible.”

Stern’s images debuted during a July art fair in Johannesburg, South Africa. They now lead a solo Rippling Images show that will run from Oct. 17 through Nov. 15 in the Tory Folliard Gallery in Milwaukee, Wisc.—Stern’s hometown. A scan through the 18 prints can toss a ripple into what you thought possible from a nearly antiquated piece of electronics.

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See the original article on Popular Mechanics.

MKE Journal Sentinel

Artist Nathaniel Stern scans a subaqueous terrain
This article by Mary-Louise Schumacher appeared in both the online and print editions of the MJS

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If memory serves, the first time I laid eyes on Nathaniel Stern, it was in a Facebook profile picture years ago. He was standing up to his chest in a lily pond, a straw hat tipped over his brow and sweeping what looked like a desktop scanner over the surface of the water. I remember thinking, “Who is this modern-day Claude Monet pondering perception in new ways?”

Since then, I’ve had the chance to get to know Stern, who is a contributor to Art City, the Milwaukee Journal Sentinel’s online journal about art, architecture, design and the urban landscape. And while I’ve seen many of his installations, prints and videos here in Milwaukee, I’ve not had the chance to see some of his highly unusual scanner work, except in online reproductions and a few small prints.

Though they’ve been exhibited elsewhere in the world, including South Africa, they’ll be exhibited here for the first time at the Tory Folliard Gallery in October. For his more recent scanner pieces, Stern straps on the scanner, laptop and custom battery pack and “performs images into existence.” Lately, this process has taken Stern beneath the water’s surface to subaqueous terrain, too.

Truth be told, by today’s standards, scanners are pretty quaint technology, not the kinds of machines one typically dunks in the drink. Stern not only took months of diving lessons to be able to do this work, he spent countless hours with a team at the University of Wisconsin-Milwaukee designing a special rig for his equipment, which leaked horribly in the first several attempts.

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Nathaniel Stern has a desktop scanner strapped to his body while scuba diving to create his latest series of art images.

The resulting images, some made on a coral reef off the coast of Key Largo in Florida, are beautiful and strange. I can’t wait to see them on the gallery wall. I’m reminded of the way the mind perceives, less directly than we might imagine, filling in pieces of what we see not unlike the way computers fill in pixels based on sophisticated, technology-driven guesses. There are moments of intense clarity that surface from the visual skips and drags. They are so otherly, but the images will also be familiar to anyone used to the digital hiccups of the 21st century.

As a writer at Gizmodo asked, maybe this is how fish see the world.

“The resulting artworks are full of care, thought, and wonder,” states the website for the Tory Folliard Gallery, 233 N. Milwaukee St. The show opens Oct. 17.

Mary Louise Schumacher is the Journal Sentinel’s art and architecture critic. Follow her coverage at Art City: www.jsonline.com/artcity.

See the original article by Mary-Louise Schumacher online or in print.

Juxtapoz

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After much trial and even more error, artist Nathaniel Stern was finally able to create an underwater casing for a flatbed scanner. With the help of a team, Stern was able to develop custom software and hardware that he would use with his underwater scanner while scuba diving off the coast of Key Largo, Florida in a live coral reef. The resulting images are bold abstractions of the coral that Stern captured with his scanner and mirrors the ripples of water in the way the scanner creates each composition.

text by Canbra Hodsdon

mangrove

Metallic print (2014); 500 x 1000 mm

mangrove
reef

Metallic print (2014); 500 x 1000 mm

reef
school

metallic print (2014); 500 x 1000 mm

school
composition

metallic print (2014); 300 x 500 mm

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flower

metallic print (2014); 300 x 500 mm

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fossilized

metallic print (2014); 300 x 500 mm

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jellyfish

metallic print (2014); 300 x 500 mm

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mushroom

metallic print (2014); 300 x 500 mm

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shallow

metallic print (2014); 300 x 500 mm

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formation

metallic print (2014); 210 x 305 mm

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bryum

metallic print (2014); 210 x 305 mm

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fanning

metallic print (2014); 210 x 305 mm

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fishness

metallic print (2014); 210 x 305 mm

fishness
metallic

metallic print (2014); 210 x 305 mm

metallic
soft

metallic print (2014); 210 x 305 mm

soft
aqueous

metallic print (2014); 130 x 200 mm

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shoring

metallic print (2014); 130 x 200 mm

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surfacing

metallic print (2014); 130 x 200 mm

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TAF Catalog

Interview: Nathaniel Stern, Featured Artist
Photos: Nathaniel Stern
Publisher: Turbine Art Fair, Johannesburg
Date of Publication: 2014
Language: English

Read / download the scan.

TAF-catalog

engadget

 This artist waterproofed a scanner to create stunning ocean art
James Trew for Engadget

Nathaniel Stern dives beneath the sea armed with DIY photography rigs toggled from custom electronics. The artist's results? Bizarre and beautiful.

“In my ongoing series of “Compressionism” prints, I strap a desktop scanner, computing device and custom battery pack to my body, and perform images into existence.” That’s how artist Nathaniel Stern describes his collection of unconventional images captured with a desktop scanner. An extension of this project is “Rippling Images,” a new collection which takes the idea underwater. Stern worked with a team to create a “marine rated” scanner rig, which he took with him as he scuba-dived off the coast of Key Largo, florida. The results in the gallery below show the ocean environment as interpreted through Stern’s scanner and body movements. That explains the rippling part, at least.

mangrove

Metallic print (2014); 500 x 1000 mm

mangrove
reef

Metallic print (2014); 500 x 1000 mm

reef
school

metallic print (2014); 500 x 1000 mm

school
composition

metallic print (2014); 300 x 500 mm

composition
flower

metallic print (2014); 300 x 500 mm

flower
fossilized

metallic print (2014); 300 x 500 mm

fossilized
jellyfish

metallic print (2014); 300 x 500 mm

jellyfish
mushroom

metallic print (2014); 300 x 500 mm

mushroom
shallow

metallic print (2014); 300 x 500 mm

shallow
formation

metallic print (2014); 210 x 305 mm

formation
bryum

metallic print (2014); 210 x 305 mm

bryum
fanning

metallic print (2014); 210 x 305 mm

fanning
fishness

metallic print (2014); 210 x 305 mm

fishness
metallic

metallic print (2014); 210 x 305 mm

metallic
soft

metallic print (2014); 210 x 305 mm

soft
aqueous

metallic print (2014); 130 x 200 mm

aqueous
shoring

metallic print (2014); 130 x 200 mm

shoring
surfacing

metallic print (2014); 130 x 200 mm

surfacing

See original slideshow and post on Engadget

CNET

Homemade undersea scanner finds strange new world
Nathaniel Stern dives beneath the sea armed with DIY photography rigs toggled from custom electronics. The artist’s results? Bizarre and beautiful.
by Leslie Katz for CNET

Nathaniel Stern dives beneath the sea armed with DIY photography rigs toggled from custom electronics. The artist's results? Bizarre and beautiful.
This rig has a bicycle valve so Stern can vacuum-seal it closed when he goes underwater. He got it down to 30 feet before experiencing leaks.

It’s easy to find a good compact underwater camera, but artist Nathaniel Stern opted to go a different route for his deep-sea imaging. Really different. He strapped on homemade rigs built from custom electronics and software, melted and welded plexiglass, plastic bags, duct tape, and other bits and bobs and proceeded to dive into the subaqueous world.

The resulting odd and beautiful renderings make up “Rippling Images,” a new series of fluid and often-abstract images of flora and fauna created as Stern and his marine-rated contraptions dove along a live coral reef off the coast of Key Largo in Florida. Because Stern wears the gizmos, his movements help compose the shots, some of which would look more at home hanging in the Museum of Modern Art than among other, more typical undersea photographs.

As he puts it, “I perform images into existence.”

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Stern gets up close with a three-eyed undersea creature, or maybe that’s just the photographic effect.

“My movements underwater, my relations to life and gravity, what I see and cannot see, fish and plants, breathing and fluidity, all affect and are affected as these images [are] being made,” Stern, a professor of art and design at the University of Wisconsin-Milwaukee’s Peck School of the Arts, says on the project’s website.

Nathaniel Stern dives beneath the sea armed with DIY photography rigs toggled from custom electronics. The artist's results? Bizarre and beautiful.
Nathaniel Stern dives beneath the sea armed with DIY photography rigs toggled from custom electronics. The artist’s results? Bizarre and beautiful.

The images are an outgrowth of Stern’s ongoing “Compressionism” series, in which he hitches a flat-bed desktop scanner, computing device, and custom battery pack to his body and moves through the terrestrial world doing things like swinging over flowers or jumping over bricks to capture images of objects and spaces. When he captures a shot, every part of the image is broken up into moments of time because of how the scanner beam moves across the surface of the scanner and how Stern maneuvers the entire custom rig across the landscape.

For the aqueous version of his art, Stern spent three months getting certified to scuba dive. He and his team designed 10 underwater systems, and built 5 of them to completion. He toted 3 of these hacked-together getups under the sea.

“They leaked, they broke, they scanned scratches on the surface of the boxes, they reflected, they captured things that I never wanted and never intended,” Stern reports, “and that is precisely the nature of experimental work.”

Stern, whose art often focuses on how people engage with and experience the world, previously afforded us Earth-bound social-media addicts the chance to tweet to aliens.

“Rippling Images” will be on display at the Turbine Art Fair in Johannesburg from July 17 to 20, and as a solo show at the Tory Folliard Gallery in Milwaukee in October. For a deeper dive (so to speak) into the project, watch this video.

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“Flower,” a digital print on metallic paper. “The colors and hairs and mossy-like textures came out stronger than I ever could have imagined, in formation, soft and aqueous,” Stern told Crave of his technique.

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“Metallic,” one of the “Rippling Images” pieces created with one of Stern’s undersea rigs.

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Some of the works from the series look like they’d be at home at a modern-art museum.

Read the original article on  CNET

Gizmodo

These Underwater Photos Were Taken By a Desktop Scanner
Kelsey Campbell-Dollaghan for Gizmodo

nathanielstern_underwater

The desktop scanner is a wonderful thing, but rugged it ain’t. Yet Nathaniel Stern didn’t let that stop him: The Wisconsin-based artist, who is known for his experimental camera designs, created a waterproof version of an off-the-shelf scanner that captured a series of incredible images of sea life.

“Everything leaked, everything broke, nothing did what I wanted or expected,” Stern writes on his website about the projectRippling Images, for which he took months of diving courses to become certified to complete it. But the finished product was certainly worth it—here’s how Stern carried it out:

For Rippling Images, I worked with a team to produce a marine-rated scanner rig, including custom hard- and software, and performed a new series of digital works while scuba diving on a live coral reef off the coast of Key Largo in Florida. My goal was an exhibition where where site and technology – their limitations, possibilities and potentials – take greater agency in the constitution and construction of printed forms. My movements underwater, my relations to life and gravity, what I see and cannot see, fish and plants, breathing and fluidity, all affect and are affected in and as these images, being made.

You can check out the complete batch of images on Stern’s website. They’re both bizarre and beautiful, unlike any photos of the marine world I’ve ever seen. It almost feels as though we’re experiencing how fish see the world. [PetaPixel]

See the original post on Gizmodo

Boing Boing

Artistic scanner-photos taken on a coral-reef
Cory Doctorow for Boing Boing

Nathaniel Stern straps modified document scanners to his body and then walks around, producing beautiful, glitched out art-images. Now he’s taken his scanners to the bottom of the ocean.

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For the last decade or so, I’ve been making fine art prints by strapping a desktop scanner, custom battery pack, and computing devices to my body, then traversing the landscape to produce abstract but detailed slit scan imagery… The reasons are threefold: very high resolution; proximity – I’m a part of the landscape I’m capturing, rather than distanced from it (no added lens); and the potency of multiple adjacent times and spaces viewed on a 2D plane.

For the latest in the series, I produced several marine-rated, scuba scanning rigs – metal, plastic and/or polycarbonate, with various forms of gaskets, vacuum seals, and hall effect (magnetically-triggered) buttons to create the scans.

The complete body of work, 18 prints, premiere at the Turbine Art Fair in Johannesburg next week (July 17 – 20). The show comes to Milwaukee WI, where I now live, in October.

Rippling Images

See it on Boing Boing

PetaPixel

Experimental Underwater Scanner Makes for Beautiful Happy Accidents
Gannon Burgett for PetaPixel

If you enjoy strange and experimental photography, Nathaniel Stern‘s work should delight you.

For the past ten years, Stern has been creating experimental image-capturing devices using a conglomeration of hacked-together desktop scanners, battery packs and other various computer components. Once created, he straps these machines to his body and takes them from location to location capturing images unlike any other camera out there.

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In his latest series, Rippling Images, Stern decided to take his images one step further by venturing to take these experimental camera creations underwater. It didn’t come easy though.

Stern spent months getting certified for a number of open-water diving licenses. And when he wasn’t doing that, he was helping his team piece together what would eventually become the five final models of the device he would be taking underwater.

Made out of everything from welded metal to magnetically-triggered buttons, the devices didn’t actually capture what Stern was hoping for at all. But what they capture, Stern still found beautiful… if not more beautiful than his usual work.

The scratched surfaces of the plastic showed up, unplanned reflections made several appearances, and the images were just overall more experimental than he could’ve ever expected:

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Experiment might as well be Stern’s middle name though, so he took everything in stride and used it as a learning experience, sharing his thoughts in a video that we’ve embedded at the top.

It comes in just shy of three minutes, so give it a quick watch to see Stern and his unusual devices at work, and then head over to his website to see more of his work.

Read the article on PetaPixel

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Stern traverses the land- or seascape with a desktop scanner, computing device + custom-made battery pack, + performs prints into existence.The 8’oclock Buzz: Return of the Frankensteined Scanners

Last time we spoke with Milwaukee artist Nathaniel Stern, he was trying to jerry-rig dozens of flatbed scanners to take peculiarly framed, high resolution underwater photographs. Well since then, Nathaniel reports that nearly everything that could possibly go wrong with that project did. Nathaniel Stern joined the Monday Buzz once more by phone from Milwaukee with an update.

Download the mp3 (13mb), or listen to the entire interview about performative printmaking / Compressionism with host Brian Standing: